本文選題：魏晉風度　切入點：魏晉圖像　出處：《浙江大學》2016年博士論文　論文類型：學位論文

【摘要】：魏晉風度是魏晉時期士人文化生活之中所特有的一種精神風度,它同時也是中國文化史上具有典型意義的一種時代文化現(xiàn)象。從古至今,對于魏晉士人精神風度的討論就從未停止過,這一方面說明了魏晉風度對于后世文化的影響之大,另一方面后世對于魏晉風度的探討其實也是一個不斷認識和闡釋的過程。特別是在魯迅確立"魏晉風度"這一概念之后,學界對于魏晉風度的內(nèi)涵構(gòu)建與闡釋就從未停止過。本論文的主題是圖像中的魏晉風度,其重點是關注后世圖像作品是如何表現(xiàn)魏晉士人的精神風度以及圖像是如何將文學作品或者文獻材料中的魏晉風度轉(zhuǎn)化為視覺圖像。第一章主要討論魏晉風度這一學術概念的形成和具體內(nèi)涵,并且分析了魏晉風度產(chǎn)生的歷史根源和文化氛圍,其目的就是對魏晉風度這一學術概念進行徹底的梳理,并從歷史文化的角度尋找其存在的基礎。第二章主要討論后世圖像是如何通過一些物質(zhì)文化符號來表現(xiàn)魏晉風度。這其中主要包括酒和麈尾這兩種在魏晉士人文化生活中最為普遍的物質(zhì)符號圖像,還有一些物質(zhì)符號圖像雖然在魏晉士人之中不是普遍流行的,但是卻能夠代表個別魏晉士人獨特的精神風度。比如,王羲之愛鵝圖像,陶淵明愛菊花圖像,阮孚好屐圖像,支遁愛馬圖像。后世圖像往往就是通過對這些物質(zhì)文化符號的視覺化再現(xiàn)來表現(xiàn)圖像中的魏晉風度。第三章主要討論后世圖像是如何通過表現(xiàn)魏晉時期士人的行為活動來再現(xiàn)魏晉風度。在后世的圖像創(chuàng)作之中,圖像創(chuàng)作者主要聚焦于魏晉士人的音樂活動、袒露之風和隱逸交游這三個方面來表現(xiàn)魏晉士人超乎常人的文化行為活動。坦率地講,這些行為活動并非是魏晉士人所獨有的,但是在后世的圖像作品之中它們確實被圖像創(chuàng)作者賦予了一種魏晉士人所獨有的精神氣質(zhì)。后世表現(xiàn)魏晉風度的圖像作品對于魏晉風度的再現(xiàn)實際上也是一種文化選擇和文化闡釋的過程,它與文學或者文獻對于魏晉風度內(nèi)涵的理解與闡釋在本質(zhì)上是一樣的,都不是純?nèi)豢陀^的,而是有一種主觀的價值判斷在其中,只是圖像的視角闡釋有其自己獨特的一套方式方法,圖像中的魏晉風度實際上就是視覺圖像對于魏晉風度內(nèi)涵的主觀表達。
[Abstract]:The demeanor of Wei and Jin is a kind of special spirit in the cultural life of the scholars in the Wei and Jin dynasties, and it is also a typical cultural phenomenon in the history of Chinese culture. The discussion on the spirit and demeanor of the scholars in the Wei and Jin dynasties has never stopped. On the one hand, it shows that the style of the Wei and Jin dynasties has a great influence on the culture of later generations. On the other hand, the discussion of Wei and Jin demeanour in later generations is also a process of continuous understanding and explanation, especially after Lu Xun established the concept of "Wei and Jin demeanor". The academic circle has never stopped to construct and explain the connotation of Wei and Jin's demeanour. The theme of this thesis is the Wei and Jin's demeanor in the image. The focus is on how the image works of later generations show the spirit of the scholars in the Wei and Jin dynasties and how the images transform the style of the Wei and Jin dynasties from literature works or literature materials into visual images. Chapter one mainly discusses the style of Wei and Jin dynasties. The formation and specific connotation of academic concepts, It also analyzes the historical origin and cultural atmosphere of the appearance of Wei and Jin dynasties, the purpose of which is to thoroughly comb the academic concept of style in Wei and Jin dynasties. The second chapter mainly discusses how the images of later generations express the demeanor of the Wei and Jin dynasties through some material cultural symbols, which mainly include wine and the tail of these two kinds of humanities in the Wei and Jin dynasties. The most common image of material symbols in life, There are also some images of material symbols that are not generally popular among the scholars in the Wei and Jin dynasties, but they can represent the unique spirit of individual scholars in the Wei and Jin dynasties. For example, Wang Xizhi's image of loving geese, Tao Yuanming's picture of chrysanthemum, and the image of Ruan Fu clog. In the third chapter, the author mainly discusses how the image of the later generation shows the behavior of the scholars in the Wei and Jin dynasties by visualizing the symbols of the material culture. Chapter three mainly discusses how the image of the later generation can express the behavior of the scholars in the period of Wei and Jin dynasties. To reproduce the demeanor of Wei and Jin dynasties. In the image creation of later generations, The image creators mainly focus on the musical activities of the scholars in the Wei and Jin dynasties, revealing the wind and making friends in seclusion to show the extraordinary cultural activities of the scholars in the Wei and Jin dynasties. Frankly speaking, these activities are not unique to the scholars in the Wei and Jin dynasties. However, in the image works of later generations, they were indeed endowed by the image creators with a unique spiritual temperament of the scholars in the Wei and Jin dynasties. The image works that later showed the style of the Wei and Jin dynasties were actually a kind of text for the reproduction of the style of the Wei and Jin dynasties. The process of turning choice and cultural interpretation, It is essentially the same as literature or literature in understanding and interpreting the connotation of Wei and Jin Dynasty demeanor. It is not pure and objective, but has a subjective value judgment. Only the visual angle of the image has its own unique set of ways and means. The style of the Wei and Jin dynasties in the image is actually the subjective expression of the connotation of the style of the visual image to the Wei and Jin dynasties.
【學位授予單位】：浙江大學
【學位級別】：博士
【學位授予年份】：2016
【分類號】：I206.2;J205
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本文編號：1645977