本文選題：周立波小說(shuō) + 女性化��； 參考：《湖南理工學(xué)院》2017年碩士論文

【摘要】：性別心理對(duì)于作家的創(chuàng)作具有重要意義,周立波小說(shuō)陰柔的藝術(shù)風(fēng)格與“女性化”創(chuàng)作心理有著十分密切的聯(lián)系,本文立足于此,闡述了周立波小說(shuō)創(chuàng)作所體現(xiàn)出來(lái)的“女性化”藝術(shù)特征,探討這一藝術(shù)表征背后的深層意蘊(yùn),即主體間性的客觀存在,并將這一藝術(shù)特征納入現(xiàn)代同類(lèi)創(chuàng)作歷史中予以考察,以尋求周立波小說(shuō)在中國(guó)現(xiàn)當(dāng)代文學(xué)發(fā)展進(jìn)程中所發(fā)揮的特殊作用。本文一共分為三個(gè)部分:第一部分緒論,介紹了周立波小說(shuō)的研究現(xiàn)狀,說(shuō)明了本選題的背景與意義,并對(duì)“女性化”和“主體間性”進(jìn)行了初步的界定。第二部分正文,共分三章。第一章從敘述姿態(tài)、情感特點(diǎn)、人物形象三個(gè)方面論證了周立波小說(shuō)“女性化”的創(chuàng)作心理。系統(tǒng)梳理周立波小說(shuō)“女性化”的藝術(shù)表征是為了挖掘其中的獨(dú)特內(nèi)涵,即主體間性。因此,第二章圍繞著身體與愛(ài)情兩個(gè)維度對(duì)其主體間性進(jìn)行了深層的考察,一方面,周立波表現(xiàn)出對(duì)于女性主體的尊重與建構(gòu);另一方面,周立波畢竟是一個(gè)男性作家,不可能完全放棄其男性主體,主體間性存在著某種失和。第三章將周立波小說(shuō)的“女性化”放在縱向的歷史中進(jìn)行考察,認(rèn)為周立波小說(shuō)的“女性化”所體現(xiàn)的陰柔指向一種現(xiàn)代的認(rèn)識(shí)“裝置”。從憂(yōu)郁到純凈的情緒轉(zhuǎn)化中,顯示出周立波對(duì)以郁達(dá)夫?yàn)榇淼默F(xiàn)代傳統(tǒng)的超越;在自然風(fēng)景從夢(mèng)境到現(xiàn)場(chǎng)的切換中,表明了周立波對(duì)沈從文的超越。值得注意的是,陰柔本身處于一種雜糅的狀態(tài),孫犁的陰柔是由傳統(tǒng)審美價(jià)值觀主導(dǎo),周立波小說(shuō)則體現(xiàn)出陰柔的現(xiàn)代嬗變。第三部分結(jié)語(yǔ),對(duì)周立波小說(shuō)中的“女性化”傾向進(jìn)行了總體評(píng)價(jià),指出周立波小說(shuō)的“女性化”特質(zhì)內(nèi)在著作者構(gòu)建男性主體與女性主體間多元并存關(guān)系的努力,而“女性化”與主流政治話(huà)語(yǔ)是一種既相互消解、又相互利用的關(guān)系,最后就本選題研究的進(jìn)一步深化與拓展提出了粗淺的看法。
[Abstract]:The gender psychology is of great significance to the writer's creation. The feminine artistic style of Zhou Libo's novel is closely related to the "feminization" creation psychology. This article, based on this, expounds the artistic features of "feminization" embodied in Zhou Libo's novel creation, and probes into the deep implication behind this artistic representation, that is, the inter subjectivity. The objective existence of sex, and the introduction of this artistic feature into the modern history of the same kind, will be investigated in order to find the special function of Zhou Libo's novel in the development of Chinese contemporary literature. This article is divided into three parts: the first part is the introduction, introducing the research status of Zhou Libo's novels, and explaining the background and the background of this topic. The meaning of "feminization" and "intersubjectivity" has been preliminarily defined. The second part of the text is divided into three chapters. The first chapter demonstrates the creation psychology of "feminization" from the three aspects of narrative attitude, emotional characteristics and character image. It systematically combs the artistic representation of "feminization" of Zhou Libo's small theory in order to excavate it. In the second chapter, the second chapter focuses on the inter subjectivity of the body and the two dimensions of love. On the one hand, Zhou Libo shows the respect and construction of the female subject; on the other hand, Zhou Libo is a male family, and it is impossible to completely abandon the male subject and save the intersubjectivity. In the third chapter, in the third chapter, the "feminization" of the novel is studied in the longitudinal history, and the feminization of Zhou Libo's novel is considered as a modern "device". From melancholy to pure emotional transformation, Zhou Libo shows the modern tradition of Yu Dafu, represented by Yu Dafu. More; in the change of natural scenery from dream to scene, it shows Zhou Libo's Transcendence to Shen Congwen. It is worth noting that the femininity itself is in a mixed state, the femininity of Sun Li is dominated by the traditional aesthetic values, and Zhou Libo's novel embodies the feminine modern evolution. The third part is the conclusion of the "women" in Zhou Libo's novels. The tendency of "transformation" has been evaluated in general. It is pointed out that the "feminization" characteristics of Zhou Libo's novels are inherent in the author's efforts to construct the multiple coexistence of the male subject and the female subject, while "feminization" and the mainstream political discourse are a kind of mutual digestion and mutual utilization. Finally, the further deepening and expansion of this topic research is made. A shallow view is put forward.
【學(xué)位授予單位】：湖南理工學(xué)院
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.42

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