發(fā)布時(shí)間：2018-03-10 03:17

  本文選題：小說(shuō)觀念　切入點(diǎn)：雙重性體驗(yàn)　出處：《揚(yáng)州大學(xué)》2017年碩士論文　論文類(lèi)型：學(xué)位論文

【摘要】：陳忠實(shí)是當(dāng)代具有重要影響力的作家,不僅小說(shuō)作品成果豐碩,而且對(duì)小說(shuō)創(chuàng)作進(jìn)行了理論探索和思考。他的創(chuàng)作隨筆及訪(fǎng)談等文章,不僅記錄了他創(chuàng)作時(shí)的藝術(shù)構(gòu)思過(guò)程,還表達(dá)了他對(duì)小說(shuō)藝術(shù)獨(dú)到的認(rèn)識(shí)和審美追求,形成了他自己的小說(shuō)觀念。本文以陳忠實(shí)的小說(shuō)觀念作為研究對(duì)象,對(duì)陳忠實(shí)的創(chuàng)作手記、創(chuàng)作隨筆和訪(fǎng)談錄進(jìn)行深層次研究,運(yùn)用理論研究與作品分析相結(jié)合的方法,對(duì)陳忠實(shí)小說(shuō)創(chuàng)作的理論成果進(jìn)行全面系統(tǒng)的梳理和考察,提煉出其中具有代表性的小說(shuō)觀念,并對(duì)陳忠實(shí)的小說(shuō)觀念的價(jià)值和意義進(jìn)行思考,以期比較全面地認(rèn)識(shí)陳忠實(shí)在我國(guó)當(dāng)代文學(xué)史上的地位。本文主要分為三個(gè)部分:第一部分是引言,介紹有關(guān)陳忠實(shí)的研究現(xiàn)狀。第二部分是本文的主體,分為四章,分別對(duì)應(yīng)陳忠實(shí)的四個(gè)小說(shuō)觀念。第一章是“雙重性體驗(yàn)”觀念,從形成、內(nèi)涵和意義三個(gè)方面論述陳忠實(shí)對(duì)小說(shuō)的總的看法與要求。陳忠實(shí)認(rèn)為小說(shuō)是作家獨(dú)特的生命體驗(yàn)與藝術(shù)體驗(yàn)的展示,體現(xiàn)出強(qiáng)烈的生命意識(shí),強(qiáng)調(diào)了小說(shuō)的真實(shí)性與交流意義,呼吁作家形成文學(xué)個(gè)性。第二章是“民族的秘史”觀念,按照背景、內(nèi)涵、意義的順序論述陳忠實(shí)對(duì)小說(shuō)主題的看法。陳忠實(shí)提出小說(shuō)要從文化心理結(jié)構(gòu)的角度展現(xiàn)一定時(shí)期民族心理的剝離過(guò)程,這一觀念是對(duì)典型性格說(shuō)的深化,揭示民族的集體無(wú)意識(shí),是對(duì)人的存在的新探索。第三章是“形象化敘述”觀念,從背景、理論與作品三個(gè)角度闡釋陳忠實(shí)的小說(shuō)語(yǔ)言觀念的形成與內(nèi)涵。他認(rèn)為將地方語(yǔ)言進(jìn)行選擇與提煉后運(yùn)用到敘述語(yǔ)言中可以使小說(shuō)敘述形象化。第四章是“人物結(jié)構(gòu)小說(shuō)”觀念,論述陳忠實(shí)對(duì)小說(shuō)結(jié)構(gòu)的看法,闡釋他對(duì)小說(shuō)人物與結(jié)構(gòu)的認(rèn)識(shí),并結(jié)合他的小說(shuō)實(shí)踐加以驗(yàn)證。第三部分是結(jié)語(yǔ),簡(jiǎn)要分析陳忠實(shí)的小說(shuō)觀念與路遙、賈平凹的不同之處,以及與當(dāng)時(shí)文壇的不同,揭示陳忠實(shí)的小說(shuō)觀念的價(jià)值與現(xiàn)實(shí)意義。本文的創(chuàng)新點(diǎn)是用陳忠實(shí)自己的話(huà)語(yǔ),比較全面地梳理和提煉陳忠實(shí)的小說(shuō)觀念,并結(jié)合陳忠實(shí)的小說(shuō)創(chuàng)作對(duì)他的小說(shuō)觀念進(jìn)行研究和驗(yàn)證,探究陳忠實(shí)的小說(shuō)觀念的內(nèi)涵與意義。陳忠實(shí)的小說(shuō)觀念具有個(gè)人特色,他對(duì)傳統(tǒng)的小說(shuō)觀念進(jìn)行了探索與創(chuàng)新,豐富了現(xiàn)實(shí)主義小說(shuō)的創(chuàng)作理論,研究陳忠實(shí)的小說(shuō)觀念對(duì)當(dāng)代小說(shuō)的創(chuàng)作仍然有很重要的意義。
[Abstract]:Chen Zhongshi is a contemporary influential writer of novels not only fruitful, and explored the theory and thinking of fiction. His writing essays and interviews and other articles, not only recorded his creation of the artistic conception, also expressed his understanding of the novel art and unique aesthetic pursuit, formed his own the concept of fiction. Based on Chen Zhongshi's idea of the novel as the research object, the creation of Chen Zhongshi's notes, writing essays and interviews conducted in-depth study on the methods of theoretical study and analysis of works by combining the theory of Chen Zhongshi's novels and combs the systematic investigation and analysis, to extract the representative novels the concept, and the value and meaning of Chen Zhongshi's novel idea of thinking, in order to more comprehensive understanding of the status of Chen Zhongshi in the history of contemporary literature. This paper is divided into three parts: the first part is the introduction, introduces the research situation about Chen Zhongshi. The second part is the main body of this paper is divided into four chapters, four novel concepts corresponding to Chen Zhongshi. The first chapter is "double experience" concept, from the formation, connotation and significance of the three aspects of the novel Chen Zhongshi general views and requirements. Chen Zhongshi thinks that the novel is the writer's unique life experience and art show experience, reflects the strong sense of life, emphasizing the authenticity of fictions and communicate meaning, called for the formation of literary writers personality. The second chapter is "the national Secret History" concept, according to the background, connotation, significance of this order Chen Zhongshi views on the theme of the novel. Chen Zhongshi proposed the novel to show off process in a certain period of time from the national psychological structure of culture and psychology point of view, this concept is the deepening of the typical character that reveals The nation's collective unconscious, is a new exploration to people's existence. The third chapter is "image narration" concept, from the background, formation and connotation of the theory and works of three aspects of the novel interpretation of Chen Zhongshi's concept of language. He thinks that the local language selection and extraction applied to narrative language can make the novel describes the image. The fourth chapter is "the character structure of the novel" concept, discusses Chen Zhongshi's views on the structure of the novel, explains his understanding of the characters and structure, and combined with the practice of his novels is verified. The third part is the conclusion, a brief analysis of the concept of fiction and faithful Chen Lu Yao, Jia Pingwa was different, and different time the literary world, Chen Zhongshi's novels reveal the concept of value and practical significance. The innovation of this paper is in Chen Zhongshi's own words, comprehensively comb and refine Chen Zhongshi's novel idea, combined with the Chen Zhongshi's novels explore and validate his novel concept, connotation and significance of Chen Zhongshi's novel idea. Chen Zhongshi's concept of personal characteristics, the concept of traditional novels he explored and innovated, enriched the realism novel creation theory, the creation of Chen Zhongshi's Thoughts on contemporary novels still have it is of great significance.

【學(xué)位授予單位】：揚(yáng)州大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類(lèi)號(hào)】：I207.42

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