本文選題：陳澤　切入點：大學畢業(yè)分配　出處：《四川戲劇》2017年03期

【摘要】：正陳澤遠是當代四川文壇一位多棲、多產的作家,也是我十分敬重的一位學長。他從1960年大學畢業(yè)分配到溫江地區(qū)的都江人民藝術劇院從事創(chuàng)作開始,數(shù)十年來,勤奮筆耕,碩果累累,在川劇、話劇、電影、電視、文論等各種體裁、各個領域都卓有建樹。一、堅持正確創(chuàng)作方向,傳統(tǒng)喜劇《花田錯》和悲劇《寡婦怨》的改編令人矚目陳澤遠的戲曲創(chuàng)作,遵循"百花齊放,推陳出新"的方針和整理改編傳統(tǒng)戲、新編歷史劇和現(xiàn)代戲三者并舉的劇目政策,堅持歷史唯物主義的觀點和現(xiàn)實主義的創(chuàng)作原則,以生活為源泉,
[Abstract]:Zheng Chen Zeyuan is a rich and productive writer in contemporary Sichuan literary circles. He is also a very respected academic. He graduated from university in 1960 and assigned to Dujiang people's Art Theater in Wenjiang region to work hard for decades. Fruitful, in Sichuan opera, drama, film, television, literary theory and other genres, has made great achievements in all fields. First, adhere to the correct direction of creation, The adaptation of the traditional comedy "Flower Field errors" and the tragedy "Widows' resentment" made Chen Zeyuan's opera creation remarkable. He followed the policy of "letting a hundred flowers blossom and bringing forth the new from the past" and a policy of combining the adaptation of traditional drama with the new historical drama and modern drama. Adhering to the viewpoint of historical materialism and the principle of realistic creation, taking life as the source,
【作者單位】： 中國戲曲學院;
【分類號】：I207.3

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