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  本文關(guān)鍵詞：六朝自然現(xiàn)象詩研究　出處：《武漢大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 自然現(xiàn)象 六朝詩歌 審美觀 自然觀

【摘要】：自然界的物象自古以來便是詩人們詩歌創(chuàng)作的取象源泉。屬于自然現(xiàn)象的風(fēng)雨雷電、云霜霧雪,不僅為人們帶來美的感受,更與人們的生活、生產(chǎn)息息相關(guān)。本文以逯欽立先生輯校的《先秦漢魏晉南北朝詩》為研究底本,對描寫風(fēng)、雨、霽、雪、霰、云、霜、露、霧、霞、雷、雹等自然現(xiàn)象的詩歌進行審美研究,并由點及面,從六朝自然現(xiàn)象詩出發(fā),探討六朝時期的文學(xué)風(fēng)尚和文人審美觀念。本文共分為五個部分:首先,"緒論"部分選定六朝自然現(xiàn)象詩作為論文研究對象,明確研究目的:藉由對166首自然現(xiàn)象詩的內(nèi)容分析,探討六朝文人在詩歌中的藝術(shù)描寫與情感表達,并挖掘六朝時期自覺的、審美的自然觀念和它對文人歌詠自然現(xiàn)象進行詩歌創(chuàng)作的影響。第一章為"六朝前自然現(xiàn)象詩發(fā)展概述",通過對《詩經(jīng)》、楚辭以及兩漢文學(xué)作品中出現(xiàn)的風(fēng)雨云雪等自然現(xiàn)象語詞進行歸納,了解自然現(xiàn)象詩在先秦兩漢時期的文學(xué)流變,得出結(jié)論:六朝前并無以自然現(xiàn)象為審美主體進而歌之詠之的詩作,而是把風(fēng)雨云雪等自然現(xiàn)象作為意象使用,或托物言志,或借言書懷。第二章為"六朝自然現(xiàn)象詩類型分析",此部分通過對詩歌原典的解讀,具體地分析了六朝詠風(fēng)詩、詠雨詩、詠雪詩、詠云詩的內(nèi)容表達與寫作技巧,為第三章分析六朝自然現(xiàn)象詩的情感意涵和審美意趣做鋪墊。第三章為"六朝自然現(xiàn)象詩內(nèi)涵分析",共分為三小節(jié),分別從情感、文化、審美的角度對六朝自然現(xiàn)象詩進行多維度分析,以期更全面地了解自然現(xiàn)象詩。最后為"結(jié)論",綜合各章研究心得,并簡述本文的研究限制。
[Abstract]:The physical image of nature has been the source of poets' poetry since ancient times. The wind, rain, lightning, clouds, frost and snow, which belong to the natural phenomenon, not only bring people the feeling of beauty, but also the life of people. Production is closely related. This paper based on Lu Qinghan, Wei, Jin, Southern and Northern dynasties poems, describes wind, rain, Ji, snow, graupel, cloud, frost, dew, fog, Xia, thunder. Hailstorm and other natural phenomena of poetry aesthetic research, and from the point and surface, from the six dynasties natural phenomenon poetry, to explore the six dynasties literary fashion and literati aesthetic concept. This paper is divided into five parts: first. "introduction" selected the six dynasties natural phenomenon poetry as the research object, clear research purpose: by analyzing 166 poems of natural phenomenon, this paper probes into the artistic description and emotional expression of the six dynasties literati in their poems. And excavates the six dynasties period conscious, the esthetic natural idea and it to the literati singing the natural phenomenon to carry on the poetry creation influence. The first chapter is "the six dynasties before the natural phenomenon poem development outline", through the "Book of songs". The ci of Chu and the words of natural phenomena such as wind and rain, cloud and snow appeared in the literary works of the Han Dynasty were summarized to understand the literary changes of the poems of natural phenomena in the pre-Qin and Han dynasties. Draw a conclusion: before the six dynasties, there was no poem about natural phenomena as the aesthetic subject and then songs, instead, the natural phenomena such as wind and rain, clouds and snow were used as images, or the objects of expression and ambition were used. The second chapter is "the six dynasties natural phenomenon poetry type analysis", this part through the interpretation of the original poetry, the specific analysis of the six dynasties poems on the wind, rain poems, poems on snow. The content expression and writing skills of the poems on the cloud lay the groundwork for the third chapter to analyze the emotional meaning and aesthetic interest of the natural phenomenon poems of the six dynasties. The third chapter is "the connotation analysis of the six dynasties' natural phenomenon poems", which is divided into three sections. From the perspective of emotion, culture and aesthetics, this paper makes a multi-dimensional analysis on the poems of natural phenomena in the six dynasties in order to understand the poems of natural phenomena in a more comprehensive way. Finally, it is "conclusion", which synthesizes the research experiences of each chapter. The limitations of this paper are also briefly described.
【學(xué)位授予單位】：武漢大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2017
【分類號】：I207.22

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