本文關鍵詞：論遲子建小說的儀式書寫　出處：《河北大學》2017年碩士論文　論文類型：學位論文

  更多相關文章： 遲子建 儀式 基本形態(tài) 內(nèi)涵 美學意義

【摘要】：遲子建自1980年代初開始發(fā)表作品以來,對東北充滿異域風情的極地習俗、人性的善與美、人面對苦難的堅韌和超越態(tài)度進行了充滿靈性的深描,取得了豐碩的成果。在其小說中一個非常顯明的現(xiàn)象,便是繁復多元的儀式書寫。遲子建小說中的儀式書寫,基于儀式的緣由、頻率、實現(xiàn)方式等的差異,呈示出多元的樣態(tài)。具體分為,由古老中國農(nóng)耕文明傳承而來的歲時節(jié)日習俗儀式、東北邊地色彩濃厚的地域化日常生活儀式、以薩滿教為主的神圣宗教儀式及從參與者個人角度考量的儀式等四種基本形態(tài),依此可對遲子建小說中紛繁復雜的儀式景象進行清晰梳理。遲子建小說中的儀式書寫,有機地參與到小說的情節(jié)發(fā)展和主旨構(gòu)建之中,蘊含了深厚的內(nèi)涵向度。首先,積淀了濃郁的集體記憶,加深了民族文化認同,有助于國家民族共同體的想象。其次,展演東北“地方性”知識,拾取邊地少數(shù)民族、生產(chǎn)方式、歷史及習俗文化,在全球化語境中以此實現(xiàn)文化突圍。再次,復活神話、宗教、習俗儀式中的神秘質(zhì)素,表達對現(xiàn)代性的質(zhì)疑和反思。最后,潛入哈爾濱城市生活的內(nèi)部,追溯這座到處洋溢著異域情調(diào)的現(xiàn)代化城市的斑駁復雜的歷史,透視了哈爾濱人對宗教信仰的向往,對本真、堅韌的城市品質(zhì)的持守。遲子建的小說中儀式書寫,與日常生活的寫實性描述迥異,形成了“儀典”的審美韻味。儀式延長了對文本的審美過程,達到陌生化的審美效果;對神秘、莊重氛圍的渲染,實現(xiàn)了對庸常的拒斥;對信仰的精神皈依,對民間和傳統(tǒng)文化的關注,體現(xiàn)了遲子建向內(nèi)轉(zhuǎn)的創(chuàng)作取向。但是,盡管遲子建在現(xiàn)代全球化的語境中有意堅持傳統(tǒng)民族本土化創(chuàng)作,卻不可避免的受到時代氛圍的影響,迎合消費需求。在抵御消費文化的侵襲,固守詩意,復歸原生態(tài)烏托邦的同時,遲子建小說中的儀式書寫隱現(xiàn)物欲化、奇觀化、雕琢附會的弊端。
[Abstract]:Chi Zijian has published his works since the beginning of 1980s, and has made a deep spiritual description of the Northeast's exotic customs, the goodness and beauty of human nature, the tenacity and surpassing attitude of people facing hardships, and achieved fruitful results. A very obvious phenomenon in his novels is the complex and multidimensional ritual writing. The ritual writing in Chi Zijian's novels shows a pluralistic pattern based on the differences in ritual origin, frequency and realization. Concrete is divided into four basic forms, from the ancient China farming civilization inherited the festival custom and ceremony, the Northeast color strong local daily life, to the sacred rituals of Shamanism religious rituals and considerations from individual participants from the angle of the ceremony, on Chi Zijian's novels in the complicated ceremony scene clear. The ritual writing in Chi Zijian's novels is organically involved in the plot development and tenor construction of the novel, and contains profound connotation. First, the accumulation of rich collective memory, deepen the national cultural identity, help the imagination of the national community. Secondly, we will play the northeastern "local knowledge" and pick up the marginal ethnic groups, production mode, history and customs culture, so as to achieve cultural breakout in the context of globalization. Again, the mystery of the ritual of revival of mythology, religion, custom and ritual is expressed in question and Reflection on modernity. Finally, sneak into the interior of Harbin's urban life, trace back to the motley complex history of the modern city full of exotic sentiment, and see the Harbin people's yearning for religious belief, and the persistence of the true and tough urban quality. Ceremony in Chi Zijian's novel writing, described different realism and daily life, forming a "ceremony" aesthetic charm. The ceremony extends the aesthetic process of text, achieve the aesthetic effect of defamiliarization; the mysterious and solemn atmosphere, the realization of common rejection; convert to the spirit of faith, the folk and traditional culture attention, embodies Chi Zijian's creative orientation turns inward. However, despite Chi Zijian's insistence on traditional localization of the nation in the context of modern globalization, it is inevitably influenced by the atmosphere of the times and caters to the consumption demand. In the consumer culture to resist the invasion, poetic, return original ecological Utopia and defects in Chi Zijian's novel writing ceremony looming materialistic, spectacle, carve the attached.
【學位授予單位】：河北大學
【學位級別】：碩士
【學位授予年份】：2017
【分類號】：I207.42

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