本文選題：詞　切入點(diǎn)：歐陽(yáng)修　出處：《東南大學(xué)》2016年碩士論文　論文類型：學(xué)位論文

【摘要】：北宋是詞蔚為大觀的時(shí)代,尤以仁宗朝最為矚目,歐陽(yáng)修在詞的“尊體”之路上具有篳路藍(lán)縷之功。本文采用文史結(jié)合法,將文學(xué)與史學(xué)相結(jié)合,通過(guò)對(duì)歐詞題材、藝術(shù)手法的探析,剖析了他種種新的創(chuàng)作嘗試,并將這種變化放在北宋大環(huán)境下討論,揭示歐詞在整個(gè)詞史中的地位,通過(guò)對(duì)歐詞新變的表現(xiàn)、原因、影響的探析,來(lái)探尋詞這一文學(xué)體裁的發(fā)展之路。其次探討北宋士大夫階層的生存狀態(tài),以及儒學(xué)復(fù)興和詩(shī)文革新對(duì)詞學(xué)風(fēng)貌構(gòu)成的潛在影響。全文共分為緒論、第一至四章、結(jié)語(yǔ)共六個(gè)部分。第一章首先介紹了詞到北宋前的發(fā)展歷史和發(fā)展?fàn)顩r,揭示了歐陽(yáng)修所面臨的歷史背景。其次從歐詞的題材入手,分析他對(duì)既有題材的挖掘、創(chuàng)新和對(duì)新型題材的開(kāi)拓,歐陽(yáng)修早年以傳統(tǒng)題材創(chuàng)作為主,兼有個(gè)人突破,晚年則以新興的景物詞、抒懷詞為主題材上的突破是歐詞新變的第一大方向。第二章介紹了歐詞在藝術(shù)手法上的創(chuàng)新。通過(guò)語(yǔ)言風(fēng)格來(lái)探析他對(duì)既往語(yǔ)言的突破,分為兩種趨勢(shì)：一是詩(shī)化,二是俚俗。同時(shí)分析了他運(yùn)用詩(shī)法入詞,歸納出歐陽(yáng)修詞作藝術(shù)手法的創(chuàng)新。第三章分析了歐詞中表現(xiàn)出的詩(shī)化意境。首先歐詞中的意境接近于詩(shī),比前人更完整、更精美。其次,也是最重要的部分,歐詞開(kāi)始展露了“宋型士大夫”的獨(dú)特情懷,這包括主體意識(shí)的顯現(xiàn)和士大夫情趣、抱負(fù)的流露。第四章通過(guò)對(duì)歷史文化背景的分析,探究歐詞呈現(xiàn)新型特征的原因,對(duì)宋代文學(xué)背景、新特征以及歐陽(yáng)修個(gè)人遭際影響進(jìn)行分析,來(lái)梳理詞在“尊體”道路上的脈絡(luò)。其次,介紹了歐詞出現(xiàn)之后,文壇發(fā)生的微妙改觀,即“情志分流”現(xiàn)象的出現(xiàn)。結(jié)語(yǔ)部分筆者對(duì)歐詞新變的前提、具體表現(xiàn)、推動(dòng)原因、影響后果進(jìn)行了梳理。比之前代,歐詞展現(xiàn)出更為高遠(yuǎn)的闊大境界和主體情志。士大夫主體性意識(shí)的樹(shù)立,使他在詞中直抒胸臆,為自我代言。筆者以歐詞變化為起點(diǎn),梳理出詞在頂峰之前的狀態(tài),挖掘出“宋調(diào)”之下詩(shī)詞交義影響的關(guān)系。
[Abstract]:The Northern Song Dynasty was the time when ci was a great sight, especially in Renzong Dynasty. Ouyang Xiu had a painstaking effort on the road of "respecting the body" of ci. This paper adopted the method of combining literature and history, combining literature with history, and through the theme of European ci. Through the analysis of his artistic techniques, this paper analyzes his various new creative attempts, and discusses this change in the context of the Northern Song Dynasty, revealing the position of European ci in the whole history of ci, and through the analysis of the expression, reason and influence of the new change of European ci. To explore the development of ci as a literary genre. Secondly, to explore the survival of the literati and bureaucrats in the Northern Song Dynasty, and the potential impact of the revival of Confucianism and the innovation of poetry and prose on the style and features of ci. The full text is divided into an introduction, chapters one to four. The first chapter introduces the history and development of ci before the Northern Song Dynasty, and reveals the historical background that Ouyang Xiu faces. In his early years, Ouyang Xiu focused on the creation of traditional themes, with personal breakthroughs, and in his later years he used new scenery words. The breakthrough in the main theme of expressing ci is the first major direction of the new change of European ci. The second chapter introduces the innovation of European ci in artistic techniques. Through the analysis of his language style, there are two trends: one is poetic, the other is poetic. The second is vulgar. At the same time, the author analyzes the innovation of Ouyang Xiu's artistic technique in ci writing by using the poetic method. Chapter three analyzes the poetic artistic conception in European ci. First, the artistic conception in European ci is close to poetry, which is more complete than that of predecessors. Second, and also the most important part, European ci began to reveal the unique feelings of the "Song Scholars and officials," including the manifestation of the subjective consciousness and the taste of the literati and officials, and the exposition of ambition. Chapter 4th, through an analysis of the historical and cultural background, This paper explores the reasons for the new features of European ci, analyzes the literary background, new features and personal influence of Ouyang Xiu in Song Dynasty, to sort out the context of ci on the road of "respecting the body". Secondly, it introduces the appearance of European ci. The subtle change in the literary world is the appearance of the phenomenon of "emotional diversion". In the conclusion part, the author sorts out the premise, the concrete performance, the cause and the effect of the new change of European words. European ci shows a higher and broader realm and subjective feelings. The establishment of the literati's subjective consciousness makes him express his feelings directly in his ci, which is self-endorsing. The author, starting from the change of European ci, combs out the state of ci before the peak. Excavating the relationship between the influence of poetry and ci under Song tune.
【學(xué)位授予單位】：東南大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2016
【分類號(hào)】：I207.23

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