本文關(guān)鍵詞： 姬志真 云山集 全真教 玄學(xué)講師 經(jīng)典閱讀　出處：《武漢大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：本文以元代全真道士姬志真《云山集》為研究對象,旨在從宗教實踐的角度分析《云山集》的宗教內(nèi)涵和藝術(shù)特色,體現(xiàn)全真教宗教實踐在元代的新變化及其對詩詞創(chuàng)作的影響。本文除緒論外共有三章。緒論指出,金元全真教的文學(xué)創(chuàng)作作為記錄金元全真教宗教實踐的原始材料和典型教材無論在道教史還是文學(xué)史上均占有舉足輕重的地位,但是由于學(xué)科分工及純文學(xué)觀念的影響,學(xué)界歷來對這些文獻(xiàn)不甚關(guān)注,評價也不高,而姬志真的文學(xué)創(chuàng)作更是無人問津。透過姬志真的《云山集》,我們不僅能夠了解這位全真教第四代高道的宗教思想,揭示其入道、修道、弘道的心路軌跡,而且還能挖掘其背后所體現(xiàn)的元代全真教宗教實踐和文學(xué)創(chuàng)作的新變化。第一章《姬志真的宗教實踐與宗教書寫》主要介紹姬志真的生平、思想及創(chuàng)作。姬志真在金元易代之際投入全真教,在全真教獲得蒙元統(tǒng)治者庇護(hù)而教門大開的背景下修道、弘法,作為玄學(xué)講師,他不僅繼承了全真教的心性理論傳統(tǒng),而且力圖通過強化祖師信仰和宗派意識來加強教團(tuán)的理論建設(shè)與神話建設(shè),體現(xiàn)出強烈的歷史傳承的責(zé)任感。姬志真存世的作品僅有《云山集》。本章重點在于強調(diào)姬志真的宗教實踐以及姬志真作為玄教講師在經(jīng)典闡釋和文學(xué)創(chuàng)作方面的貢獻(xiàn)。第二章《云山集詩詞的題材分析》將姬志真的詩詞分為說理勸化、抒懷記事、寫景詠物、交游題贈四類,分析其詩詞中傳達(dá)的宗教情懷和宗教理念。其說理勸化類詩詞以肉身虛假、真性圓滿為理論基礎(chǔ),以開示宗性為本,概人之邪,括人之妄,勸人入道修行。其抒懷記事類詩詞表達(dá)了對人我是非的困擾、對語言、文字的自省,以及閑散慵懶、游戲人間的人生態(tài)度。其寫景詠物類詩詞以道眼觀察世界,物物皆含情、事事皆契理,詩人所見之景,所詠之物皆有一種仙化、道化的色彩。其交游題贈類詩詞反映了姬志真與全真高道的交游情況,也透露出誠摯真切的道友情懷。這些詩詞重點傳達(dá)了姬志真宗教修持和宗教弘法的心路歷程,彰顯了一代全真高道姬志真的宗教情懷和以心性修煉為核心的宗教理念。第三章《云山集詩詞的用典與意象》以姬志真修行生活上的兩大特點——經(jīng)典閱讀和山居修行為切入點,分析姬志真詩詞的用典特征和意象特征。作為玄學(xué)講師,姬志真閱讀了一系列道教經(jīng)典,并作了詳細(xì)的注釋,其詩詞中出現(xiàn)的大量典故即來自于這些道教經(jīng)典,其對典故的選擇和使用表現(xiàn)出強烈的全真化色彩。姬志真深刻的山居修行體驗使他的詩詞帶有鮮明的山居意象。這些意象是一種與塵世的區(qū)隔,是一種寧靜、悠閑、自在的理想境界,更是詩人修行體驗的形象化表達(dá)。透過對姬志真《云山集》的研究,我們可以發(fā)現(xiàn),作為體現(xiàn)元代道教發(fā)展史的原始文獻(xiàn),它反映了元代道教宗教實踐的新變化,即在蒙元政府庇護(hù)和支持下立觀度人、在建構(gòu)道教正統(tǒng)形象的過程中強調(diào)對經(jīng)典的閱讀和闡釋,或者進(jìn)一步說利用經(jīng)典的閱讀和闡釋來完善全真教的宗教理論、建構(gòu)自身的道教正統(tǒng)形象。同時,我們也可以發(fā)現(xiàn),姬志真的文學(xué)創(chuàng)作體現(xiàn)了其修持、弘法的歷程,其宗教修持上的突出特征也對其詩詞中的典故和意象產(chǎn)生了深遠(yuǎn)的影響,并鑄造了他的文學(xué)創(chuàng)作特色。
[Abstract]:The Yuan Dynasty Taoist Ji Zhizhen < > in Yunshan as the research object, religious connotation and artistic features of < > from the set of Yunshan aims to analyze the religious practice angle, reflect the Quanzhen religious practice in the new changes in the Yuan Dynasty and its influence on the creation of poems. The introduction of this paper consists of three chapters. The introduction points out Jinyuan Quanzhen the literary creation as the original material records of religious practice and typical Jinyuan Quanzhen Taoism history textbook in the history of literature are still occupies a pivotal position, but because of the influence of disciplines and pure literary ideas, academic circles have not paid much attention to these documents, the evaluation is not high, and Ji Zhizhen's literary creation is through the Zhizhen Ji. No one shows any interest in "Yunshan set", we can not only understand the Quanzhen fourth generation high religious thought, reveals the Taoism, religious, spiritual path but also the development and mining The new change manifests the Yuan Dynasty Quanzhen religious practice and literature creation. In the first chapter, "the Zhizhen Ji religious practice and religious writing mainly introduces the Zhizhen Ji > life, thought and creation. Ji Zhizhen in the generation of the occasion in Quanzhen Yuan rulers, obtain asylum Education under the background of open door in the convent, preaching Quanzhen, metaphysics as lecturer, he not only inherited the traditional theory of mind of Quanzhen sect, and tries to strengthen