發(fā)布時間：2018-03-02 23:28

  本文選題：門當(dāng)戶對　切入點：愛情　出處：《四川師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：愛情永遠(yuǎn)是人類亙古不變的話題�，F(xiàn)代社會中存在著多元化的價值觀,關(guān)于物質(zhì)、成功、自我調(diào)整等等的主題也常常困擾著許多人。而如今,大學(xué)生們畢業(yè)時面對就業(yè)、愛情、社會、家庭等多方面的問題,這些問題值得我們重視。隨著社會文明的不斷進(jìn)步,階級的產(chǎn)生,人們對于愛情的理解也在不斷變化,同時也逐漸產(chǎn)生了“門當(dāng)戶對”的愛情觀念。話劇劇本《追愛》主要表達(dá)了對美好、純真愛情的一種追求和憧憬。話劇劇本《追愛》旨在探討90后大學(xué)生他們作為新一代群體對愛情的理解和當(dāng)他們面對各種壓力所表現(xiàn)出對愛情的堅持。從側(cè)面表露現(xiàn)當(dāng)代社會貧富極度分化,導(dǎo)致人們價值觀、婚姻觀的扭曲。同時,此劇本是現(xiàn)實版的“灰姑娘”,男差女強(qiáng)版的野獸與美女,也可以視為灰姑娘模式的一種變形。俄國學(xué)者普羅普分析的俄國各種各樣的童話故事,總結(jié)出了七種角色和31種行動功能說,“灰姑娘”是所有童話故事當(dāng)中的經(jīng)典模板,而話劇《追愛》將“灰姑娘”倒置了角色,形成了男差女強(qiáng)版的野獸與美女,這構(gòu)成了整個劇本的創(chuàng)新意義。因為在現(xiàn)當(dāng)代男權(quán)中心社會,富家女與窮男談戀愛是一種典型的叛逆心理,具有一定的反叛意義。整個劇本的藝術(shù)特色將從人物塑造、人物語言、戲劇沖突、主題思想等多方面進(jìn)行呈現(xiàn),賦予劇本一個鮮活的生命力,從而讓讀者去感受純真的浪漫主義情懷,這是對愛情理解的升華。這個劇本的創(chuàng)作,其實是想回歸到人類最初的本質(zhì),思考人性的問題,以及從婚姻的角度上給予的一種人文關(guān)懷。
[Abstract]:Love is always a constant topic of human beings. There are many values in modern society, and many people are troubled by the themes of material, success, self-adjustment, etc. Nowadays, college students are faced with employment and love when they graduate. Society, family and many other problems, these problems deserve our attention. With the continuous progress of social civilization and the emergence of class, people's understanding of love is also constantly changing. At the same time, the concept of love gradually came into being. The drama script "chasing Love" mainly expressed the idea of beauty. A pursuit and yearning for pure love. The play "chasing Love" aims to explore the post-90s college students' understanding of love as a new generation and their adherence to love when they face various pressures. Revealing the extreme polarization between the rich and the poor in modern and contemporary society, This script is the real version of "Cinderella", the male and female version of the strong version of the beast and beauty, It can also be seen as a distortion of Cinderella's model. Russian scholar Prop's analysis of various Russian fairy tales sums up seven characters and 31 action functions. "Cinderella" is the classic template of all fairy tales. The drama "chasing Love" reverses the role of Cinderella and forms a strong male and female version of the beast and beauty, which constitutes the innovative significance of the entire script, because in the modern and contemporary patriarchal society, It is a typical rebellious psychology that rich girls fall in love with poor men. The artistic features of the whole play will be presented from many aspects, such as character shaping, character language, drama conflict, theme thought, etc. To give the script a fresh vitality, so that the reader can feel pure romantic feelings, this is a sublimation of love understanding. This script is actually written to return to the original nature of human beings, thinking about human nature. And from the point of view of marriage to give a humanistic concern.
【學(xué)位授予單位】：四川師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.34

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本文編號：1558590