發(fā)布時間：2018-05-29 10:22

  本文選題：“同光體” + 荒寒��； 參考：《蘇州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版)》2017年05期

【摘要】："同光體"是晚清民初詩壇上具有影響的理趣詩派。詩人論詩標(biāo)舉荒寒,以理趣為宗。參禪習(xí)道以悟幽邃之玄理,摹寫畫境以得瘦硬之逸趣,錘煉雋語以抒清雅之真意,都是詩人焦慮心理的抒寫。清、寒、瘦之品格已不囿于宋人境域,作詩究心宋人詩法,效法江西舊體;昒鑄唐詩風(fēng)骨,刻畫清寒瘦硬;打通唐宋"三元",追摹魏晉玄言,體現(xiàn)詩人宣泄情緒途徑的多樣性。詩風(fēng)幽渺典奧,推崇生澀奧衍之贛派善以瘦硬之筆寫困境,雅好清蒼幽峭之閩派能以清遠之風(fēng)寫玄境,力求字重光堅之浙派好以幽寒之辭寫禪境,是詩人消解焦慮方式在詩中的呈現(xiàn)。體式鉤章棘句,多用硬語、雋語、玄言,以避俗避熟;遠效江西、近取桐城,以古文章法為詩;作詩務(wù)求新異,澀體以古為新,是焦慮之語與詩、書、畫、學(xué)眾藝的融合。
[Abstract]:Tongguang style is an influential rationalistic poetic school in late Qing Dynasty and early Republic of China. The poet discusses the poem to raise the desolate cold, takes the rational interest as the sect. It is the poet's anxiety to learn the profound metaphysics of Zen practice, to describe the painting environment to get the thin and hard interest, and to exercise his words to express the true meaning of elegance. The character of Qing, Han and thin was not confined to the boundary of Song Dynasty, so he wrote poems to study the poetic style of Song people, imitating the old style of Jiangxi, casting the strength of Tang poetry, portraying the Qing Dynasty, thin and hard, unblocking the "three Yuan" of Tang and Song dynasties, and copying the words of Wei, Jin and Xuan, which reflected the diversity of the poet's cathartic ways. The poetic style is ethereal, and the Gan School, which exalts the new and astringent arcane Yan, writes its predicament with thin and hard brushes. The Ya Ching School of Fujian can write the metaphysical realm with the wind of Qingyuan, and strive for the Zen state to be written in the form of cold and cold words by the Zhejiang School of heavy Light and Harmony. It is the presentation of the poet's way of dispelling anxiety in the poem. The style hooks a ratchet sentence, uses the hard language, the Jun, the metaphysical word, avoids the common custom to avoid familiar; the distant effect Jiangxi, takes Tongcheng, takes the ancient style as the poem; writes the poem to seek for the new difference, the astringent body takes the ancient as the new, is the anxious language and the poem, the book, the painting, the study common skill fusion.
【作者單位】： 中南民族大學(xué)文學(xué)與新聞傳播學(xué)院;
【基金】：國家社會科學(xué)基金項目“《桐城文學(xué)淵源考》補正”(項目編號:16BZW038)的階段性成果
【分類號】：I207.22

【相似文獻】

相關(guān)期刊論文 前10條

1 袁進;;重新理解“同光體”作家的思想和創(chuàng)作[J];社會科學(xué);2006年09期

2 賀國強;;論“同光體”的形成[J];韶關(guān)學(xué)院學(xué)報;2007年11期

3 周頌喜;關(guān)于“同光體”[J];湘潭大學(xué)學(xué)報(社會科學(xué)版);1987年04期

4 陳子波;;論同光體詩[J];文化月刊(詩詞版);2006年05期

5 閆繼英;;“同光體”形成的必然性[J];齊齊哈爾師范高等�？茖W(xué)校學(xué)報;2007年06期

6 賀國強;;論同光體詩人袁昶[J];中南大學(xué)學(xué)報(社會科學(xué)版);2008年02期

7 賀國強;魏中林;;“同光體”論析三題[J];鄭州大學(xué)學(xué)報(哲學(xué)社會科學(xué)版);2008年02期

8 王鎮(zhèn)遠;;同光體初探[J];文學(xué)遺產(chǎn);1985年02期

9 馬衛(wèi)中 ,張修齡;“同光體”興起的時代背景和反映的時代精神[J];蘭州教育學(xué)院學(xué)報;1990年02期

10 涂小馬;“同光體”研究綜述[J];蘇州大學(xué)學(xué)報;1998年01期

相關(guān)會議論文 前1條

1 薩本s，

本文編號：1950524