本文關(guān)鍵詞：半殖民地中國(guó)“假洋鬼子”的文學(xué)構(gòu)型　出處：《中國(guó)社會(huì)科學(xué)》2017年03期 　論文類型：期刊論文

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【摘要】："假洋鬼子"是半殖民地中國(guó)的伴生物,與中國(guó)現(xiàn)代社會(huì)文化的復(fù)雜性緊密相關(guān),它是透視中國(guó)現(xiàn)代文化轉(zhuǎn)型意愿與矛盾的一面鏡子。文學(xué)中的"假洋鬼子"形象可分為喜劇型、悲劇型和悲喜劇混雜型三種,并經(jīng)歷了以下嬗變:從"中西合污的紈绔子弟",到"新舊彷徨的求新變異者",到"身份猶疑的留學(xué)生",再到"挾洋自重的市儈洋奴"。"假洋鬼子"的文學(xué)構(gòu)型是以半殖民地社會(huì)為基礎(chǔ)背景,以文化身份為重點(diǎn),沿著身體身份、民族身份、社會(huì)身份這三個(gè)維度展開(kāi)。在辮子與思想啟蒙、喬裝與身份認(rèn)同、權(quán)勢(shì)與復(fù)制時(shí)光等表述上,"假洋鬼子"文學(xué)形象有其獨(dú)特分析透視價(jià)值。這一文學(xué)形象隱含著半殖民地知識(shí)分子特殊的生命境遇、尷尬的身份、變異的文化心態(tài),從中折射出中國(guó)現(xiàn)代文化建構(gòu)中的曲折與困境。以科學(xué)、批判的眼光,深入分析"假洋鬼子"文學(xué)形象,對(duì)于確立文化自信和重建中國(guó)新文化具有重要意義。
[Abstract]:"false foreign devils" is the companion of semi-colonial China, which is closely related to the complexity of Chinese modern society and culture. It is a mirror of the desire and contradiction in the transformation of modern Chinese culture. The images of "false foreign ghosts" in literature can be divided into three types: comedy type, tragedy type and tragicomedy mixed type. And has experienced the following transmutation: from "the Chinese and the Western covert dandy", to "the new and old wandering new mutants", to "the identity hesitant foreign student". Then to "the philistine foreign slave". The literary configuration of "false foreign devils" is based on the background of semi-colonial society, cultural identity as the focus, along the body identity, national identity. The three dimensions of social identity are developed in braids and ideological enlightenment, disguise and identity, power and reproduction time, and so on. The literary image of "false foreign devils" has its unique value of analysis and perspective. This literary image implies the special life circumstances of the semi-colonial intellectuals, the awkward identity and the variant cultural mentality. It reflects the twists and turns and dilemmas in the construction of Chinese modern culture. It is of great significance to analyze the literary image of "false foreign devils" from the perspective of science and criticism for the establishment of cultural self-confidence and the reconstruction of Chinese new culture.
【作者單位】： 西南大學(xué)文學(xué)院;
【基金】：中央高�；究蒲袠I(yè)務(wù)費(fèi)專項(xiàng)資金項(xiàng)目“半殖民語(yǔ)境下的民國(guó)文學(xué)研究”(SWU1509109) 國(guó)家社科基金項(xiàng)目“民國(guó)城市的文學(xué)想象與民族國(guó)家觀念的建構(gòu)研究”(14BZW115)的階段性成果
【分類號(hào)】：I206.6
【正文快照】： 引言 在中國(guó)現(xiàn)代文學(xué)史和文化史上,有一個(gè)非常重要,但很容易被忽略的現(xiàn)象,那就是不少作家都塑造了“假洋鬼子”這一形象。較有代表性的作家有李伯元、吳趼人、梁?jiǎn)⒊�、魯迅、郭沫若、茅盾、許地山、曹禺、師陀等。由于他們的關(guān)注和思考,形成了關(guān)于中國(guó)現(xiàn)代“假洋鬼子”的書(shū)寫(xiě)，

本文編號(hào)：1371772