本文選題：宣城文峰　切入點(diǎn)：梅氏家族　出處：《四川師范大學(xué)》2017年碩士論文

【摘要】：宣城梅氏,是由宋至清皖南地區(qū)最為顯赫、獨(dú)特的世家大族之一,是在宣城這一特定文化地域內(nèi)產(chǎn)生的姓氏文化家族,體現(xiàn)了地域文化與家族文化的統(tǒng)一。明清時(shí)期宣城的文峰支系在文學(xué)、美術(shù)、自然科學(xué)等領(lǐng)域都頗有建樹,有梅花遍地開之景,而文峰梅氏的多元化,又是通過詩歌這條線貫穿始終。此時(shí)家族成員除了以戲曲家、書畫家、天文家等身份聞名于世外,還有一個(gè)家族成員的身份,他們秉承“詩是吾家事”的理念,創(chuàng)作了大量詩歌作品,影響了當(dāng)時(shí)的文人及其創(chuàng)作。本文以文峰梅氏及其詩歌創(chuàng)作情況為切入點(diǎn),先厘清明清時(shí)期宣城文峰梅氏的源流、發(fā)展、創(chuàng)作等基本情況,從而對他們的創(chuàng)作作品予以觀照;在對整個(gè)文峰梅氏的宏觀透視以及對成員家族作品的微觀審視中,突出明清梅氏家族與詩歌的關(guān)系,以期探索出文峰梅氏并未“君子之澤,五世而斬”的原因。本文的緒論部分,首先交代了研究之緣起,并對明清江南家族的研究現(xiàn)狀做了簡單的概述,著重闡釋明清宣城文峰梅氏的研究現(xiàn)狀,突出原始文獻(xiàn)材料的重要性,說明了研究意義、方法與目標(biāo)。正文部分則主要分為三章內(nèi)容進(jìn)行討論:第一章對宣城梅氏的由來與演變進(jìn)行宏觀上的把握,并對其中宛陵支系和文峰支系進(jìn)行論述,通過對文峰梅氏家族成員的介紹,分析出文峰梅雖以科舉起家,但卻是以詩文傳家的家族發(fā)展線路,突出詩歌在文峰家族中的顯著地位,從而點(diǎn)出文峰一支在明清時(shí)期走向鼎盛的事實(shí);第二章是從家族詩歌創(chuàng)作概況及詩歌興盛原因兩方面,對明清宣城文峰梅氏詩歌進(jìn)行整體性研究,本章將會(huì)側(cè)重對文峰梅氏的詩風(fēng)概況進(jìn)行討論,從而觀其共通之風(fēng)氣;第三章則主要以核心成員與家族為突破口,通過對梅守德、梅鼎祚、梅文鼎三位核心成員的詩歌進(jìn)行分析,考查成員的詩歌創(chuàng)作特點(diǎn)以及家族對成員詩歌的影響。明清文峰梅氏家族成員的詩作大多呈現(xiàn)出清新沖淡、溫潤雅致的風(fēng)格。對家族發(fā)展脈絡(luò)的梳理,有助于人們了解梅氏成員詩歌創(chuàng)作的整體性。可以說,文峰梅氏家族是明清詩壇的縮影,本文通過對明清宣城文峰梅氏詩歌的研究,或能稍微彌補(bǔ)其歷來研究之不足,同時(shí)為人們在個(gè)案研究時(shí)提供一個(gè)新的家族視角。
[Abstract]:Xuancheng Mei family, one of the most prominent and unique families in southern Anhui from Song Dynasty to Qing Dynasty, was a family of surnames and cultures that emerged in Xuancheng, a specific cultural region. It embodies the unity of regional culture and family culture. In the Ming and Qing dynasties, the Wenfeng branch of Xuancheng was quite successful in literature, fine arts, natural science and other fields. At this time, the family members were famous not only as operas, painters, and astronomers, but also as family members, who inherited the idea that "poetry is my family's business." He created a large number of poetry works, which influenced the literati and their creation at that time. Based on Wen Feng Mei's and his poetry creation, this paper first clarifies the origin, development and creation of Wenfeng Mei in Xuancheng during the Ming and Qing dynasties. In the macro perspective of the whole Wenfeng Mei family and the microscopic examination of the member family works, the relationship between the Mei family and poetry in the Ming and Qing dynasties was highlighted in order to find out that Wen Feng Mei was not a gentleman. In the introduction part of this paper, the origin of the research is explained, and the research status of the Jiangnan family in the Ming and Qing dynasties is briefly summarized, with the emphasis on explaining the present research situation of the Wenfeng family in Xuancheng of the Ming and Qing dynasties. Highlighting the importance of the original literature, explaining the significance, methods and objectives of the study. The main body is divided into three chapters to discuss: the first chapter of the origin and evolution of Xuancheng Meiji macro grasp, Through the introduction of the family members of Wenfeng Mei family, it is found that Wenfeng Mei started from the imperial examination, but it is the family development route of the family that passed on poetry and prose, and discussed the Wanling branch and Wenfeng branch of Wen-feng branch, and analyzed the family development route of Wenfeng Mei family through the introduction of the family members of Wenfeng Meimei family. It highlights the prominent position of poetry in the Wenfeng family, thus points out the fact that the Wenfeng branch was at its peak in the Ming and Qing dynasties. The second chapter is from the two aspects of the general situation of the family poetry creation and the reasons for the prosperity of the poetry. This chapter will focus on the discussion of the general situation of Wen Feng's poetic style, so as to observe its common atmosphere. The third chapter mainly takes the core members and the family as the breakthrough point, through the Mei Shoude, the main purpose of this chapter is to discuss the general situation of the poetry style of Wen Feng and Mei Shoude in the Ming and Qing dynasties, and the third chapter takes the core members and the family as the breakthrough point. The poems of Mei Dinzuo and Mei Wending's three core members were analyzed, and the characteristics of the members' poetry creation and the influence of the family on the members' poems were examined. Most of the poems of the Mei family members of the Wenfeng family in the Ming and Qing dynasties were fresh and diluted. The gentle and elegant style. Combing the development of the family helps people to understand the integrity of Mei's members' poetry creation. It can be said that Wen Feng's family is the epitome of the Ming and Qing poetry circles. This paper makes a study of the Ming and Qing Xuancheng Wenfeng's poems. It may be able to make up for the lack of traditional research and provide a new family perspective for people in the case study at the same time.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.22

