本文選題：劉勰 + 《文心雕龍》　； 參考：《南京師范大學(xué)》2017年碩士論文

【摘要】：從表層來(lái)看,“贊曰”有對(duì)該篇論述內(nèi)容的概括和說(shuō)明的作用,重點(diǎn)表達(dá)了劉勰“矯正時(shí)弊”、“奉時(shí)騁績(jī)”和“留名后世”的為文動(dòng)機(jī),表明了劉勰或褒或貶的思想感情。從深層來(lái)講,“贊曰”體現(xiàn)了劉勰的宗經(jīng)思想和審美追求。具體地講,一方面“贊曰”體現(xiàn)了劉勰經(jīng)學(xué)視野下的文學(xué)觀,它以四言體詩(shī)的形式強(qiáng)調(diào)了文體的政治社會(huì)作用。另一方面“贊曰”表達(dá)的審美追求又突破了漢儒片面追求雅正、強(qiáng)調(diào)世用的文體評(píng)判標(biāo)準(zhǔn)。在語(yǔ)言運(yùn)用上“贊曰”接受駢體文浸染,追求語(yǔ)言文辭之美,特別重視對(duì)語(yǔ)言聲文、形文的雕琢潤(rùn)飾,體現(xiàn)了劉勰對(duì)文辭雅麗的審美追求,突破了漢儒片面追求文辭雅正的文藝思想;在抒情表達(dá)上“贊曰”的抒情內(nèi)容呈現(xiàn)出多樣化趨勢(shì),除了政治教化外,個(gè)體日常生活感悟以及自然景物也都成為了 “贊曰”的抒情內(nèi)容,抒情表達(dá)方式也由漢儒倡導(dǎo)的中正平和轉(zhuǎn)向熱烈激蕩,體現(xiàn)了劉勰對(duì)動(dòng)人情感的審美追求,突破了漢儒片面強(qiáng)調(diào)抒情內(nèi)容須關(guān)乎政治教化和抒情方式應(yīng)中正平和的文藝思想;在比興手法運(yùn)用上“贊曰”由漢儒的重美刺諷諭轉(zhuǎn)向論文說(shuō)理,并在論文說(shuō)理中體現(xiàn)出劉勰對(duì)意蘊(yùn)生動(dòng)的審美追求,突破了漢儒將比興手法運(yùn)用于美刺諷諭的文藝思想。
[Abstract]:Viewed from the surface, Zan Yue has the function of generalizing and explaining the content of the article, which mainly expresses Liu Xie's motivation of "correcting the malpractice of the time", "riding the record by the time" and "leaving the name for later generations", indicating Liu Xie's thoughts and feelings of either praising or derogating. Deeply speaking, "Zan Yue" embodies Liu Xie's Zong Jing thought and aesthetic pursuit. Specifically speaking, on the one hand, "Zan Yue" embodies Liu Xie's view of literature from the perspective of Confucian classics, and it emphasizes the political and social function of style in the form of four-character poetry. On the other hand, the aesthetic pursuit of the expression of "Zan Yue" broke through the one-sided pursuit of elegance by Han Confucianism, and emphasized the standard of stylistic evaluation used by the world. In the use of language, "Zan Yue" accepted the influence of the parallel style, pursued the beauty of the language, and paid special attention to the ornament and ornament of the speech, which reflected Liu Xie's aesthetic pursuit of the elegance of the prose. It breaks through the literature and art thought of the one-sided pursuit of elegance in literary works by the Han Confucianism, and the lyric content of the lyric expression of "Zan Yue" shows a diversified trend, except for the political enlightenment. The feeling of individual daily life and natural scenery have also become lyric content of "Zan Yue". The lyric expression has also changed from the Zhonzheng peace advocated by Han Confucianism to the fervent agitation, which reflects Liu Xie's aesthetic pursuit of moving emotion. Breaking through the literary and artistic thought that the one-sided emphasis of the Han Confucianism on the lyric content should be related to political enlightenment and lyric style, and in the use of Bixing technique, the "Zan Yue" changed from the heavy beautiful thorn sarcasm of the Han Confucianism to the thesis reasoning. In the thesis, Liu Xie's aesthetic pursuit of meaning is embodied, which breaks through the literary and artistic thought that Han Confucianism applied the technique of Bi Xing to Mei Sang's sarcastic encyclopedic.
【學(xué)位授予單位】：南京師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I206.2

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