本文關(guān)鍵詞： 傳統(tǒng)格律詩 新興格律詩演變　出處：《西藏大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：世界上的任何事物都處在不斷地變化之中一樣,文學(xué)和藝術(shù)也隨著時(shí)代和社會(huì)的變化而發(fā)生變化,文學(xué)藝術(shù)的生命力跟上時(shí)代的步伐時(shí)才能顯出它生機(jī)勃勃的跡象。因此,藏族詩歌通過幾百年的發(fā)展和變化后,十三世紀(jì)之前的藏族本土的苯教經(jīng)文中的音律、民間的歌謠等具有詩歌色彩的語言藝術(shù)和十三世紀(jì)之后以《詩鏡》為范文的特別注重外美且與藏族通用的口語有一定距離的印度式格律詩,八十年代傳入藏區(qū)的自由體裁詩歌,還有新興的藏族格律詩等相比較,如果細(xì)心研究的話,由于時(shí)代和社會(huì)背景不同,在內(nèi)容、形式、語言等各個(gè)方面有很多的不同變化。但是目前為止還沒有這方面全面系統(tǒng)研究的著作。對(duì)于藏族現(xiàn)當(dāng)代詩歌來說,傳統(tǒng)詩歌在現(xiàn)當(dāng)代時(shí)期的變化,自由體裁詩歌和傳統(tǒng)詩歌之間的相互排斥和相互融合,新興格律詩方面的爭(zhēng)議等若能說出比較正確的的看法和意見覺得很有價(jià)值。因此,本論文主要論述了新時(shí)期藏族格律詩的變化和發(fā)展。全文共分為三個(gè)章節(jié):第一章:從文學(xué)理論和文學(xué)作品、作者隊(duì)伍方面入手,主要論述了藏族傳統(tǒng)詩歌在現(xiàn)當(dāng)代時(shí)期的發(fā)展變化。第二章:主要論述了新興的自由體裁詩歌和傳統(tǒng)格律詩詩歌之間的相互排斥和相互融合。第三章:主要論述了新興格律詩的產(chǎn)生,以及特點(diǎn)和不足之處等。
[Abstract]:Everything in the world is in constant change, and literature and art change with the times and society, and the vitality of literature and art shows signs of vitality only when it keeps pace with the times. After hundreds of years of development and changes in Tibetan poetry, before 13th century, before 13th century, the rhythm of the Zang native benzene scripture, Folk ballads and other poetic language arts, as well as Indian-style rhymes with a special emphasis on the United States and a certain distance from the spoken language of Tibetans after 13th century, were introduced into the free genre of poetry in Tibetan areas in 80s. There are also new Tibetan rhymes, and so on. If we study them carefully, because of the different times and social backgrounds, in terms of content and form, There are many different changes in language and other aspects. But so far, there has been no comprehensive and systematic study of these works. For modern and contemporary Tibetan poetry, the change of traditional poetry in modern and contemporary times, The mutual exclusion and integration between free genre poetry and traditional poetry, and the controversy over emerging rhyme poetry are valuable if they can express more correct views and opinions. This thesis mainly discusses the changes and development of Tibetan rhyming poems in the new period. The thesis is divided into three chapters: chapter one: from the literary theory and literary works, the author team, This paper mainly discusses the development and change of Tibetan traditional poetry in the modern and contemporary period. Chapter two: it mainly discusses the mutual exclusion and mutual fusion between the emerging free genre poetry and the traditional rhyme poem. Chapter three: mainly discusses the mutual exclusion and mutual fusion between the new free genre poetry and the traditional rhyme poem. The emergence of the new rhythm poetry, As well as the characteristics and shortcomings, and so on.
【學(xué)位授予單位】：西藏大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.25

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本文編號(hào)：1554593