【參考文獻(xiàn)】

相關(guān)期刊論文 前10條

1 李慈瑤;周明初;;《梅鼎祚年譜》補(bǔ)正[J];南大戲劇論叢;2014年01期

2 沈吟龍;;梅氏及外家候氏家族文學(xué)傳統(tǒng)對梅曾亮文學(xué)創(chuàng)作的影響[J];內(nèi)蒙古農(nóng)業(yè)大學(xué)學(xué)報(bào)(社會(huì)科學(xué)版);2012年02期

3 羅時(shí)進(jìn);;家族文學(xué)研究的邏輯起點(diǎn)與問題視閾[J];中國社會(huì)科學(xué);2012年01期

4 羅時(shí)進(jìn);;地域社群:明清詩文研究的一個(gè)重要維度[J];文學(xué)遺產(chǎn);2011年03期

5 羅時(shí)進(jìn);;在地域和家族視野中展開清代江南文學(xué)研究[J];蘇州教育學(xué)院學(xué)報(bào);2010年03期

6 許菁頻;;近三十年中國古代家族文學(xué)研究綜述與展望[J];中州學(xué)刊;2010年02期

7 羅時(shí)進(jìn);;關(guān)于文學(xué)家族學(xué)建構(gòu)的思考[J];江海學(xué)刊;2009年03期

8 羅時(shí)進(jìn);;清代江南文化家族雅集與文學(xué)創(chuàng)作[J];文學(xué)遺產(chǎn);2009年02期

9 李圣華;論宣城派[J];蘇州大學(xué)學(xué)報(bào);2005年06期

10 徐雁平;;家世、性情與學(xué)問[J];蘇州雜志;2003年04期

相關(guān)碩士學(xué)位論文 前1條

1 陳期凡;梅清生平、藝術(shù)的相關(guān)問題研究及其年譜增訂[D];天津美術(shù)學(xué)院;2015年

，

本文編號(hào)：1690536