本文關(guān)鍵詞： 《論衡》 文學(xué)性 成書背景 藝術(shù)特色　出處：《山東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

【摘要】：王充是東漢時期成就卓越的思想家、學(xué)者,其著作《論衡》思想博雜,包羅廣闊,以“疾虛妄”為主旨,為人所重視。《論衡》成書的最主要背景是東漢讖緯神學(xué)的盛行,當(dāng)時的學(xué)風(fēng)、文風(fēng)普遍虛偽浮夸,“疾虛妄”就是針對這一弊病提出的。同時,《論衡》能夠成書也與王充的家世生平及學(xué)養(yǎng)密不可分。近代以前《論衡》的研究相對零碎,不成系統(tǒng)。近代以后,尤其是新文化運動時期經(jīng)胡適、章炳麟等人揄揚,學(xué)者們對《論衡》愈發(fā)重視起來,進行了較為系統(tǒng)的研究。研究內(nèi)容主要包括王充的家世生平、《論衡》各個篇目的寫作年限、《論衡》中的哲學(xué)思想、《論衡》中的文學(xué)思想、《論衡》的語言學(xué)研究以及其他領(lǐng)域的研究。近年來,關(guān)于《論衡》的藝術(shù)特色研究逐漸興起,這些研究涉及《論衡》的篇章結(jié)構(gòu)、修辭手法、語言特色等,大都進行了較為客觀的評價。本文立足于《論衡》成書的主要時代背景,結(jié)合作者王充的家世生平,對《論衡》的藝術(shù)特色,包括修辭手法、論辯藝術(shù)、文體特征和語言的抒情性等進行深入分析,總結(jié)《論衡》的地位與影響,以期有益于《論衡》研究之一端。緒論部分對《論衡》的研究概況作了總結(jié),解釋了“文學(xué)性”這一概念的發(fā)展及本文中“文學(xué)性”的內(nèi)涵,并著重對《論衡》的文學(xué)性研究現(xiàn)狀進行概述。第一章論述《論衡》成書情況,分為兩節(jié),第一節(jié)論述王充的家世和生平,分析王充的家世,列舉王充生平中的大事,如受業(yè)太學(xué),師事班彪,著書示后等,闡述它們對《論衡》創(chuàng)作的影響。第二節(jié)論述《論衡》成書的時代背景,從讖緯盛行和揚雄、桓譚對王充的影響兩部分展開,對導(dǎo)致讖緯盛行的幾大原因,包括五經(jīng)獨尊與孔子的神化、天人感應(yīng)與祥瑞災(zāi)異、今古文經(jīng)學(xué)的紛爭與沉寂,以及石渠閣會議與白虎觀會議召開的意義,進行了詳細論述。第二章論述《論衡》的修辭手段,主要分析比喻、對比和引用三種,并結(jié)合《論衡》篇章中的例子予以一一說明。第三章對《論衡》的論辯藝術(shù)進行論述,常用的兩類技巧是邏輯推理與事實相結(jié)合和類比,結(jié)合具體篇章進行舉例分析,末尾指出這類邏輯手法的嚴密性需要更進一步驗證。第四章分析《論衡》的文體特征,對其傘狀的篇目排列特點、問答體和繁博質(zhì)樸的文體特征進行分別論述,分析它們的成因和表現(xiàn)。第五章論析《論衡》的情感性,著重論述了無奈、不甘、怨憤、恬淡清高和灑脫奮進等幾類情感特征,并結(jié)合《自紀》篇分析《論衡》抒情性語言的文學(xué)價值。第六章對《論衡》的總體成就予以評價,分析其對先秦散文的繼承和對兩漢文風(fēng)的影響,評價其對后世散文的影響。
[Abstract]:Wang Chong is an outstanding thinker and scholar in the Eastern Han Dynasty. His works "on balance" have a wide range of ideas, and take "disease and vanity" as the main idea. The most important background of the book was the prevalence of theology in the Eastern Han Dynasty. At that time, the style of study and the style of writing were generally hypocritical and ostentatious. The study of "on balance" before modern times was relatively fragmented and unsystematic. After modern times, especially in the period of New Culture Movement, Hu Shi. Zhang Binglin and other people praise, scholars pay more and more attention to the "Luoheng", carried out a more systematic study. The contents of the research mainly include Wang Chong's family life, the writing years of each title of "Lun Heng". In recent years, the study on the artistic characteristics of Anheng has been gradually developed, including the philosophical thought, the literary thought, the linguistic research and other fields. Most of these studies, involving the textual structure, rhetorical devices, language characteristics, etc., have been evaluated objectively. This paper is based on the main background of the writing of the book. Based on Wang Chong's family life, this paper makes a deep analysis of the artistic features of the thesis, including rhetoric, argumentation, stylistic features and lyricism of language, and sums up the status and influence of the thesis. The introduction summarizes the general situation of the research and explains the development of the concept of "literariness" and the connotation of "literariness" in this paper. The first chapter discusses the status of the book, divided into two sections, the first section discusses Wang Chong's family background and life history, and analyzes Wang Chong's family background. Enumerate the major events in Wang Chong's life, such as receiving education, teaching, teaching and writing, and so on, and expounds their influence on the creation of the book. The second section discusses the background of the writing of the book, and from the perspective of prophecy, the prevalence and Yang Xiong. Huantan's influence on Wang Chong was carried out in two parts, which led to the prevalence of the prophecy, including the deification of the five Classics and Confucius, the feeling of heaven and man and the difference of auspicious disaster, and the dispute and silence of the study of ancient Chinese classics. The significance of the Shiqu Pavilion meeting and the White Tiger View Conference is discussed in detail. The second chapter discusses the rhetorical devices of "Analects", mainly analyzes three kinds of metaphors, contrasts and citations. The third chapter discusses the art of argumentation. The two commonly used techniques are the combination of logical reasoning and fact and analogy. Combined with a specific text for example analysis, the end of this kind of logic to further verify the tightness. 4th chapter analysis of the stylistic characteristics of the "balance", to its umbrella arrangement characteristics. Q & A and simple stylistic features are discussed, their causes and performance are analyzed. Chapter 5th discusses the emotion of the Analects, focusing on helplessness, unwillingness and resentment. This paper analyzes the literary value of the lyric language in the light of the quiet and the high and the free and easy to advance. Chapter 6th evaluates the overall achievement of the book "Luoheng", and analyzes the literary value of the lyric language in the book of Self-discipline. Chapter 6th evaluates the overall achievement of the book. This paper analyzes its inheritance to the prose of the pre-Qin Dynasty and its influence on the literary style of the Han Dynasty and evaluates its influence on the prose of later generations.
【學(xué)位授予單位】：山東師范大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I206.2

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