本文選題：文化習(xí)得 + 身分缺失　； 參考：《民族文學(xué)研究》2017年06期

【摘要】：百年新詩在"格律"與"自由"之間曾出現(xiàn)過出離與復(fù)歸的搖擺,但顯然,西化式寫作已然成為漢語詩歌寫作的一大潮流。在部分少數(shù)民族文人匯入新詩的西化寫作浪潮之同時,饒有意味的是,邊地貴州的水族詩人潘一志卻寫出了古典漢詩韻味十足的舊體詩,這一獨(dú)特的文化景觀為現(xiàn)代漢語詩歌的發(fā)展路向提供了不一樣的思考。從文化的被啟蒙到文化自覺,文化身分的混雜與家國重建努力的時代背景,共同催生了以潘一志為代表的少數(shù)民族詩人舊體詩寫作的現(xiàn)代因子。將此類詩歌置放在百年新詩歷程的現(xiàn)代性語境下去考察,不僅具有民族文學(xué)研究的意義,對于現(xiàn)代中國詩歌的發(fā)展也大有裨益。
[Abstract]:The century-old poetry has been swinging between "Rhythm" and "Freedom", but it is obvious that westernized writing has become a major trend in Chinese poetry writing. While some minority literati have merged into the westernized writing tide of new poetry, it is significant that Pan Yizhi, a aquatic poet in the border region of Guizhou, has written old style poems with the full charm of classical Chinese poetry. This unique cultural landscape provides different thinking for the development of modern Chinese poetry. From the enlightenment of culture to the consciousness of culture, the mixing of cultural identity and the background of the reconstruction of the family and country, the modern factors of the traditional poetry writing of the minority poets, represented by Pan Yizhi, were spawned together. It is not only of significance to study the national literature, but also beneficial to the development of modern Chinese poetry.
【作者單位】： 貴州民族大學(xué)文學(xué)院;
【基金】：國家社會科學(xué)基金項(xiàng)目“新詩寫作背景下的舊體詩研究(1917-1927)”(項(xiàng)目編號:15BZW177)階段性成果
【分類號】：I207.25

【相似文獻(xiàn)】

相關(guān)會議論文 前2條

1 潘必誠;;潘一志對聯(lián)拾遺[A];水家學(xué)研究（二）——貴州省水家學(xué)會第一屆學(xué)術(shù)討論會及貴州省水家學(xué)會第二屆學(xué)術(shù)討論會論文匯編[C];1989年

2 胡嶸權(quán);;水族知識分子潘一志形象的詩意文本——簡評馮舉高的《彎路直走》[A];水家學(xué)研究（五）——水家族文明[C];2010年

，

本文編號：1995924