發(fā)布時(shí)間：2018-04-28 05:51

  本文選題：陸游 + 筆記��； 參考：《河北大學(xué)》2017年碩士論文

【摘要】：宋代是筆記發(fā)展的全盛時(shí)代,在這一時(shí)期涌現(xiàn)出多種多樣的筆記作品。陸游的兩本筆記著作就是在這一環(huán)境下產(chǎn)生的,這兩本筆記作品也因其內(nèi)容的豐富性和表達(dá)方式上的藝術(shù)性而成為宋人筆記中的代表作品。縱觀筆記的整個發(fā)展歷程,其實(shí)還是有一個相對清晰的發(fā)展脈絡(luò)的,尤其是宋代的筆記,宋代可以說是古代筆記發(fā)展相對成熟的一個時(shí)期,在這一時(shí)期筆記的作者數(shù)量增多,相應(yīng)的筆記的類型也出現(xiàn)了多種變化,內(nèi)容的豐富性也大大增強(qiáng)。陸游的兩部筆記也都是宋人筆記中的佼佼者,《老學(xué)庵筆記》主要是記載了抗金活動、詩詞文賦以及人物軼事等。《家世舊聞》則以記載先輩生前的逸聞軼事為主,其中涉及到了宋朝的民俗風(fēng)物、鬼怪異事等。這兩部筆記作品的思想內(nèi)蘊(yùn)可以概括為以下三點(diǎn):一、家國情懷的涌動,二、詩人本性的流露,三、道教思想的滲透。藝術(shù)風(fēng)格也呈現(xiàn)出一種多樣性,也是同樣將其歸納概括為四點(diǎn),一是史家筆法、辨?zhèn)未嬲?陸游力求站在一個史學(xué)家的角度秉筆直書,二是客觀冷靜里隱寓愛憎,這是春秋筆法在陸游筆記中的應(yīng)用,第三點(diǎn)是句式和語言上的特點(diǎn):句式長短不拘、語言簡潔生動,在人物塑造上作者也采用了多樣化的人物描寫手法。兩部筆記在很多時(shí)候里提到的是同一個人,描述的是同一個事件,區(qū)別就是各有側(cè)重,因此便可互為補(bǔ)充,同時(shí),兩部筆記因?yàn)樵谛再|(zhì)上存在本質(zhì)區(qū)別,無論是在創(chuàng)作態(tài)度還是筆法上呈現(xiàn)出不同之處。筆者認(rèn)為,從整體上來看,《老學(xué)庵筆記》無論是從文獻(xiàn)價(jià)值還是從文學(xué)價(jià)值上都是高于《家世舊聞》的。
[Abstract]:The Song Dynasty was the heyday of the development of notes, in which a variety of notes emerged. Lu you's two notebooks were produced in this environment, and the two notes also became the representative works in the notes of Song Dynasty because of their richness of content and artistic expression. Throughout the whole development of the notes, there is actually a relatively clear thread of development, especially the notes of the Song Dynasty. The Song Dynasty can be said to be a relatively mature period for the development of ancient notes. During this period, the number of authors of the notes increased. The corresponding types of notes have also appeared a variety of changes, the richness of the content is also greatly enhanced. Lu you's two notes are also outstanding in the notes of the Song people. The notes of Lao Xuean mainly record anti-gold activities, poetry and prose, and anecdotes of characters. It involves the folk customs of the Song Dynasty, ghosts, strange things and so on. The ideological connotation of the two works can be summarized as follows: first, the feelings of family and country, second, the nature of the poet, third, the infiltration of Taoist thought. The artistic style also presents a variety. It is also summed up as four points. One is the method of historians' strokes, which distinguishes the true from the false. Lu you strive to stand in the perspective of a historian to write straight, and the second is to be objective and calm and implicit in love and hate. This is the application of the Spring and Autumn brushwork in Lu you's notes. The third point is the characteristics of sentence structure and language: the length of sentence is informal, the language is concise and vivid, and the author also adopts a variety of character-description techniques. In many cases, the two notes refer to the same person and describe the same event. The difference is that each has its own emphasis, so it can complement each other. At the same time, the two notes are essentially different in nature. Whether in the creative attitude or on the presentation of differences in the method. The author thinks that, on the whole, the notes of LaoXuean is higher than that of Old Family and Old News in terms of both literature value and literature value.
【學(xué)位授予單位】：河北大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.62

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本文編號：1814039