本文選題：《水滸傳》　切入點(diǎn)：創(chuàng)作素材　出處：《山東師范大學(xué)學(xué)報(bào)(人文社會(huì)科學(xué)版)》2017年05期 　論文類型：期刊論文

【摘要】：在諸多對于《水滸傳》文本的闡釋中,由于受到其創(chuàng)作素材豐富、版本情況復(fù)雜和衍生文本多樣的影響,在中西文化交流碰撞日益頻繁的情況下,文本強(qiáng)制闡釋文本的情況值得關(guān)注,其具體表現(xiàn)為三種形式:用素材闡釋文本;用異質(zhì)文化闡釋文本;用衍生文本闡釋原文本。通過對于《水滸傳》忠義觀的考察可以發(fā)現(xiàn),文本強(qiáng)制闡釋文本不但導(dǎo)致忠義觀闡釋與《水滸傳》文本的偏離,還導(dǎo)致人物形象及性格的變異以及對于《水滸傳》結(jié)構(gòu)、內(nèi)容的不同認(rèn)識和選擇�；蛘呖梢哉f,討論西方理論對于中國文本的強(qiáng)制闡釋,解決的問題之一是如何回到文本;而討論文本強(qiáng)制闡釋文本,則希望解決回到什么文本的問題。
[Abstract]:In many interpretations of the text of the Water margin, due to its rich creative materials, complex versions and various derivative texts, the cultural exchanges between China and the West are increasingly frequent. The situation of the forced interpretation of the text is worthy of attention, which is manifested in three forms: the interpretation of the text with material, the interpretation of the text with heterogeneous culture, the interpretation of the original text with the derivative text, and the investigation of the view of loyalty and righteousness in Water margin. The forced interpretation of the text not only leads to the deviation between the interpretation of the concept of loyalty and righteousness and the text of the Water margin, but also leads to the variation of the characters' image and character, as well as the different understanding and choice of the structure and content of the "Water margin". One of the problems to be solved in discussing the compulsory interpretation of Chinese text in western theory is how to return to the text, and the question of which text to return to is to be solved when discussing the compulsory interpretation of the text in the text.
【作者單位】： 中國社會(huì)科學(xué)雜志社;
【分類號】：I207.412

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