本文關(guān)鍵詞： 南唐詞 花間詞 空間意象 眼界　出處：《北京外國語大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：南唐詞在詞的演變過程中有重要的地位,馮延巳、南唐二主是南唐的主要詞人,他們特殊的身份地位及所接受的文化思想都對南唐詞的風(fēng)格產(chǎn)生影響。由于詞中常運(yùn)用各類文學(xué)意象來傳情達(dá)意,因此意象研究成為詞學(xué)研究中重要的一部分。王國維在《人間詞話》中對馮延巳詞有"堂廡特大"1、對李煜詞有"眼界始大,感慨遂深""2這樣的評價,前人對這些評價的理解主要是通過南唐詞人的經(jīng)歷和情感變化來分析,然而"堂廡"本意指屋宇這一空間,"眼界"本意指目力所及的空間范圍。所以受此啟發(fā),本文選取空間意象這一角度,對南唐詞中常出現(xiàn)的空間意象進(jìn)行分類研究,希望可以通過對南唐詞空間意象的分析來嘗試從另一個角度理解王國維的認(rèn)識。本文共分五章,包括引言、論述與結(jié)語。在引言部分,本文先闡釋了論文的選題及意義,并對南唐詞、南唐詞意象和南唐詞空間意象的文獻(xiàn)研究做進(jìn)一步綜述,以期了解南唐詞的研究現(xiàn)狀。這些文獻(xiàn)為本論文寫作提供了詳細(xì)的研究背景,在新的思路和理論方面也有很多啟發(fā),如意象組合理論和意象圖式理論等。在正文部分,本文分為三章,共涉及10種空間意象。本文以曾昭岷先生主編的《全唐五代詞》3為文本依據(jù),對南唐詞中的每種空間意象都做了詳細(xì)的數(shù)據(jù)統(tǒng)計,并對各類空間意象描寫分別進(jìn)行具體分析。為了更好地說明問題,本文還將南唐詞空間意象與花間詞同類意象進(jìn)行了比較。第二章分析南唐詞中的分隔性空間意象,其中包括屏、簾、門、窗和闌意象,它們主要將室內(nèi)空間和室外空間分隔開來。每種空間意象都有自己的特點(diǎn),同時它們又分別通過屏上的畫、卷起的簾、開著的門、窗外的月和詞中人憑闌外望等突破了內(nèi)部空間的有限性,與外部空間相連接,構(gòu)成更大的空間視野。第三章分析南唐詞中的建筑空間意象,其中包括內(nèi)部的廳堂、外部的樓閣和庭院意象,由于這些意象是包含一定范圍的空間,所以它們表現(xiàn)出的特點(diǎn)與該范圍內(nèi)的具體事物及人的活動有關(guān)。廳堂主要表現(xiàn)為"畫堂""空堂""深堂",在詞中它們與室內(nèi)的簾帳、燈燭和樂聲等一起營造出幽深的意境。南唐詞中樓閣的特殊之處在于樓內(nèi)人物身份的不同以及上高樓或倚樓時看到的廣闊空間。李煜因其特殊的人生經(jīng)歷,所以他的詞中樓閣意象具有深刻的"建筑意"4。庭院意象在南唐詞中一方面營造出凄清的意境;另一方面由于詞人在南唐擁有較高的社會地位,庭院又成為詞人高貴身份和雅致情趣的承載體,表現(xiàn)出風(fēng)流瀟灑的士人風(fēng)范。第四章分析宏觀自然空間意象,主要包括山、水和天三種意象。相比較花間詞人的描寫,山意象在南唐詞中數(shù)量增多,描寫也被逐漸泛化,構(gòu)成更普遍、更寬廣的背景空間。此外,詞人對山的描寫也表現(xiàn)出由近知遠(yuǎn)、回旋往復(fù)的空間感。水意象在南唐詞中形式表現(xiàn)有多樣化特點(diǎn),既有近處的小空間,也有遠(yuǎn)處茫茫的大空間。需要特別指出的是,李煜詞中的水意象在南唐詞里有其特殊的意味——"象隨心動",即詞中水意象的運(yùn)用是根據(jù)詞人心中想象而非當(dāng)時親眼所見,表現(xiàn)出詞人豐富的想象力,也表達(dá)出詞人對故國深切的思念之情。南唐詞中的天意象主要表現(xiàn)出遠(yuǎn)的特點(diǎn),更能營造廣闊的宏觀空間。結(jié)語部分主要總結(jié)了本文的研究內(nèi)容及意義,指出詞中的空間意象和詞人自身經(jīng)歷的現(xiàn)實(shí)空間是密切相關(guān)的。屏風(fēng)、窗、闌干、樓閣、庭苑、山河和天等這些空間意象,在南唐詞中漸趨增多,且它們本身在詞中就能夠營造出廣大空間,影響詞境的變化。所以這啟發(fā)我們除了從詞人經(jīng)歷和思想的變化來理解"堂廡特大""眼界始大"的含義以外,還可以從空間意象變化的角度來理解南唐詞所呈現(xiàn)出的"堂廡特大""眼界始大"之內(nèi)涵。
[Abstract]:The word has an important role in the evolution of the word, Feng Yansi, the two Lord is mainly the poet, affect their special status and accepted the culture of Nantang CI style. Because words often use various literary images to convey feeling, therefore become an important part of image research in the study of Wang Guowei. In < renjiancihua > to Yansi word "Tang Feng Wu large" 1, "the words of Li Yu was feeling deep horizons, and" 2 "of this evaluation, the previous understanding of the evaluation is mainly through the analysis of experience and emotional changes in Nantang Ci, however." Hall veranda "means the buildings of this space," vision "refers to the spatial range of vision and intention. So inspired by this, this paper selects the angle of space image, the classification of space images often appear in the word, hope can through to the word Spatial analysis of the image to try to understand his understanding from another point of view. This paper is divided into five chapters, including introduction, discussion and conclusion. In the introduction, this paper first explains the background and significance of this thesis, and on the word, do further research literature review the word image and the word space image, to the research status of the word. Provides a detailed research background of these documents for writing this paper, in theory the new ideas and have a lot of inspiration, such as image combination theory and image schema theory. In the second part, this paper is divided into three chapters, involving a total of 10 kinds of space image based on MR Ceng Zhaomin. Editor