本文選題：《馬丹陽(yáng)三度任風(fēng)子》　切入點(diǎn)：《元刊雜劇三十種》　出處：《四川戲劇》2017年02期 　論文類型：期刊論文

【摘要】：現(xiàn)存唯一元代刻本雜劇集是由清代藏書家黃丕烈收藏的《元刊雜劇三十種》。在對(duì)照《元刊雜劇三十種》與《元曲選》所存相同劇目后,可以看出其存在很大差異。馬致遠(yuǎn)所作雜劇《馬丹陽(yáng)三度任風(fēng)子》的元刊本存于《元刊雜劇三十種》中,而明刊本則以臧懋循《元曲選》的版本最精。本文現(xiàn)就《元刊雜劇三十種》與《元曲選》中《馬丹陽(yáng)三度任風(fēng)子》一劇進(jìn)行對(duì)比,分析其文本差異,以窺元明雜劇刊本的變化特點(diǎn)。
[Abstract]:The only collection of Yuan Dynasty zaju is the 30 kinds of Yuan zaju collected by Huang Pili, a bookseller in the Qing Dynasty. After comparing the 30 kinds of Yuan Dynasty Zaju with the same repertoire as the Yuan qu selected, It can be seen that there is a great difference. The Yuan edition of Ma Zhiyuan's zaju "Ma Danyang three degrees Ren Fengzi" exists in 30 kinds of Yuan Zaju dramas. The Ming edition is the best version of Zang Maoxu "Yuan qu selected". This paper compares 30 kinds of Yuan Opera with one play in "Ma Danyang three degrees Ren Fengzi", and analyzes the text differences. In order to peek at the Yuan Ming zaju edition of the changes in the characteristics.
【作者單位】： 西北大學(xué)文學(xué)院;
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本文編號(hào)：1622496