本文選題：宋代　切入點(diǎn)：俳諧文學(xué)　出處：《西南民族大學(xué)學(xué)報(bào)(人文社科版)》2017年06期

【摘要】：俳諧文學(xué)可以上溯到春秋時(shí)期,在兩宋期間形成一股創(chuàng)作浪潮,這與宋代民間文化的崛起緊密相關(guān),以雜劇為代表的宋代民間諧趣文化深刻影響了文人的創(chuàng)作理念,使之對(duì)詼諧俗趣的認(rèn)可從生活層面上升到文化層面。然而,順應(yīng)文化潮流的文人內(nèi)心卻充滿著強(qiáng)烈的自我警醒。面對(duì)可能耽溺于世俗文化的深層焦慮,使他們總在有意無意地表達(dá)著對(duì)俗文化的抗拒。趨近卻又抗拒的矛盾心態(tài)促使他們創(chuàng)造性地改換俳諧文學(xué)的品貌,在詼諧作品內(nèi)部開拓正統(tǒng)品格的空間,化解雅俗價(jià)值觀的矛盾,這其實(shí)延續(xù)了中國士人通過個(gè)性化的自我表白來構(gòu)筑文化空間的傳統(tǒng),也在某種程度上修正了俳諧藝術(shù)的民間特性。
[Abstract]:Comic literature can be traced back to the Spring and Autumn period, which formed a wave of creation during the Song Dynasty, which is closely related to the rise of folk culture in the Song Dynasty. The folk humor culture represented by the zaju deeply influenced the literati's creative idea.The acceptance of humor and folklore rises from the level of life to the level of culture.However, the literati who follow the cultural trend are full of strong self-warning.In the face of the deep anxiety which may indulge in secular culture, they always express their resistance to vulgar culture intentionally or unintentionally.The ambivalence of approaching but resisting urged them to change the appearance of playful literature creatively, to open up the space of orthodox character in their humorous works, and to resolve the contradiction of elegant and popular values.This actually continues the tradition of Chinese scholars to construct cultural space through individualized self-expression, and to some extent modifies the folk characteristics of comic art.
【作者單位】： 福建工程學(xué)院人文學(xué)院;廈門大學(xué)海外教育學(xué)院;
【分類號(hào)】：I207.2

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相關(guān)期刊論文 前2條

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相關(guān)期刊論文 前7條

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本文編號(hào)：1726531