本文選題：新詩(shī)現(xiàn)代性 + 歐陽(yáng)江河�。� 參考：《中國(guó)現(xiàn)代文學(xué)研究叢刊》2017年10期

【摘要】：以古詩(shī)完備的意象體系為參照,堪與新詩(shī)相匹配的詞語(yǔ),究竟該有怎樣的形貌和內(nèi)核?換言之,當(dāng)古詩(shī)中的詞物關(guān)系難以再切中現(xiàn)代中國(guó)的經(jīng)驗(yàn)與體驗(yàn),新詩(shī)的寫作者該如何在無(wú)邊的語(yǔ)庫(kù)中挑選詞語(yǔ)?這是歐陽(yáng)江河的寫作呈示出的詩(shī)學(xué)問(wèn)題,它不止于個(gè)案或一時(shí),而與整個(gè)新詩(shī)史密切相涉。歐陽(yáng)江河的詩(shī)學(xué)之問(wèn),是新詩(shī)發(fā)生時(shí)即已面臨,而今仍未全然解決的基本性問(wèn)題,甚或根本性難題。本文以歐陽(yáng)江河為中心,簡(jiǎn)要回顧古詩(shī)在相關(guān)問(wèn)題上的表現(xiàn),并據(jù)此分析這一關(guān)乎新詩(shī)命脈的詩(shī)學(xué)之問(wèn);現(xiàn)代體驗(yàn)復(fù)雜、不透明且轉(zhuǎn)瞬即逝,書寫它的新詩(shī),須仰賴詞語(yǔ)的分析性特征和一次性原則,突出微小的差異,這是新詩(shī)現(xiàn)代性的內(nèi)在律令和主要內(nèi)涵。
[Abstract]:With the reference of the complete image system of ancient poetry, which can match the new poetry, what kind of appearance and core should there be? In other words, when the relationship between words and objects in ancient poetry can no longer be relevant to the experience and experience of modern China, how should the writers of new poems choose words from the endless library? This is a poetics problem presented by Ouyang River's writing. It is not only a case or a moment, but also closely related to the whole history of new poetry. The poetics of Ouyang River is a basic problem, or even a fundamental problem, which has been faced since the beginning of the new poem and has not yet been completely solved. Taking Ouyang River as the center, this paper briefly reviews the performance of ancient poetry on related issues, and then analyzes the poetics related to the lifeblood of new poetry. The modern experience is complex, opaque and fleeting, and its new poems are written. It is necessary to rely on the analytical characteristics of words and the one-off principle to highlight the minor differences, which are the inner decrees and main connotations of the modernity of new poetry.
【作者單位】： 中央民族大學(xué)文學(xué)與新聞傳播學(xué)院;
【分類號(hào)】：I207.25
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本文編號(hào)：1815713