本文關(guān)鍵詞：擘劃世界:“環(huán)球攬勝圖說”的拓撲空間　出處：《文學(xué)評論》2017年02期 　論文類型：期刊論文

  更多相關(guān)文章： “天下” 拓撲空間 游戲 《小說林》

【摘要】：《小說林》第9期上的"環(huán)球攬勝圖說"通過羅列全球"名勝",設(shè)計了一個擲骰爬格的賭博游戲。這樣的文明教化,可以說形塑了清末特別的"文學(xué)經(jīng)濟學(xué)":借由文字的簡潔表述,開啟了國人繁復(fù)的現(xiàn)代性想象。且更重要的是,透過接引"天下"理念到游戲之中,它又極輕便地化解了現(xiàn)代性遲到的焦慮,幫助平衡了一般認(rèn)識中總是把"世界"和殖民相掛鉤的看法。"圖說"實際上有說無圖。圖像的缺席,與其說暗示了文字中心主義的昌盛,毋寧說其另有一脈"文化的圖譜"。從《小說林》的"圖畫"欄目、《孽�；ā返呐撩谞柕貓D,再到游記,及《八十日環(huán)游記》等翻譯小說,其連類所及,形成了一個拓撲空間,示現(xiàn)了一時心靈結(jié)構(gòu)的嬗變和文化觀念的雜沓。
[Abstract]:The "Universal range Rover Troupe" in issue 9 of "Fiction Forest" by listing the world's "attractions", designed a game of gambling with dice crawling. This civilisation. It can be said that the special "literary economics" of the late Qing Dynasty was shaped by the concise expression of the text, which opened up the complex modern imagination of the Chinese people, and, more importantly, through the introduction of the "world" concept into the game. It also dissolves the anxiety of the lateness of modernity very easily, and helps to balance the view that the "world" is always linked to the colonization in the general knowledge. "Tu" actually has the absence of saying no picture. Rather than hinting at the prosperity of writing centrism, it is better to say that it has another "cultural map", from "Picture" in "Fiction Forest" to "Pamir Map" in "Nie Hai Hua", and then to travel notes. And "80 days' Tour" and other translated novels, its contiguous category, formed a topological space, showing the transmutation of the temporary spiritual structure and the mixed cultural concepts.
【作者單位】： 西南交通大學(xué)人文學(xué)院;
【分類號】：I206.5
【正文快照】： 1908年3月《小說林》雜志在延刊一個月的情況下發(fā)行了第9期大增刊(1)。增刊特設(shè)短篇小說、雜錄、文苑三個部分。這三個部分本是為了迎接戊申新年而設(shè)的,但因出版延期,錯過了新春消閑的最好時光。不過饒是如此,編輯者們并沒有修改雜志內(nèi)頁上的發(fā)行時間,其上依然標(biāo)注了“戊申年，

本文編號：1439209