張?zhí)煲硇≌f的文學(xué)史價(jià)值新論
發(fā)布時(shí)間：2018-05-17 00:44
本文選題：張?zhí)煲?/strong> + 文化身份��； 參考：《山東師范大學(xué)》2017年碩士論文
【摘要】：論文由緒論、正文、結(jié)語(yǔ)三部分構(gòu)成。緒論部分。緒論從“論文選題的意義”、“論文選題的研究現(xiàn)狀”、“論文選題價(jià)值與創(chuàng)新點(diǎn)”三個(gè)部分展開。首先從張?zhí)煲碓诂F(xiàn)代文學(xué)史上的創(chuàng)作實(shí)績(jī)?nèi)胧种赋?張?zhí)煲硇≌f所反映的社會(huì)視景的廣度、人性的深度、透視現(xiàn)實(shí)的力度;其次,介紹了張?zhí)煲硇≌f的研究現(xiàn)狀以及選擇本選題的緣由;最后通過分析張?zhí)煲硇≌f研究的缺陷與空白,闡明當(dāng)下進(jìn)行張?zhí)煲硇≌f文學(xué)史研究的意義。正文部分。正文部分由四個(gè)章節(jié)組成。第一章是對(duì)張?zhí)煲淼莫?dú)特文化身份的探析,分為兩節(jié)。著重從史料入手,分析張?zhí)煲淼纳?jīng)歷和精神圖景所呈現(xiàn)的兩個(gè)重要特質(zhì)。一方面,張?zhí)煲硪簧?寓居他鄉(xiāng),是一個(gè)沒有原鄉(xiāng)的漂泊者,他的小說中從未籠罩“鄉(xiāng)愁”,因此在小說地域背景的選擇上多是描寫背景模糊的江南市鎮(zhèn)。另一方面,由于種種原因此前的張?zhí)煲硌芯恐袑?duì)他的個(gè)人情感生活多避而不談,通過挖掘史料,梳理張?zhí)煲淼膫�(gè)人生命體驗(yàn),我們發(fā)現(xiàn)張?zhí)煲淼膫�(gè)人情感生活坎坷波折,而他的小說中也從未表現(xiàn)過愛情、婚姻的溫馨美好,可以說個(gè)人的情感經(jīng)歷在一定程度上導(dǎo)致了他對(duì)愛情的失語(yǔ)。第二章為張?zhí)煲硇≌f道德化敘事的綜合辨析,分為三節(jié)。第一節(jié)具體闡釋張?zhí)煲硇≌f中道德距離的呈現(xiàn),呈現(xiàn)的方式主要有四種手段——通過帶有道德判斷的敘述聲音呈現(xiàn)作者與人物的對(duì)立關(guān)系;對(duì)否定性人物外貌行為上的丑態(tài)反復(fù)渲染和變奏使用拉大道德距離;以放大、特寫的方式漫畫、夸張否定性人物的某一特征;通過人名和題名的設(shè)置巧妙諷刺。第二節(jié)分析張?zhí)煲淼赖禄瘮⑹轮袑?duì)道德距離的控制,以典型文本《包氏父子》《一件尋常事》《團(tuán)圓》等為例,對(duì)張?zhí)煲淼赖禄瘮⑹碌牧硪粋�(gè)特質(zhì)進(jìn)行分析,即作者有意控制道德距離,更注重作家在面對(duì)具體生命時(shí)的真實(shí)感受。第三節(jié)探析張?zhí)煲硇≌f道德化敘事的意義:改良社會(huì)與人生,一定程度上超越二元對(duì)立的左翼敘事模式。第三章為張?zhí)煲硇≌f的文化反思闡釋,分為三節(jié)。第一節(jié)針對(duì)張?zhí)煲韺?duì)五四以后“新文化”的表現(xiàn)與反思,通過《巧格力》、《出走以后》等典型文本,具體分析張?zhí)煲硇≌f對(duì)西方文化沖擊下中國(guó)社會(huì)結(jié)構(gòu)變動(dòng)的敏銳嗅覺,新文化在改造舊中國(guó)市民思想時(shí)顯現(xiàn)的問題,以及五四以后成長(zhǎng)起來(lái)的青年對(duì)革命的退守態(tài)度。第二節(jié)分析張?zhí)煲硇≌f中的民間道教文化,闡釋張?zhí)煲韺?duì)道教文化批判的執(zhí)著用心與文化意義。第三節(jié)重點(diǎn)分析張?zhí)煲硇≌f文化反思的特點(diǎn)與價(jià)值,作家表現(xiàn)了濃厚的“告別五四”的意味,傾力關(guān)注社會(huì)底層的苦難人生,與時(shí)代問題緊密相連,顯示了強(qiáng)烈的批判意識(shí)。第四章通過對(duì)張?zhí)煲硇≌f評(píng)介歷史的梳理,分析張?zhí)煲硇≌f評(píng)介史的發(fā)展,并闡明張?zhí)煲碓谙闹厩宓摹吨袊?guó)現(xiàn)代小說史》和大陸文學(xué)史敘述中的差異這一“張?zhí)煲憩F(xiàn)象”是如何發(fā)生的,分為三節(jié)。第一節(jié)梳理建國(guó)前的張?zhí)煲硇≌f評(píng)介,重點(diǎn)分析了“暴露與諷刺”論爭(zhēng)對(duì)張?zhí)煲戆l(fā)生創(chuàng)作轉(zhuǎn)向的影響。第二節(jié)分析新中國(guó)成立后至七十年代末的張?zhí)煲硇≌f評(píng)介特點(diǎn)。第三節(jié)分析八十年代后在新的文學(xué)史敘述格局中的張?zhí)煲砦膶W(xué)史塑形。結(jié)語(yǔ)部分。張?zhí)煲淼男≌f作為類型化文學(xué)作品,在80年代以后的文學(xué)潮流中面臨著被降級(jí)、流放的現(xiàn)實(shí)。然而在張?zhí)煲韺懽餍≌f的30年代中國(guó)文壇,這種高度類型化的戰(zhàn)斗性諷刺是有價(jià)值的,無(wú)論新時(shí)期后張?zhí)煲硇≌f在文學(xué)史評(píng)價(jià)中是否冷清,在崇尚多元而實(shí)際文學(xué)觀念上存在貶低類型文學(xué)的當(dāng)下,重提張?zhí)煲硪约八淼闹S刺類型是有意義的。
[Abstract]:The thesis is composed of three parts: introduction, text and conclusion. Introduction part. The introduction begins with three parts: "significance of topic selection", "research status of topic selection", "value of topic selection and innovation point". First, from Zhang Tianyi's creative achievements in the history of modern literature, the breadth of social view reflected in Zhang Tianyi's novels is reflected. The depth of human nature and the intensity of reality; secondly, it introduces the research status of Zhang Tianyi's novels and the reasons for choosing this topic; finally, through the analysis of the defects and blanks of Zhang Tianyi's novel research, the significance of the study on the literary history of Zhang Tianyi's novels is clarified. The body part is composed of four chapters. The first chapter is on Zhang. The analysis of the unique cultural identity of the wings is divided into two sections. The two important characteristics of Zhang Tianyi's life experience and spiritual picture are analyzed with emphasis on historical materials. On the one hand, Zhang Tianyi wanders throughout his life and resides in his hometown. It is a drifter without a native land, and his novels never cover "homesickness", so in the regional background of the novel. On the other hand, on the other hand, for a variety of reasons, Zhang Tianyi's previous study of Zhang Tianyi's personal emotional life has not been talked about. By digging historical materials and combing Zhang Tianyi's personal life experience, we find that Zhang Tianyi's personal feelings are rough and bumpy, but his novels have never been shown. Love, the warmth