本文選題：《四六叢話》　切入點：《文心雕龍》　出處：《遼寧大學》2016年博士論文

【摘要】：本論文主要研究清代孫梅的《四六叢話》在駢文理論領(lǐng)域?qū)δ铣捍鷦③牡摹段男牡颀垺匪M行的縝密而全面的繼承與創(chuàng)新。孫梅的《四六叢話》并非僅僅只是簡單地效仿《文心雕龍》,而是在《文心雕龍》的駢文理論的基礎(chǔ)上,有因有革,或通或變,積極而扎實地作出了一系列卓越的理論創(chuàng)新。孫梅《四六叢話》的駢文理論,充分吸納《文心雕龍》的豐富理論營養(yǎng),清醒認識《文心雕龍》未言未盡之意,既對《文心雕龍》的駢文思想進行了深入的闡發(fā),又充分展現(xiàn)了《文心雕龍》之后的駢文歷史發(fā)展進程和發(fā)展理路。本論文共分五章。第一章為緒論,主要論述《四六叢話》與《文心雕龍》的駢文理論的國內(nèi)外研究概況,闡述本論文的研究方法、理論意義、研究特色和創(chuàng)新之處。第二章主要論述《四六叢話》在駢文起源論領(lǐng)域?qū)Α段男牡颀垺返囊?guī)隨與深化。《文心雕龍》振葉以尋根,觀瀾而索源,在昭示駢文源頭時,突出了自然因素和社會因素對于駢文產(chǎn)生的重要意義。孫梅《四六叢話》的駢文理論在對駢文藝術(shù)探本窮源時,對《文心雕龍》進行了全面的規(guī)隨與深化,指出駢文的產(chǎn)生源于對造化自然的師法,源于對社會實用功利目的之順應,源于對傳統(tǒng)文化心理的迎合。第三章主要論述《四六叢話》在駢文文體論領(lǐng)域?qū)Α段男牡颀垺返囊蚋锿ㄗ��！段男牡颀垺氛撐臄⒐P,囿別區(qū)分,辨章眾體,恢弘明約,鑄萬品之規(guī)模,傳文體之科律。孫梅《四六叢話》的駢文理論對《文心雕龍》的文體論進行了出色的因革通變,不僅對《文心雕龍》的文體源流論加以闡發(fā),而且更進一步地深入發(fā)掘、詳盡論述了《文心雕龍》之后眾多文體由散入駢的駢化歷程,以及一批后世新興文體的駢化面貌與機制。第四章主要論述《四六叢話》在駢文技法論領(lǐng)域?qū)Α段男牡颀垺返睦^承與發(fā)展�！段男牡颀垺逢U述駢儷之技法,探索靡密,精微朗暢,提挈綱維,梳理條貫,《麗辭》以論對偶,《事類》以論征典,《聲律》以論協(xié)韻,《情采》以論藻飾,衢路通達,垂范后學。孫梅《四六叢話》的駢文理論對《文心雕龍》的駢儷技法論既有繼承,又有發(fā)展,他在融會貫通《文心雕龍》駢儷技法思想的同時,以更廣闊、更新穎的宏觀理論視角考察、審視、論析了各種駢儷技法在《文心雕龍》之后的漫長歷史時期內(nèi)的發(fā)展和衍化狀況,并且結(jié)合實例,論證了各種駢儷技法的新變。第五章主要論述《四六叢話》踵武《文心雕龍》的歷史意義。歷代以來,理論界對《文心雕龍》的效仿,不乏力作,積累了豐富的經(jīng)驗和教訓。孫梅的《四六叢話》充分借鑒前人模仿《文心雕龍》的經(jīng)驗教訓,在駢文理論領(lǐng)域,踵彥和之武,炫奕世之珍,因革文體,通變文術(shù),融貫今古,不拘恒蹊,開拓出了一條踵武因革《文心雕龍》的新路,實為踵武《文心》的成功之作。
[Abstract]:This thesis mainly studies the meticulous and comprehensive inheritance and innovation of Sun Mei's "four and six Cunches" in the field of parallel prose theory to Liu Xie's "Wen Xin Diao long" of Liang Dynasty in the Southern Dynasty. Sun Mei's "four and six Cunches" is not just just. Simply emulating Wen Xin Diao long, but on the basis of parallel prose theory of Wen Xin Diao long, There is a reason for the revolution, or for change, and a series of outstanding theoretical innovations have been made actively and solidly. Sun Mei's theory of parallel prose in "four and six Cunches" fully absorbed the rich theoretical nutrition of "Wen Xin Diao long". A clear understanding of the meaning of "Wen Xin Diao long" has not been exhausted, which not only explains the thought of parallel prose in Wen Xin Diao long, but also makes a deep analysis of the thought of parallel prose. This paper is divided into five chapters. The first chapter is the introduction, which mainly discusses the domestic and foreign research situation of parallel prose theory of "Sixiucong dialect" and "Wenxin Diaolong". This paper expounds the research methods, theoretical significance, research characteristics and innovations of this thesis. Chapter two mainly discusses the rules and deepening of "Wenxin Diaolong" in the field of parallel Prose Origin Theory, "Wenxin Diaolong", "Wenxin Diaolong", which vibrates leaves to find roots. When the source of parallel prose is revealed, the important significance of natural and social factors to the generation of parallel prose is highlighted. When Sun Mei's theory of parallel prose in "four and six Cunches" explores the origin of parallel prose art, This paper makes a comprehensive regulation and deepening of Wen Xin Diao long, and points out that the production of parallel prose originates from the teaching of nature and from the adaptation to the utility purpose of society. The third chapter mainly discusses the changes of Wen Xin Diao long in the field of parallel prose stylistic theory. The theory of parallel prose in Sun Mei's Theory of parallel Prose in Wen Xin Diao long made a remarkable change due to the change of the literary style theory, and not only explained the theory of the origin of the style of Wen Xin Diao long, but also explained the origin of the literary style of "Wen Xin Diao long". Moreover, it has further explored and elaborated on the parallel process in which many literary styles have been scattered into parallel lines after Wen Xin Diao long (Wen Xin Diao long). The fourth chapter mainly discusses the inheritance and development of "Wen Xin Diao long" in the field of parallel prose technique theory. To raise the dimension of pull out, to sort out the line, to discuss the duality, to discuss the sign, to discuss the rhyme, to discuss the ornament of algae, to reach the thoroughfare, to discuss the ornament of algae, and to understand the thoroughfare of the road. Sun Mei's theory of parallel prose not only inherits but also develops the theory of parallel prose in Wen Xin Diao long. While he has integrated the thought of parallel prose in Wen Xin Diao long, he has a wider scope. From the perspective of a more novel macroscopic theory, this paper examines and analyzes the development and evolution of various parallel Li techniques in the long historical period after Wen Xin Diao long, and combines with an example. The fifth chapter mainly discusses the historical significance of Wu Wu Wu Wen Xin Diao long. Since the past dynasties, the theorists have imitated Wen Xin Diao long, and no shortage of great efforts have been made. Sun Mei has accumulated rich experience and lessons. Sun Mei's "four or six Cong dialect" fully draws lessons from the predecessors' imitation of "Wen Xin Diao long", and in the field of parallel prose theory, hei Yan and Zhi Zhi Wu, dazzling the treasures of the game world, because of the style of the revolution, the art of changing the text, melding into the present and the ancient times, In fact, he developed a new road of "Wen Xin Diao long", which is the success of "Wen Xin".
【學位授予單位】：遼寧大學
【學位級別】：博士
【學位授予年份】：2016
【分類號】：I207.22
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本文編號：1684987