the theoretical construction and the construction of the order by strengthening the myth of Founder beliefs and sectarianism, reflects the historical heritage of the strong sense of responsibility. The only surviving Zhizhen Ji works. This chapter focuses on the set of" Yunshan is that religious practice and Zhizhen Ji Ji Zhizhen as xuanjiao lecturer in classical literature creation and interpretation of the contribution. The second chapter sets the theme of poetry "Yunshan poetry > Ji Zhizhen divided into said Daniel advised, Shuhuai notes, scenery chanting his inscription four categories, analysis in poetry to convey the religious feelings and religious concept. The reason that kind of poetry in the flesh of false, true success as the theoretical basis, to the discovery of cases, almost human evil, including human arrogance, to persuade people in the training. The lyric poetry notes like the expression of the interests and disputes problems, of language, text and introspection, idle idle frivolous attitude to life. The scenery poems chanting to observe the world road eye, material things however, everything is positive, the poet see scene, the object has a wing a fairy, the color of the word. His Poems Inscribed class reflects Ji Zhizhen and Quanzhen Tao high friends, also revealed truly sincere friends feelings. These poems mainly convey the Ji Zhizhen mentality of the practice of religion and religious preaching, highlighting the generation of Quanzhen Gao Daoji will really The religious feelings and practicing religious philosophy as the core of the mind. The third chapter "Yunshan poetry in allusion and imagery" starting point to Ji Zhizhen on the two major characteristics of the spiritual life of the classic reading and mountain repair behavior, analysis of characteristics and image characteristics of Allusions in Ji Zhizhen's poems. As a lecturer Zhizhen Ji Hyun, a series of reading Taoist classics, and made detailed notes, a large number of Allusions in the poems of the Taoist classics from these, the selection and use of allusions showed strong color of Quanzhen. Profound spiritual experiences in Zhizhen mountain Ji made his poetry with distinct mountain images. These images are a this segment is a quiet, leisurely and comfortable ideal, it is the expression of the poet's image of practice and experience. Through the research of Ji Zhizhen < > Yunshan set, we can find that, as the embodiment of the development of Taoism in Yuan Dynasty The original literature history, it reflects the new changes in the Yuan Dynasty Taoist religious practice, which made people view in the Yuan government protection and support, that in the process of constructing the image of orthodox Taoism classic reading and interpretation, or further said using the classic reading and interpretation to improve the Quanzhen religion theory, construction of Taoism the orthodox image itself. At the same time, we can also find that Ji Zhizhen's literary creation reflects the practice of Dharma, history, the religious features hold on but also had a profound impact on the poetry of allusions and images, and cast the characteristic of his literary creation.

【學(xué)位授予單位】：武漢大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.2

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