本文選題：還珠樓主　切入點：《水滸傳》　出處：《中華文化論壇》2017年10期 　論文類型：期刊論文

【摘要】：還珠樓主小說描寫用火抵御來犯的食人蟻、怪獸,其相關(guān)書寫與《水滸傳》縱火有共同性。但水滸故事書寫豪俠"縱火"時表現(xiàn)出豪邁與快意,這一利己"優(yōu)勢戰(zhàn)略"模式,藝術(shù)化地展示了"寧毀勿預(yù)"的江湖性格特質(zhì)。《水滸傳》對好漢們縱火無度、不顧后果的反生態(tài)書寫,是敘事行為者的情緒宣泄,也是社會結(jié)構(gòu)固化、資源分配不均的流民積習(xí)表現(xiàn)。而民國還珠樓主則體現(xiàn)出選擇性繼承,既用火攻抵御食人蟻威脅,又對"用火"派生的生態(tài)災(zāi)難進(jìn)行理性思考和關(guān)切,具有人類中心的生態(tài)共同體意識。
[Abstract]:Huanzhu Lou master's novel depicts man-eating ants and monsters that use fire to resist the invaders, and its related writing has a common character with arson of Water margin. However, the story of Shuihu shows bravery and rapture when writing "arson", which is an "advantage strategy" mode of egoism. Artistically, it shows the character of "better to destroy than preface." "Water margin" arson the heroes without regard to the consequences of the anti-ecological writing, is the narrator's emotional catharsis, but also the solidification of the social structure. On the other hand, the owners of Huanzhu buildings in the Republic of China showed selective inheritance, using fire to resist the threat of man-eating ants and rationally pondering and paying attention to the ecological disaster derived from "using fire". Has the human center ecological community consciousness.
【作者單位】： 大連外國語大學(xué)文化傳播學(xué)院;大連大學(xué)語言文學(xué)研究所;
【基金】：國家社會科學(xué)基金項目“還珠樓主小說母題古今演變研究”(項目編號:16BZW114)的階段成果
【分類號】：I207.4
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本文編號：1576950