本文選題：杜甫 + 拗體詩(shī)��； 參考：《西藏民族大學(xué)》2016年碩士論文

【摘要】：杜甫是第一位大力創(chuàng)作七言律詩(shī)的詩(shī)人,對(duì)七律這一體式的形成和演進(jìn)起到了巨大的推動(dòng)作用,成就斐然。拗體詩(shī)是杜甫七言律詩(shī)中重要的一部分,是杜詩(shī)研究中不可忽視的領(lǐng)域。杜甫的拗律以拗折之筆,寫(xiě)艱澀之情,Y然有獨(dú)往之致,形成了杜甫七律一體的另一個(gè)成就。到目前為止,學(xué)術(shù)界還缺少對(duì)杜甫拗體詩(shī)系統(tǒng)的研究,拗體詩(shī)數(shù)量問(wèn)題也是眾說(shuō)紛紜。本文在前人研究的基礎(chǔ)上,對(duì)杜甫拗體詩(shī)的數(shù)目做出了明確的認(rèn)定,并對(duì)其認(rèn)定的依據(jù)進(jìn)行詳細(xì)的論述,以及對(duì)于杜甫拗體詩(shī)內(nèi)部的規(guī)律和其發(fā)展演變作出細(xì)致地分析。全文共分四章。首先是緒論,介紹本文的選題目的和意義及研究背景和己有的相關(guān)成果。還對(duì)古體詩(shī)、律詩(shī)、拗、救等基本概念進(jìn)行簡(jiǎn)要的介紹。第一章進(jìn)行杜甫拗體詩(shī)的辨析,拗體詩(shī)與古體詩(shī)、“入律的古風(fēng)”辨析,把拗體詩(shī)與之區(qū)分開(kāi)來(lái),明確拗體的范疇。第二章進(jìn)行杜甫拗體七律的認(rèn)定,首先明確杜甫的拗體詩(shī)一般僅涉及七律的問(wèn)題,然后在杜甫所有的七言八句詩(shī)中把杜甫七言律詩(shī)與非七言律詩(shī)分辨出來(lái),改變了學(xué)術(shù)界一般直接從浦起龍分好的151首杜甫七律來(lái)探討拗體詩(shī)的情況,使下面對(duì)拗體詩(shī)的分析更加的準(zhǔn)確詳盡。在確定了杜甫七言律詩(shī)數(shù)目的基礎(chǔ)上進(jìn)行杜甫正格七律與拗體七律的認(rèn)定,層層剝繭般地逐步分析,根據(jù)拗救、失粘、地名出律、聲調(diào)等方面確定拗體詩(shī)的最終數(shù)量為31首。第三章討論杜甫拗體詩(shī)的規(guī)律,從聲韻方面和創(chuàng)作方面闡述拗體詩(shī)的一些規(guī)律性特征。第四章討論杜甫拗體詩(shī)的發(fā)展及影響。從安史之亂爆發(fā)之前,任職左拾遺到貶官華州期間,蜀中草堂,夔州到晚年漂泊時(shí)期四個(gè)階段論述拗體詩(shī)的發(fā)展。從唐代和宋代兩個(gè)方面論述拗體詩(shī)的影響。
[Abstract]:Du Fu was the first poet to create seven-character poems, which played a great role in promoting the formation and evolution of seven-character. Recalcitrant poetry is an important part of du Fu's seven-character poems and an important field in the study of du Fu's poems. Du Fu's recalcitrant rule, with the brush of twists and turns, writes about the difficult situation and has his own way, which forms another achievement of du Fu's seven laws. Up to now, the academic circles still lack the research on du Fu's style poetry system, and there are different opinions on the quantity of the recalcitrant poems. On the basis of previous studies, this paper makes a clear determination of the number of du Fu's recalcitrant poems, and discusses in detail the basis of his determination, and makes a detailed analysis of the internal law and the development and evolution of du Fu's recalcitrant poetry. The full text is divided into four chapters. First of all, the introduction introduces the purpose and significance of this paper, the research background and related achievements. It also briefly introduces the basic concepts of classical poetry, legal poetry, recalcitrant, rescue and so on. In the first chapter, the author distinguishes du Fu's poems of recalcitrant style, recalcitrant poetry and ancient style poetry, and distinguishes the recalcitrant poems from them, and clarifies the category of recalcitrant style. In the second chapter, the author makes sure that du Fu's recalcitrant poems usually involve only seven rules, and then distinguishes du Fu's seven-character poems from non-seven-character poems in du Fu's seven-character and eight-sentence poems. It has changed the academic circles to discuss the situation of recalcitrant poems directly from 151 du Fu's seven laws, which makes the following analysis of recalcitrant poems more accurate and detailed. On the basis of determining the number of du Fu's seven-character poems, the author determines that the final number of recalcitrant poems is 31 according to the aspects of saviour, loss of viscosity, place names, tone and so on. The third chapter discusses the law of du Fu's style poems, and expounds some regular features of his poems from the aspects of rhyme and creation. Chapter four discusses the development and influence of du Fu's poems. From the outbreak of the Anshi Rebellion to the period of relegation to the official state Shuzhong Caotang Kuizhou to the later years of wandering period discussed the development of recalcitrant poetry. From Tang Dynasty and Song Dynasty, this paper discusses the influence of recalcitrant poetry.
【學(xué)位授予單位】：西藏民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.22

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