本文關(guān)鍵詞：李曾伯詞意象研究　出處：《華東師范大學(xué)》2017年碩士論文　論文類型：學(xué)位論文

  更多相關(guān)文章： 李曾伯 意象 意象群 南宋詞 美學(xué)意蘊(yùn)

【摘要】：李曾伯(1198-1268),南宋后期詞人,《宋史》有傳。其一生以事功顯,詞是南宋詞人李曾伯現(xiàn)存作品的重要組成部分,具有很高的文史價(jià)值和美學(xué)價(jià)值�？偟膩碚f學(xué)界對(duì)其現(xiàn)存所有詞作進(jìn)行文學(xué)上的全面系統(tǒng)的歸納、總結(jié)較少。特別是從"意象"這一中國古典美學(xué)的基本范疇入手,由表及里地關(guān)注其詞的審美地位的研究暫為缺乏�，F(xiàn)本論文以美學(xué)理論中的意象理論作為切入點(diǎn),對(duì)李曾伯的現(xiàn)存詞作進(jìn)行研究。首先,本文將從中國古典美學(xué)的理論角度分析相關(guān)范疇與意象外部建構(gòu)的關(guān)系,作為緒論。第一章節(jié)和第二章節(jié),本文從特定意象出發(fā)進(jìn)行分析,以求對(duì)李曾伯詞的美學(xué)價(jià)值進(jìn)行探尋和分析。特別對(duì)其詞中常用意象、意象組合進(jìn)行梳理、整合。與此同時(shí),由意象入手探索辛派詞的美學(xué)特色的形成脈絡(luò)。第三章,本文總結(jié)李曾伯詞的主要意象、主要風(fēng)格及其的產(chǎn)生、建構(gòu)和選擇與個(gè)人、地理、時(shí)代等之間的關(guān)系。并結(jié)合李曾伯詞的個(gè)人風(fēng)格與宋末各家詞的總體特點(diǎn),進(jìn)行橫向的比較研究。第四章提出李曾伯詞意象的局限性及對(duì)其藝術(shù)成就的影響。本論文產(chǎn)生的研究成果,將會(huì)對(duì)李曾伯詞的關(guān)注、南宋辛派詞的美學(xué)研究有一定的發(fā)展;對(duì)意象理論在詞學(xué)中的應(yīng)用有一定的發(fā)展;對(duì)意象在各詞人、詞派美學(xué)風(fēng)格的比較、應(yīng)用有一定的發(fā)展。
[Abstract]:Li Zeng-bang (1198-1268), a poet in the late Southern Song Dynasty, has a biography of "Song History". His life is marked by his achievements, and the ci is an important part of the existing works of the poet Li Zengbo of the Southern Song Dynasty. It has a high value of literature and history and aesthetic value. Generally speaking, the academic circles have made a comprehensive and systematic literary induction of all his existing ci works. Especially from the perspective of "image", which is the basic category of Chinese classical aesthetics. The study of aesthetic status of Li Zengbo's ci poems from the surface to the inside is temporarily lacking. Now this paper takes the image theory in the aesthetic theory as the starting point to study Li Zengbo's existing ci poems. First of all. This paper will analyze the relationship between the relevant categories and the external construction of images from the perspective of Chinese classical aesthetics as an introduction. The first and second chapters, this paper analyzes from the perspective of specific images. In order to explore and analyze the aesthetic value of Li Zengbo's ci, especially combing and integrating the commonly used images and image combinations in his ci. The third chapter summarizes the main image of Li Zengbo's ci, the main style and its generation, construction and choice and individual, geography. Combined with the individual style of Li Zengbo's ci and the general characteristics of various ci poems in the late Song Dynasty. The 4th chapter points out the limitations of Li Zengbo's ci poems and their influence on his artistic achievements. The research results of this thesis will pay close attention to Li Zengbo's ci poems. The aesthetic study of Xin ci in the Southern Song Dynasty has developed to a certain extent; There is a certain development in the application of image theory in ci. There is a certain development in the application of image in the comparison of the aesthetic style of ci-writers and ci-schools.
【學(xué)位授予單位】：華東師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2017
【分類號(hào)】：I207.23

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