本文關(guān)鍵詞：張承志與新時(shí)期中國(guó)文學(xué)思潮　出處：《福建師范大學(xué)》2016年博士論文　論文類(lèi)型：學(xué)位論文

  更多相關(guān)文章： 張承志 知青文學(xué)創(chuàng)作思潮 尋根文學(xué)思潮 世俗化文學(xué)思潮

【摘要】：目前的張承志研究更多地是從審美內(nèi)部展開(kāi)的作家研究,缺乏從時(shí)代文學(xué)思潮的語(yǔ)境范疇來(lái)展開(kāi)對(duì)張承志各時(shí)期文學(xué)行為的論述。因此,本文以張承志與新時(shí)期中國(guó)文學(xué)思潮為題,試圖探索少數(shù)民族作家與新時(shí)期中國(guó)當(dāng)代文學(xué)的關(guān)系。論文分為“緒論”、三章內(nèi)容以及“余論“�！熬w論”部分主要是揭示有關(guān)張承志與新時(shí)期中國(guó)文學(xué)思潮的關(guān)系研究的現(xiàn)狀,指出本文的研究?jī)r(jià)值意義與研究思路。第一章探究的是張承志與“知青文學(xué)創(chuàng)作思潮”的關(guān)系。該章主要通過(guò)將張承志與同時(shí)期知青作家相比較,從題材選擇與情感倚重、“感知自然”與情感超越、“母愛(ài)”書(shū)寫(xiě)與底層崇拜等三個(gè)方面來(lái)論述張承志與文學(xué)思潮既同構(gòu)又超越的關(guān)系。此外還對(duì)張承志的知青審美視域與反思視野予以研究,進(jìn)一步把握作家與文學(xué)思潮的關(guān)系。第二章探究的是張承志與“尋根文學(xué)”思潮的關(guān)系,主要從被喚醒的民族意識(shí)、“尋根”定位、“尋根”的審美表達(dá)、“尋根”的極端化實(shí)踐等方面來(lái)加以分析。張承志“尋根”的審美表達(dá)主要是指他在多重比較中完成的族裔認(rèn)同以及對(duì)“現(xiàn)代性”的另類(lèi)批判,張承志“尋根”的極端化實(shí)踐是指他對(duì)于宗教文化的唯一化確認(rèn)以及理想焦慮。第三章論述張承志與1990年代“世俗化文學(xué)思潮”的關(guān)系。在這章中,先是把握張承志與文學(xué)思潮的對(duì)抗關(guān)系,從“對(duì)抗”的對(duì)象、資源與方式等方面予以針對(duì)性審視。接著,從棄絕體制與“自由”的限度來(lái)“還原”張承志在“世俗化文學(xué)思潮”中的無(wú)奈性與被動(dòng)性�！坝嗾摗辈糠诌M(jìn)一步總結(jié)了論文的核心觀點(diǎn),并指出張承志在新時(shí)期中國(guó)文學(xué)思潮中的存在狀態(tài)代表了一部分知識(shí)分子在新時(shí)期中國(guó)文學(xué)發(fā)展過(guò)程中的處境悖論。
[Abstract]:The current study of Zhang Chengzhi is more from the aesthetic interior of the writer study, the lack of literary thoughts from the era context to carry out the discussion of the literary behavior of the various periods of Zhang Chengzhi. Based on Zhang Chengzhi and the trend of Chinese literature in the new period, this paper attempts to explore the relationship between minority writers and contemporary Chinese literature in the new era. The main part of the introduction is to reveal the current situation of the research on the relationship between Zhang Chengzhi and the trend of Chinese literature in the new period. The first chapter explores the relationship between Zhang Chengzhi and the "ideological trend of Literary creation of educated Youth", which is mainly by comparing Zhang Chengzhi with the writers of educated youth in the same period. From the subject selection and emotional dependence, "perception of nature" and emotional transcendence. This paper discusses the relationship between Zhang Chengzhi and literary trend of thought from the three aspects of "maternal love" writing and worshiping at the bottom. In addition, it studies the aesthetic horizon and reflective vision of Zhang Chengzhi's educated youth. The second chapter explores the relationship between Zhang Chengzhi and the ideological trend of "Root-seeking Literature", mainly from the awakened national consciousness, the orientation of "Root-seeking", and the aesthetic expression of "Root-seeking". The aesthetic expression of Zhang Chengzhi's "seeking root" mainly refers to the ethnic identity he completed in multiple comparisons and the alternative criticism of "modernity". Zhang Chengzhi's extreme practice of "seeking roots" refers to his unique confirmation of religious culture and his anxiety of ideal. Chapter three discusses the relationship between Zhang Chengzhi and the "secularized literary trend of thought" in the 1990s. First of all, we should grasp the antagonistic relationship between Zhang Chengzhi and literary ideological trend, and examine the object, resources and methods of "confrontation". From the limit of abandoning system and "freedom" to "restore" Zhang Chengzhi's helplessness and passivity in the trend of thought of secularized literature. It is pointed out that the existence of Zhang Chengzhi in the trend of thought of Chinese literature in the new period represents the paradox of the situation of some intellectuals in the development of Chinese literature in the new period.
【學(xué)位授予單位】：福建師范大學(xué)
【學(xué)位級(jí)別】：博士
【學(xué)位授予年份】：2016
【分類(lèi)號(hào)】：I206.7
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本文編號(hào)：1367451