本文選題：聞一多 + “詩的格律”�。� 參考：《華中師范大學學報(人文社會科學版)》2017年03期

【摘要】：《詩的格律》是聞一多論述新詩藝術(shù)的一篇經(jīng)典性評論,也是現(xiàn)代文學文體學有關(guān)詩的文體的重要文獻,它與聞一多其他論述新詩的文獻一起,既是對“五四”以來新詩創(chuàng)作的反思,也提出了迥異于傳統(tǒng)詩詞文體和當時新詩文體的一種新詩格律,對詩的文體做出了明確的界定。從某種意義上說,詩的格律是對新詩創(chuàng)作的一種規(guī)定,也是對詩的品格的美學要求,提出了新詩新的美學原則,重建文學新秩序,同時,也是以文體形式的創(chuàng)造與規(guī)定重塑民族精神的藝術(shù)探求。
[Abstract]:"the Rhythm of Poetry" is a classic comment on the art of new poetry by Wen Yiduo, and an important document on the style of poetry in modern literary stylistics.It not only reflects on the creation of new poetry since the May 4th Movement, but also puts forward a new style of poetry that is completely different from the traditional style of poetry and the style of new poetry at that time, and makes a clear definition of the style of poetry.In a sense, the rhythm of poetry is a regulation of the creation of new poetry, and also the aesthetic requirement of the character of poetry. It puts forward the new aesthetic principles of new poetry, reconstructs the new order of literature, and at the same time,It is also the artistic exploration of remolding the national spirit with the creation of style and regulation.
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本文編號：1754899