of the Tang Dynasty and the Five Dynasties >3 < full text basis, do a detailed statistical data for each image in the word, and for all kinds of space images respectively were analyzed. In order to better explain the question, this article Will the word space image and huajianci similar images were compared. The second chapter analyzes the separated space imagery in the word, including screen, curtain, door, window and threshold image, they will be separated from the indoor space and outdoor space. Each image has its own characteristics, and they respectively through screen painting, rolled up the curtain, open door, window and word people Pinglan out breaks through the limited internal space, is connected with the outer space, a larger space perspective. The third chapter analysis the words in the architectural space image, including inside the hall, outside the pavilion and garden images, because these images is to contain a range of space, so the specific things and the characteristics they exhibit and the range of activities. The hall is mainly shown as "the painted hall" "empty hall" and "deep hall", and they are in words. The interior of the curtain, lights and music together to create a deep artistic conception. The word is in the vast space special pavilion lies in building the identity of the characters of different and tall buildings or lean on the floor to see. Because of Li Yu's special life experience, so has his words in deep imagery Pavilion "architecture" 4. courtyard on the one hand the word image to create a sense of artistic conception; on the other hand, the poet has a high social status in the courtyard, and as a carrier for noble status and elegant taste of the poet, showing the literati style. Graceful but not showy the fourth chapter analyzes the macro natural space image, including mountain, water and sky three images. Compared to the poets' description of the increase in the number of words in the mountains, description was also gradually generalization, which is more common, more broad background space. In addition, his description of the mountain also exhibited by Almost know far maneuver reciprocation space. In the form of the word water images show diversified characteristics, both near the small space, also has a vast space. In particular, the water image in Li Yu's word in the word has its special meaning: "as with heart" that is, the use of the word water image is based on the author's imagination rather than was seen, showing his rich imagination, the poet also expressed deep thoughts of love to the motherland. The word is in heaven as the main exhibit the characteristics, to create a more macro broad space. The conclusion part mainly summarizes the the research content and significance of this paper, points out the reality of space and space images in CI and CI experiences are closely related. Screens, windows, railings, pavilions, courtyards, the space image of mountains and rivers and in the days, the word gradually increased, and their own You can create a vast space in the word, changes in word boundary. So it inspires us apart from Ci experience and thought changes to understand the "Hall" was large veranda "horizons" than the meaning, but also from the space image change point of view to understand the word of the large hall veranda "the beginning" horizons "connotation.

【學(xué)位授予單位】：北京外國語大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.23

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本文編號：1510881