本文選題：詩(shī)經(jīng)　切入點(diǎn)：比興　出處：《國(guó)際漢學(xué)》2017年03期 　論文類型：期刊論文

【摘要】：《詩(shī)經(jīng)》早在17世紀(jì)就被譯介到法國(guó),但對(duì)其文本和創(chuàng)作方法的研究卻一直到20世紀(jì)才真正展開。本文介紹了20世紀(jì)兩位最重要的《詩(shī)經(jīng)》研究者:葛蘭言和弗朗索瓦·于連,后者對(duì)前者的繼承和反思恰恰折射了兩種研究脈絡(luò):結(jié)構(gòu)主義和去結(jié)構(gòu)主義。
[Abstract]:The Book of songs was translated and introduced to France as early as 17th century, but the study of its texts and methods of creation did not really begin until 20th century. This paper introduces two of the most important scholars of the Book of songs on 20th century: Ge Lan and Francois Yulin. The latter's inheritance and reflection on the former reflect exactly two kinds of research context: structuralism and destructivism.
【作者單位】： 南京師范大學(xué)文學(xué)院;
【基金】：教育部人文社會(huì)科學(xué)重點(diǎn)研究基地重大項(xiàng)目“海外漢學(xué)與中國(guó)文論”(項(xiàng)目編號(hào):09 JJD751070)的階段性成果
【分類號(hào)】：I207.22
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本文編號(hào)：1578453