本文關(guān)鍵詞：晚清兩種《紅樓夢(mèng)》印譜考論　出處：《紅樓夢(mèng)學(xué)刊》2017年06期 　論文類(lèi)型：期刊論文

  更多相關(guān)文章： 紅樓夢(mèng)人名西廂記詞句印玩 石華館紅樓花影印譜 經(jīng)典化 藝術(shù)轉(zhuǎn)型

【摘要】：隨著晚清之際《紅樓夢(mèng)》的多元傳播,大量圍繞其本事創(chuàng)制、改編的涉紅藝術(shù)形態(tài)如扈清輝、破繭而出。本文即以晚清之際《紅樓夢(mèng)人名西廂記詞句印玩》和《石華館紅樓花影印譜》兩種涉紅篆刻印譜為考察對(duì)象,探考其版本、作者、藝術(shù)風(fēng)格,并詳審其藝術(shù)源流與承緒。該兩種印譜不單是文人案頭消遣娛樂(lè)、賞印鑒雅的工具,結(jié)合背景,涉紅印譜成規(guī)模的出現(xiàn),也拓展了《紅樓夢(mèng)》傳播形式的新局面,體現(xiàn)了晚清之際《紅樓夢(mèng)》在江浙地區(qū)的傳播、流行程度。同時(shí),以《紅樓夢(mèng)》為代表的俗文學(xué)入篆絕非孤立的篆刻現(xiàn)象,它們?yōu)椤都t樓夢(mèng)》的經(jīng)典化歷程擴(kuò)展了多元渠道,從一個(gè)側(cè)面反映了近代以來(lái)涉紅藝術(shù)的突破與轉(zhuǎn)型。
[Abstract]:With multiple communication during the late Qing Dynasty "dream of Red Mansions", a large number of around its creation, adaptation ability involving red art forms such as Hu Qinghui, pojianerchu. Based on the late Qing Dynasty "dream of Red Mansions" Xixiangji words printed names and play "Shi Hua" two red flowers Pavilion yinpu involving red seal yinpu as the study object, study its version, author, artistic style, and sifted its artistic origin and inherited. The two yinpu is not only the interests of the literati entertainment and enjoy the elegant seal tool, combined with the background, involving red scale yinpu, expand the new situation for "a dream of Red Mansions" forms of communication, reflects the late Qing Dynasty "dream of Red Mansions" in Jiangsu and Zhejiang area spread and popularity. At the same time, in "a dream of Red Mansions" as the representative of the popular literature into the seal of the seal is definitely not an isolated phenomenon, they extend multiple channels for the "classic history of a dream of Red Mansions", a reflection of the breakthrough and transformation involving Red Art in modern times.
【作者單位】： 揚(yáng)州大學(xué)文學(xué)院;
【分類(lèi)號(hào)】：I207.411
【正文快照】： 乾隆辛亥年(1791),程偉元、高鶚續(xù)補(bǔ)全璧的一百二十回《紅樓夢(mèng)》由萃文書(shū)屋擺印刊行,自此《紅樓夢(mèng)》大規(guī)模地進(jìn)入了流通領(lǐng)域,在書(shū)商市場(chǎng)和文人案頭漸次得到讀者惠愛(ài)和頌揚(yáng)。隨著受眾對(duì)《紅樓夢(mèng)》本事的喜愛(ài)和對(duì)“紅樓”文化的深層次需求,《紅樓夢(mèng)》故事的講述也漸漸突破了單一

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