and beauty of marriage, can be said that personal experience to some extent led to his aphasia for love. The second chapter is a comprehensive analysis of the moral narrative of Zhang Tianyi's novels, divided into three sections. The first section explains the presentation of the moral distance in Zhang Tianyi's novels, and there are four ways of presenting it. The narrative voice of German judgment presents the opposite relationship between the author and the characters; the ugliness renders and variations of the qualitative characters in the qualitative characters use the widening moral distance; magnifying, writing comics, exaggerating some characteristics of the negative characters; the ingenious satire through the setting of names and titles. The second section analyses the moral narration of Zhang Tianyi. In the case of the control of moral distance in the case of the typical text < Bao's father and son > < a common matter > < "reunion >" as an example, the other characteristics of Zhang Tianyi's Dehua narrative are analyzed. That is, the author intentionally controls the moral distance and pays more attention to the writer's true feelings in the face of specific life. The third section analyses the significance of Zhang Tianyi's novel moral narration: The improvement of society and life, to a certain extent, surpasses the left wing narrative mode of the two yuan opposition. The third chapter is the cultural reflection and interpretation of Zhang Tianyi's novels, which is divided into three sections. The first section aims at Zhang Tianyi's performance and Reflection on the "new culture" after 54, and the specific analysis of Zhang Tianyi's novels to Xi Fangwen through the typical texts such as "clever GREE >" and "after the departure". The sharp sense of the change of Chinese social structure under the impact of the changes, the problems appearing in the new culture in the transformation of the old Chinese citizens' thoughts, and the attitude of the young people who grew up after 54, the second section analyses the folk Taoism culture in Zhang Tianyi's novels, and explains the persistent and cultural significance of Zhang Tianyi's criticism of the Taoist culture. The three section focuses on the analysis of the characteristics and values of the cultural reflection of Zhang Tianyi's novels. The writer shows a strong "farewell to 54" meaning, pays close attention to the suffering life of the bottom of the society, is closely connected with the problems of the times, and shows a strong sense of criticism. The fourth chapter analyzes Zhang Tianyi's novels by reviewing the history of Zhang Tianyi's comment and analyzing Zhang Tianyi's novels. The development of history, and clarifies Zhang Tianyi's "Zhang Tianyi phenomenon" in Xia Zhiqing's history of modern novels of China and the history of continental literature. It is divided into three sections. The first section combs the review of Zhang Tianyi's novels before the founding of the people's Republic of China, and focuses on the influence of the controversy of "exposure and Satire" on Zhang Tianyi's creative turn. The two section analyses the characteristics of Zhang Tianyi's novel evaluation after the founding of new China to the end of the 70s. The third section analyses the shaping of Zhang Tianyi's literary history in the narrative pattern of the new literary history after 80s. The concluding part. As a typed literary work, Zhang Tianyi's novel is faced with the reality of being degraded and exiled in the trend of literary studies after 80s. However, in the Chinese literary world of Zhang Tianyi's writing novels in 30s, this highly typed combat satire is of value. No matter whether Zhang Tianyi's novels in the new period are cold in the evaluation of literary history, there is a disparaging type of literature in the view of pluralism and practical literature, and the irony of Zhang Tianyi and the type of literature it represents. It's meaningful.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.42
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