本文選題：清代詩歌 + 鄭板橋��； 參考：《暨南大學》2005年碩士論文

【摘要】：作為清代中期的一位詩人,鄭板橋的詩歌在清代詩歌史甚至在我國古代詩歌史上占有不可忽視的地位。他有著自己明確的詩歌觀念,論詩力倡“沉著痛快”和“自寫性情”,強調詩歌的“經世”精神,要求詩歌廣泛反映社會現實;同時強調詩歌要表達真實情感,因而強調詩歌的創(chuàng)新性和現實性,而不應拘泥于傳統(tǒng)的陳規(guī)陋習。鄭板橋的詩歌一方面密切關注下層勞動人民的命運遭遇,反映社稷民生;另一方面通過自己的親身體驗與耳聞目睹,鄭板橋看到了“盛世”外衣下黑暗腐朽的社會現實,從而發(fā)出“盛世悲音”,在詩作中表達了對社會的不滿與抨擊。由于鄭板橋的性格偏好、詩歌主張、不同藝術之間的相互影響以及所受的社會文化、師承教育等的影響,鄭板橋的詩歌表現出雄健豪邁、語淺情深及莊諧并具的風格特點,并以其“真氣、真意、真趣”構成了鄭板橋詩歌的獨特面貌。無論是在詩歌的思想內容上,還是在詩歌的藝術表達上,鄭板橋詩歌都是對“雅正”的詩歌傳統(tǒng)的解構,體現了新興市民階層審美趣味和精神追求及“俗”化的發(fā)展方向。這種具有當代性的詩歌實踐為清詩的發(fā)展作出了不可磨滅的貢獻。
[Abstract]:As a poet in the middle of Qing Dynasty, Zheng Banqiao's poetry plays an important role in the history of Qing poetry and even in the history of ancient Chinese poetry. He has his own clear concept of poetry, which advocates "to be happy" and "write his own disposition", emphasizes the spirit of "experiencing the world" of poetry, and demands that poetry widely reflect the social reality, and emphasizes that poetry should express real feelings. Therefore, it emphasizes the innovation and reality of poetry, and should not stick to the traditional stereotypes. On the one hand, Zheng Banqiao's poems pay close attention to the fate of the lower working people, reflecting the people's livelihood; on the other hand, through his own personal experience and hearing and seeing, Zheng Banqiao sees the dark and decadent social reality under the cloak of "prosperous times". In order to send out "prosperous times sad sound", expressed the dissatisfaction and criticism to the society in the poem. Because of Zheng Banqiao's personality preference, poetic opinion, the mutual influence of different arts and the influence of social culture and education, Zheng Banqiao's poetry has the characteristics of vigor and heroism, shallow language and deep feeling, harmony and harmony. And with its "true spirit, true meaning, true interest" constitute the unique features of Zheng Banqiao poetry. Whether in the ideological content of poetry or in the artistic expression of poetry, Zheng Banqiao poetry is the deconstruction of the poetic tradition of "elegance", which embodies the developing direction of aesthetic interest and spiritual pursuit and "vulgarization" of the new citizen class. This contemporary practice of poetry has made an indelible contribution to the development of Qing poetry.
【學位授予單位】：暨南大學
【學位級別】：碩士
【學位授予年份】：2005
【分類號】：I207.22

【引證文獻】

相關碩士學位論文 前2條

1 陳曉燕;鄭板橋文學綜論[D];西北師范大學;2006年

2 蘇東澤;鄭板橋詩歌意象研究[D];延邊大學;2012年

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本文編號：1907665