發(fā)布時間：2018-05-15 13:48

  本文選題：系列小說 + 外部研究　； 參考：《西藏大學(xué)》2017年碩士論文

【摘要】：在藏族文學(xué)評論界,除了對“德本家狗系列小說”有一些個別的研究成果外,藏族系列小說仍屬一塊無人開墾的處女地。故尚未形成一個完整而系統(tǒng)的研究領(lǐng)域,但系列小說作為一個獨立的文學(xué)現(xiàn)象,無論從創(chuàng)作實踐還是學(xué)術(shù)研究,都對藏族現(xiàn)代小說發(fā)展具有不可替代的歷史意義和藝術(shù)價值。因此,本篇論文旨在嘗試填補藏族系列小說研究之空缺,力爭終結(jié)藏族文壇有系列小說而無其研究的現(xiàn)狀。本篇論文所涉及的研究方法有:第一,一切以文本為核心,盡量不囿于理論知識的機械解讀,更多地去挖掘?qū)徝黎b賞的可能性。第二,盡可能地通過實地調(diào)研和電子通訊接近作家,了解和掌握其創(chuàng)作背景及其相關(guān)信息。第三,從敘述學(xué)、美學(xué)、小說美學(xué)、新批評等學(xué)科借鑒和引用相關(guān)研究方法,突破文學(xué)研究只用文學(xué)理論的單一研究模式。本篇論文從整體上分為兩大內(nèi)容即文學(xué)的外部研究和文學(xué)的內(nèi)部研究,但考慮到內(nèi)部研究中美學(xué)研究的重要性,便把它歸類為一個新的章節(jié)后,本篇論文的具體結(jié)構(gòu)為:文學(xué)的外部研究、文學(xué)的內(nèi)部研究、文學(xué)的審美研究。第一章即文學(xué)的外部研究由三個小節(jié)構(gòu)成,第一節(jié)主要談及系列小說之定義和詞源,以及藏族系列小說發(fā)展進程等。第二節(jié)主要側(cè)重于作家研究,即從不同的時代背景、不同的成長環(huán)境、不同的創(chuàng)作經(jīng)驗中了解并掌握三位作家在寫作背景上的不同點和相同點。第三節(jié)中主要搜集和整理文本信息,把“德本家狗系列小說”、《二十一個卓瑪》、《卓香卡》等作品能夠成為系列小說的理由進行詳細闡述,且分析每一部系列小說的構(gòu)成部分以及它們之間的關(guān)系。第二章即文學(xué)的內(nèi)部研究(一)主要把研究的著力點放在文學(xué)作品的形式研究上,通過對每部作品的敘述、語言、節(jié)奏、結(jié)構(gòu)等外部因素進行深入細致的分析,力求找到各系列小說之間的藝術(shù)特點。第三章即文學(xué)的內(nèi)部研究(二)把文學(xué)作品的內(nèi)在研究作為其主要內(nèi)容,圍繞各系列小說在主題選擇的不同、故事鋪展的手法、人物塑造的特點、以及作者心理傾向的研究等對文學(xué)作品內(nèi)部因素進行挖掘,把本篇論文的研究成果盡量推向更深的層面。第四章即文學(xué)的審美研究中主要探索各系列小說中折射出來的民族審美觀和小說作品本身的審美趣味。通過美學(xué)理論,個人審美鑒賞和研究文本所表現(xiàn)的美學(xué)現(xiàn)象相結(jié)合,著力實現(xiàn)小說審美價值的挖掘和探索。
[Abstract]:In the commentaries of Tibetan literature, the Tibetan series of novels still belong to a virgin land of uncultivated land in addition to some individual research achievements in the "German family dog series". Therefore, a complete and systematic research field has not yet been formed, but the series of novels are an independent literary phenomenon, both from creative practice and academic research. It has an irreplaceable historical and artistic value for the development of the Tibetan modern novel. Therefore, this thesis aims to fill the vacancy of the study of the Tibetan series of novels and strive to end the current situation of a series of novels in the Tibetan literary world without its research. Mechanical interpretation of theoretical knowledge, more exploration of the possibility of aesthetic appreciation. Second, as far as possible through field research and electronic communication to close the writers, understand and master their creative background and related information. Third, from the narratology, aesthetics, novel aesthetics, new criticism and other related research methods, to break through literature research only This paper is divided into two main contents, namely, the external study of literature and the internal study of literature. However, considering the importance of the aesthetic research in the internal research, it is classified as a new chapter. The concrete structure of this paper is the external study of literature, the internal research of literature, and the literature. The first chapter, the external study of literature, consists of three sections. The first section mainly talks about the definition and etymology of the series of novels, and the development process of the Tibetan series. The second section mainly focuses on the study of the writers, namely, the understanding and mastery of three positions from different times background, different growth environment and different creative experience. In the third section, the author mainly collects and collects text information, expounds the reasons of "German dog series novel", "Twenty-one Zhuo Ma >", "Zhuo Xiang card" and so on, and analyzes the components of each series of novels and the relationship between them. The two chapter, the internal study of literature (1) mainly put the focus of the study on the form of literary works, through the detailed analysis of the external factors such as the narration, language, rhythm and structure of each work, and striving to find the artistic features between the series of novels. The third chapter is the internal study of literature (two) the literary works. As the main content of the study, the fourth chapter is the main part of the study of literary works. The fourth chapter is the main part of the aesthetic study of literature. In order to explore and explore the aesthetic value of the novel, we should explore the aesthetic values of the national aesthetic and the novel itself, through the combination of aesthetic theory, individual aesthetic appreciation and the aesthetic phenomenon of the study of the text.

【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.42
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本文編號：1892736