本文選題：李山甫 + 生平事跡　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：李山甫是晚唐的一位詩(shī)人,與著名詩(shī)人羅隱齊名。他的詩(shī)文在當(dāng)時(shí)受到極大的推重,且對(duì)后世有一定影響。今存詩(shī)作僅98首:《全唐詩(shī)》卷六四三95首,《全唐詩(shī)補(bǔ)編·續(xù)補(bǔ)遺》、《續(xù)拾》補(bǔ)收3首。本文從李山甫其人其詩(shī)入手,考證其生平事跡及詩(shī)歌作品情況,繼而重點(diǎn)分析李山甫詩(shī)歌表現(xiàn)出的獨(dú)特藝術(shù)特征。李山甫數(shù)次科舉不第對(duì)他造成了莫大的心理傷害,對(duì)其詩(shī)歌的創(chuàng)作產(chǎn)生了很大的影響。后入藩鎮(zhèn)魏博樂(lè)彥禎幕,魏博軍亂后,“不知所終”,故其下落成為了一個(gè)熱點(diǎn)議題。通過(guò)分析考證,筆者比較贊同陳尚君、房銳等先生的看法,李山甫“繼續(xù)輔佐魏博繼任者羅弘信父子”。李山甫作品得以完整保存下來(lái)的數(shù)量有限,但卻也存在一些異文及與他人重出的現(xiàn)象,故將其考述清楚對(duì)其詩(shī)歌進(jìn)行全面分析有一定的必要。由于史料匱乏,故很難將李山甫的這些詩(shī)歌與其生平相聯(lián)系,準(zhǔn)確以系年。為了敘述方便,故按照題材內(nèi)容,將其大致分為五類(lèi):自傷自嘲、幽憤怨恨的落第詩(shī);真摯深沉、情真意長(zhǎng)的交游詩(shī);借物寓懷、托物以諷的詠物詩(shī);懷古傷今、托諷寄寓的詠史詩(shī);憂國(guó)憂民、悲世憫人的時(shí)事詩(shī)。李山甫擅長(zhǎng)近體詩(shī)的創(chuàng)作,尤其重視七律,七絕的突破創(chuàng)新,同時(shí),其唯一的一首七言歌行也很有特色,體現(xiàn)出縱橫豪邁之氣。李山甫受白居易平易詩(shī)風(fēng)的影響,語(yǔ)言上呈現(xiàn)出淺近清麗的特點(diǎn),同時(shí)注重語(yǔ)言的煉字技巧和修辭藝術(shù)。又因受賈島苦吟詩(shī)風(fēng)和佛道兩教思想的影響,在詩(shī)歌意境上體現(xiàn)出清新奇崛、清逸幽寂的特點(diǎn)。最后結(jié)合前人對(duì)李山甫詩(shī)歌的評(píng)價(jià),分析其詩(shī)名不顯、地位不高的原因,同時(shí)通過(guò)與羅隱、杜荀鶴的簡(jiǎn)單比較,對(duì)李山甫詩(shī)歌做出客觀的評(píng)價(jià)與定位。
[Abstract]:Li Shanfu is a poet in the late Tang Dynasty, as famous as Luo Yin. His poems were greatly valued at that time and had certain influence on later generations. There are only 98 poems in existence: six hundred and three hundred and ninety-five volumes in the whole Tang Dynasty, three supplementary works in the supplement of the whole Tang Dynasty, and three supplementary poems in the whole Tang Dynasty. Starting with Li Shanfu's poems, this paper examines Li Shanfu's life deeds and poetic works, and then analyzes the unique artistic features of Li Shanfu's poems. Li Shanfu's several imperial examinations caused great psychological injury to him and had a great influence on his poetry creation. After entering the town of Wei Boleyan screen, Wei Bo army chaos, "do not know the end", so its whereabouts have become a hot topic. Through analysis and textual research, the author agrees with Chen Shangjun and Fang Rui, and Li Shanfu "continues to assist his successor, Luo Hongxin and his son." Li Shanfu's works have been preserved in a limited number, but there are also some different texts and the phenomenon of reproducing with others. Therefore, it is necessary to make a thorough analysis of Li Shanfu's poems. Due to the lack of historical data, it is difficult to link Li Shanfu's poems with his life. For the convenience of narration, according to the content of the subject matter, it is roughly divided into five categories: the poem of self-deprecation and indignation, the poem of friendship, which is sincere and profound, the poem of friendship with sincerity, the poem of chanting things by borrowing things, and the poems of arousing things with sarcasm; and the poem of nostalgia. An epic of sarcasm; a poem about the nation and the people and a pity for the world. Li Shanfu is good at the creation of modern poetry, especially pays attention to the seven laws and the breakthrough and innovation of the seven absolute. At the same time, his only seven-character song line also has its own characteristics, which embodies the heroic spirit of vertical and horizontal. Influenced by Bai Juyi's style of poetry, Li Shanfu shows the features of light and beautiful in language, and pays attention to the skills of word refinement and rhetoric art. Influenced by the poetry style of Jia Dao and Buddhism and Taoism, it reflects the characteristics of freshness and tranquility in the artistic conception of poetry. Finally, combined with the previous evaluation of Li Shanfu's poetry, the author analyzes the reason why his poem is not obvious and has a low status. At the same time, through the simple comparison with Luo Yin and du Xunhe, the author makes an objective evaluation and orientation of Li Shanfu's poetry.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.22

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