本文選題：張愛玲 + 電影劇本　； 參考：《華東師范大學》2017年碩士論文

【摘要】：張愛玲研究已是當今的顯學,"張愛玲與電影"也成為近年來"張學"的熱門話題。本文以現存的張愛玲香港時期的電影劇作為研究對象,通過史料整理和文本細讀,探討張愛玲的劇本創(chuàng)作存在何種個人性書寫,而它又在商業(yè)語境中發(fā)生了什么變化。緒論,厘清了張愛玲與宋淇夫婦的關系,并在匯總全部劇本的基礎上,對張愛玲在香港的編劇經歷加以概括和說明。文獻綜述部分,主要涉及兩方面內容:關于電懋公司的背景資料;關于張愛玲香港時期電影劇作的研究著述。第一章,全面梳理了張愛玲香港時期的劇本創(chuàng)作背景:通過對比文華與電懋的電影工業(yè)環(huán)境,闡釋張愛玲在不同商業(yè)機制下的編劇實踐;其次,聚焦張愛玲五、六十年代的生存狀態(tài),并從香港、美國和內地的不同角度看待其晚期寫作的困境。第二章,以張愛玲五十年代的電影劇作為研究主體,通過梳理其"浪漫愛情劇"和"家庭倫理劇"的情節(jié)結構,勾勒劇本中不同的女性形象,并由此論述此類劇本與張愛玲其他作品在題材上的傳承關系。第三章,以張愛玲六十年代的電影劇本為研讀對象,通過解析《小兒女》、"西方改編劇"與"南北系列"劇作中敘述策略與創(chuàng)作立場的變化,來呈現這一時期張愛玲劇作內部存在的"敘事斷裂",也以此見證其個性色彩的日益稀薄。
[Abstract]:The study of Zhang Ailing has become a popular topic in Zhang Xue in recent years. This article takes the existing film drama of Zhang Ailing Hong Kong period as the research object, through the historical data collation and the text careful reading, probes into what kind of personal nature the writing existence of Zhang Ailing's screenplay exists, and what kind of change has taken place in the commercial context. The introduction clarifies the relationship between Zhang Ailing and Song Qi, and on the basis of summing up all the plays, the writer experience of Zhang Ailing in Hong Kong is summarized and explained. The part of literature review mainly involves two aspects: the background information of the company and the research works on Zhang Ailing's Hong Kong period film plays. The first chapter comprehensively combs Zhang Ailing Hong Kong period script writing background: through the contrast Wen Hua and the telegram Mao movie industry environment, explains Zhang Ailing under the different commercial mechanism under the screenwriter practice; secondly, focuses on Zhang Ailing five, The survival of the 1960 s, and from Hong Kong, the United States and the mainland of different perspectives on its late writing dilemma. The second chapter, taking the film drama of Zhang Ailing in the 1950s as the research subject, through combing the plot structure of "romantic love drama" and "family ethics drama", outlines the different female images in the play. And then discusses the relationship between this kind of script and other works of Zhang Ailing in subject matter. The third chapter, taking Zhang Ailing's movie script as the object of study, analyzes the changes of narrative strategies and creative positions in the plays of "the Western Writer" and "the Series of North and South", through the analysis of "Little Children", "Western Writer" and "the Series of North and South". To present the "narrative break" within Zhang Ailing's plays during this period, and to witness the thinning of his personality.
【學位授予單位】：華東師范大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.3

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