本文選題：陶淵明　切入點：田園詩　出處：《延邊大學(xué)》2017年碩士論文

【摘要】：取象思維是中國獨有的一種思維方式。這種傳統(tǒng)思維發(fā)展形成于《易經(jīng)》,并在《易經(jīng)》中得到了廣泛運用。由于這種思維方式從未間斷過,作為古典詩歌中比興表現(xiàn)手法的邏輯支點,取象思維在古代典籍的潤色中得以繼承和不斷發(fā)展。陶淵明的田園詩產(chǎn)生于晉宋王朝交替之際。雖然目前學(xué)界對田園詩的內(nèi)涵尚無統(tǒng)一明確的定論,但本文在整理相關(guān)資料和前人研究的基礎(chǔ)上,采用廣義概念,認為陶淵明的田園詩不僅反映了農(nóng)村農(nóng)民的生活百態(tài),還包括了記述詩人鄉(xiāng)居生活的詩作,共統(tǒng)計出52首。值得注意的是,取象思維方式在陶淵明田園詩得到了成功運用,且筆法嫻熟。文章分為五個部分。第一章是緒論。主要介紹了論文撰寫的目的、意義、研究現(xiàn)狀、研究范圍及研究方法。第二章是陶淵明田園詩和取象思維概述。具體闡述了陶淵明田園詩的定義、創(chuàng)作內(nèi)容、創(chuàng)作動因和取象思維的內(nèi)涵及其與比興手法的關(guān)系等基本概況。第三章對陶淵明田園詩中所取之象進行了分類和統(tǒng)計�？傮w分為自然物象和居所制品之象,前者可細分為植物之象、動物之象、節(jié)候之象。這些取象分類表明,陶詩中運用了取象思維。第四章具體分析了取象思維在陶淵明田園詩的運用。借助取象思維,部分詩作側(cè)重說明詩人的退隱躬耕之志和安貧固窮之節(jié);一些詩作述寫了憂樂,表現(xiàn)為慨嘆無常人生、悲憫農(nóng)村農(nóng)民,同時還記述了力耕和閑居的樂趣;詩人還在一些田園詩中追尋理想的生活,抒寫不懼終老的達觀心境。取象思維已成為聯(lián)系陶淵明和田園詩的重要紐帶。第五章論述了陶田園詩中的取象思維對初唐田園詩的影響。主要是結(jié)合初唐主要詩人,如王績、盧照鄰、宋之間等人的田園詩作進行縱向分析,指出他們的詩歌對陶詩中所蘊含的取象思維是如何承繼并繼續(xù)深入發(fā)展的。本文以陶淵明的52首田園詩為基礎(chǔ),對詩中所蘊含的取象思維進行研究,具有一定的認知價值。雖然在作品數(shù)量和取象分類上有一定限度,但其意義主要在于通過分析陶淵明的田園詩作,揭示取象比附作為一種新視角在田園詩作得以成功運用的規(guī)律,這對其他詩歌的研究亦是一個有益借鑒。
[Abstract]:Image-taking thinking is a unique mode of thinking in China.This traditional thinking was formed in the Book of changes and widely used in the Book of changes.As the logical fulcrum of Bixing expression technique in classical poetry, the thought of taking image has been inherited and developed continuously in the retouching of ancient classics because of this mode of thinking.Tao Yuanming's idyllic poetry came into being during the alternation of Jin and Song dynasties.Although there is no unified and definite conclusion on the connotation of pastoral poetry in academic circles at present, this paper, on the basis of sorting out relevant materials and previous studies, adopts the generalized concept and thinks that Tao Yuanming's idyllic poetry not only reflects the life of rural peasants, but also reflects the life of rural farmers.It also includes 52 poems about the poet's rural life.It is worth noting that the image-taking thinking mode has been successfully used in Tao Yuanming's idyllic poetry, and is skillful in writing.The article is divided into five parts.The first chapter is the introduction.This paper mainly introduces the purpose, significance, research status, research scope and research methods.The second chapter is an overview of Tao Yuanming's idyllic and iconographic thinking.This paper expounds the basic situation of Tao Yuanming's idyllic poetry, including its definition, creative content, creative motivation, the connotation of image-taking thinking and its relationship with Bi Xing's technique.The third chapter classifies and counts the images taken in Tao Yuanming's idyllic poems.The former can be subdivided into plant image, animal image and festival image.The classification of these images shows that Tao Shi uses the thinking of taking images.Chapter four analyzes the application of image-taking thinking in Tao Yuanming's idyllic poems.With the help of image-taking thinking, some poems focus on the poet's desire to retire from cultivation and the section of poverty and poverty, and some poems describe sorrow and joy, which are manifested by lamenting the impermanence of life, pity for rural farmers, and the joys of farming and living idle.The poet also pursues the ideal life in some idyllic poems and expresses his idealistic state of mind.Image-taking thinking has become an important link between Tao Yuanming and idyllic poetry.The fifth chapter discusses the influence of figurative thinking on the idyllic poetry in the early Tang Dynasty.It is mainly based on the vertical analysis of the idyllic poems of the main poets in the early Tang Dynasty, such as Wang Ji, Lu Zhaolin and Song Dynasty, and points out how their poetry inherits and develops in depth the thinking of taking images contained in Tao's poems.On the basis of Tao Yuanming's 52 pastoral poems, this paper has some cognitive value to study the image-taking thinking contained in the poems.Although there are some limitations in the number of works and classification of images, their significance lies in the analysis of Tao Yuanming's idyllic poems, which reveals the law of the successful application of the image comparison as a new perspective in the use of idyllic poems.This is also a useful reference for the study of other poems.
【學(xué)位授予單位】：延邊大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

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