本文選題：現(xiàn)代意識　切入點(diǎn)：文學(xué)批評　出處：《遼寧大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：李健吾不僅是我國現(xiàn)代文學(xué)史上著名的劇作家、小說家、翻譯家還是著名的文學(xué)批評家,他以一部《咀華集》奠定了文學(xué)理論界的地位,形成了獨(dú)具特色的文學(xué)理論批評風(fēng)格。本論文的研究目的,是以《咀華集》為研究對象,分析李健吾文學(xué)批評中所表現(xiàn)出來的現(xiàn)代意識及其價(jià)值和局限性。本論文共分成六個(gè)部分,第一部分分析了李健吾獨(dú)具特色的現(xiàn)代意識的成因,主要從李健吾所處的時(shí)代背景、個(gè)人經(jīng)歷和對中西理論資源的繼承和轉(zhuǎn)化兩個(gè)方面來研究。第二部分著重討論了李健吾文學(xué)批評意識的表現(xiàn):審美走向自覺,對“人性”充分關(guān)注,用尊重、寬容、同情的態(tài)度去審視批評對象。同時(shí)他對現(xiàn)代性有著的獨(dú)特理解,直覺感悟和理性分析思維的建構(gòu)也體現(xiàn)了他批評思維的現(xiàn)代意識。第三部分主要從李健吾文學(xué)批評多元化方法論和文體特色來彰顯其現(xiàn)代意識,比較分析和綜合印證、科學(xué)實(shí)證和印象鑒賞、同情了解和情感超越相結(jié)合的批評方法貫穿李健吾文學(xué)批評的始終,詩化的言說方式、散漫自如的行文結(jié)構(gòu)、對話式的交流反問構(gòu)成了李健吾文學(xué)批評的文體特色。第四部分研究了李健吾走向現(xiàn)代的過程中遭遇的矛盾和困惑,標(biāo)準(zhǔn)和無標(biāo)準(zhǔn)的對立、自由和限制的沖突、藝術(shù)和現(xiàn)實(shí)的掙扎是李健吾文學(xué)批評面臨的困境。第五部分是論文的結(jié)語部分,分析了李健吾文學(xué)批評現(xiàn)代意識的意義和局限性。從今天看來李健吾文學(xué)批評的現(xiàn)代意識還是不成熟的,其影響也是有限的,但是其地位和意義卻是不能忽視的,作為三四十年代這樣一個(gè)特殊時(shí)代的批評家,李健吾文學(xué)有著其獨(dú)特的時(shí)代價(jià)值。
[Abstract]:Li Jianwu is not only a famous playwright, novelist and translator in the history of modern Chinese literature, but also a famous literary critic. The research purpose of this thesis is to take "Tsui Hua Ji" as the object of study. This paper is divided into six parts. The first part analyzes the cause of the unique modern consciousness of Li Jianwu, mainly from the background of the era. The second part focuses on the expression of Li Jianwu's literary criticism consciousness: aesthetic towards consciousness, full attention to "human nature", respect, tolerance, etc. A sympathetic attitude to examine the subject of criticism. At the same time, he has a unique understanding of modernity, The construction of intuitionistic perception and rational analytical thinking also reflects the modern consciousness of his critical thinking. The third part mainly shows his modern consciousness from the diversified methodology and stylistic features of Li Jianwu's literary criticism. Scientific positivism and impression appreciation, sympathetic understanding and emotional transcendence are the critical methods that run through Li Jianwu's literary criticism from beginning to end, poetic way of speech, loose and free structure of writing. In part 4th, the author studies the contradictions and puzzles encountered in the process of Li Jianwu's progress to the modern era, the conflict between standard and no standard, the conflict between freedom and limitation. The struggle between art and reality is the dilemma of Li Jianwu's literary criticism. Part 5th is the conclusion of the thesis. This paper analyzes the significance and limitation of Li Jianwu's modern consciousness of literary criticism. From today's point of view, the modern consciousness of Li Jianwu's literary criticism is still immature and its influence is limited, but its status and significance cannot be ignored. As a critic of such a special era in the 1930s and 40s, Li Jianwu literature has its unique value of the times.
【學(xué)位授予單位】：遼寧大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206.6

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