本文選題：抗戰(zhàn)戲劇 + 陪都　； 參考：《西南大學(xué)》2017年碩士論文

【摘要】：抗日戰(zhàn)爭時期,重慶一躍成為國際名城,眾多文人紛紛前往重慶并創(chuàng)作了大量書寫陪都重慶的作品。在戰(zhàn)爭語境和陪都身份的規(guī)約下,抗戰(zhàn)戲劇中的陪都重慶呈現(xiàn)出豐富駁雜的多重面孔;戲劇明暗場與意識形態(tài)的結(jié)合,使戲劇中的陪都重慶形象有著區(qū)別小說的特殊魅力;作為城市的延伸的人是戲劇的核心,一顰一笑、一舉一動成為反觀重慶的重要窗口。本文從多個維度對抗戰(zhàn)戲劇中的重慶形象進(jìn)行闡發(fā),發(fā)掘重慶城市想象的特性和價值,并期冀對抗戰(zhàn)戲劇研究有所推進(jìn)。全文的思路結(jié)構(gòu)和主要內(nèi)容如下:緒論部分。介紹研究現(xiàn)狀,闡發(fā)選題價值,提出研究思路。第一章陪都:因戰(zhàn)生變之城。本章討論重慶戰(zhàn)時首都地位的確定對戲劇創(chuàng)作和重慶書寫的影響。作家對戰(zhàn)時首都形象的認(rèn)同和維護(hù),戲劇創(chuàng)作應(yīng)抗戰(zhàn)的需要,國民黨對文藝的統(tǒng)制,使得重慶的精神堡壘形象得到強(qiáng)化;重慶作為抗戰(zhàn)司令部遭受日軍的大轟炸,但敵人的轟炸非但沒能摧毀人民抗戰(zhàn)的決心,反而激發(fā)了人民的民族認(rèn)同感,喚醒了人民的民族意識,民族話語壓倒一切貫穿抗戰(zhàn)戲劇的始終;重慶雖是戰(zhàn)時之都,但劇作家與重慶貌合神離的體驗(yàn)使其難以產(chǎn)生歸屬感,陪都自此淪為陪襯之都,家與國之間彼此離散,于是,在而不屬的人與物成了抗戰(zhàn)戲劇中的典型畫面。第二章空間政治:明暗交錯中的重慶形象。本章以空間政治作為切入點(diǎn),描述了劇作家對戲劇明場與暗場的熟練運(yùn)用。通過戲劇空間及其布局的變動展現(xiàn)了人物身份、命運(yùn)的轉(zhuǎn)變,以空間為斗爭場所體現(xiàn)了不同意識形態(tài)間的對抗。在明暗場的配合下,不同階級的聲音紛紛奏響,占統(tǒng)治地位的階級通過空間分隔,將其他階級排斥在自我空間之外,使得另一階級只能在暗場中頻頻發(fā)聲以此挑戰(zhàn)統(tǒng)治階級的權(quán)力。在抗戰(zhàn)戲劇中,勞動階級的聲音是響徹在暗場里的“鐘聲”,鐘聲的響起對戲劇情節(jié)有著重要的影響,體現(xiàn)出劇作家對于勞動階級的關(guān)注,也體現(xiàn)出勞動階級作為一個新的文學(xué)生長點(diǎn)在文學(xué)作品中的翻身。第三章熔爐:命運(yùn)的鍛造廠。本章分析了城市的主體即人,以人來反觀重慶。劇作家傾向于設(shè)置正反對峙的戲劇人物結(jié)構(gòu),在反差中滿足戲劇的需要、傳達(dá)劇作家的價值判斷;在后方重慶的現(xiàn)實(shí)環(huán)境與戲劇的共同作用下催出了兩朵奇花,以延宕的青年和寄生草般的女性這兩種人物群像為代表,通過這些青年的走向以及后方重慶女性的境遇以此叩問了中國的未來,反思了重慶的社會現(xiàn)實(shí)。
[Abstract]:During the War of Resistance against Japan, Chongqing became an international city, many scholars went to Chongqing and created a lot of writing works of Chongqing. Under the stipulation of war context and capital identity, Chongqing, the capital of the War of Resistance against Japan, presents rich and complicated faces, and the combination of drama, dark and light, and ideology makes the image of Chongqing, the capital of the drama, with the special charm of distinguishing novels. As an extension of the city, people are the core of drama. This paper analyzes the image of Chongqing in the drama of the War of Resistance against Japan from several dimensions, explores the characteristics and values of Chongqing's urban imagination, and hopes to promote the study of the drama of the War of Resistance against Japan. The structure and main contents of this paper are as follows: introduction. This paper introduces the present situation of the research, explains the value of the selected topic, and puts forward the research ideas. Chapter one: the capital: the city changed by war. This chapter discusses the influence of Chongqing's wartime capital status on drama creation and Chongqing writing. The writers' recognition and maintenance of the image of the wartime capital, the need for drama creation to meet the needs of the War of Resistance against Japan, and the Kuomintang's control of literature and art strengthened the image of Chongqing's spiritual fortress, which was bombed by the Japanese army as the headquarters of the War of Resistance against Japan. However, instead of destroying the people's determination to resist the war, the enemy's bombing has aroused the people's national identity and awakened the people's national consciousness. National discourse prevailed throughout the drama of the War of Resistance against Japan. Although Chongqing was the capital of the war of war, But the experience of the playwright and Chongqing makes it difficult to produce a sense of belonging. Since then, all the playwrights have become the capital of the foil, and the families and countries are separated from each other. Therefore, the people and things which do not belong to it have become a typical picture in the dramas of the War of Resistance against Japan. Chapter two Space Politics: the Image of Chongqing in the intertwining of Light and Dark. In this chapter, space politics is taken as the starting point to describe the dramatists' skillful use of the drama's bright and dark fields. Through the change of drama space and its layout, the characters' identity and fate are changed, and the confrontation between different ideologies is embodied in the space as the place of struggle. With the cooperation of the light and dark fields, the voices of different classes played one after another, and the dominant class separated by space excluded the other classes from their own space. The other class could only challenge the power of the ruling class in the dark. In the drama of the War of Resistance against Japan, the voice of the working class is the "bell" ringing through the dark field, and the ringing of the bell has an important influence on the drama plot, reflecting the playwright's concern for the working class. It also reflects the transformation of the working class as a new literary growth point in literary works. Chapter III melting Furnace: the forging Factory of fate. This chapter analyzes the main body of the city, that is, people, to reflect Chongqing. The playwright tends to set up the structure of the character of the drama, meet the needs of the drama in contrast, convey the value judgment of the playwright, and push out two wonderful flowers under the action of the realistic environment and the drama in the rear of Chongqing. Taking the delayed youth and the parasitic grass like women as the representatives, this paper explores the future of China and reflects on the social reality of Chongqing through the trend of these young people and the situation of Chongqing women in the rear.
【學(xué)位授予單位】：西南大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.3

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