本文選題：佛壇 + 文殊　； 參考：《美術(shù)》2014年02期

【摘要】：正莫高窟第61窟主室中部為一泥砌馬蹄形佛壇,重層須彌座形式,分上下兩層,周匝塑繪73個(gè)壺門,內(nèi)繪伎樂~[1]。佛壇上原有塑像,據(jù)法國學(xué)者保羅·伯希和(Paul Pelliot)隨行攝影師查爾斯·努埃特(Chades Nouette)所攝照片~[2],佛壇造像在伯希和于1908年抵達(dá)敦煌之前已遭損毀,僅背屏上殘存一獅尾以及其下堆疊而起的土臺(tái),應(yīng)為獅身內(nèi)部支撐物,現(xiàn)僅存文殊坐騎的一前蹄和背屏上殘留的獅子尾巴~[3],有研究者認(rèn)為,"在這些群像中,至少有文殊三尊之于闐國王與善財(cái)童子,與曹元忠時(shí)‘新樣文殊'版畫相
[Abstract]:In the middle of the main chamber of the No. 61 Grottoes of Zhengzheng Mogao Grottoes is a mud-built horseshoe Buddha altar, with a heavy layer in the form of a mass, divided into two layers, Zhou Zhuan painted 73 pot doors, and the inner painting of Gile ~ (1). The original statue on the altar, taken by photographer Charles Nouette, accompanied by French scholar Paul Paul Pelliot and Paul Pelliotte, was destroyed before Paul Pelliot arrived in Dunhuang in 1908. Only one lion's tail on the back screen and the earth platform stacked under it should be the internal support of the Sphinx. There is only one front hoof of the Manjusri mount and one lion's tail on the back screen. Some researchers believe, "in these images, There are at least three of Manjusri King Khotan and the good Financial Boy, and Cao Yuanzhong when the 'new kind of Manjusri' printmaking picture
【作者單位】： 廣州美術(shù)學(xué)院;
【基金】：廣東省哲學(xué)社會(huì)科學(xué)“十二五”規(guī)劃項(xiàng)目《歸義軍與莫高窟》(GD13CYS02)階段成果
【分類號(hào)】：K879.3
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本文編號(hào)：1945646