本文選題：商周之際　切入點：編列小鐃　出處：《江漢考古》2014年01期 　論文類型：期刊論文

【摘要】：作為商周之際青銅編列樂器的核心,編列小鐃與編列甬鐘一廢一興,雖有短暫重合,但總體趨勢卻是前后相繼,甬鐘替代了小鐃。小鐃的器主以殷商貴族及殷遺民為多,未發(fā)現(xiàn)姬姓周人使用編列小鐃。周初姬姓貴族使用甬鐘晚于非姬姓貴族。晚商編列小鐃與最早的編列甬鐘皆以三枚為列組基數(shù),雖偶有增益,但仍不違三枚一組的基數(shù)原則。甬鐘在編列方式上完全承襲了編列小鐃的組合方式。從墓中的擺放位置來看,編列小鐃與甬鐘多被擺放在墓葬棺槨之間,且以墓主頭腳兩端最為多見。作為一種新器形,不排除甬鐘在南方被發(fā)明的可能;但作為一種喪葬制度,編列甬鐘則繼承了殷商小鐃編列制度。商周之際存在特磬、特旽或與特殊銅鈴編列小鐃、甬鐘相配的情況,但沒有較嚴格的成例。編列甬鐘與其他樂器規(guī)制配列當在西周中期以后。
[Abstract]:As the core of bronze musical instruments in Shang and Zhou dynasties, the arrangement of small cymbals and the arrangement of Yongzhong, although there is a brief overlap, but the overall trend is one after the other, Yong Zhong has replaced the small cymbals. The small cymbals are mainly composed of Shang aristocrats and Yin survivors. It has not been found that Ji's surname Zhou people use a list of small cymbals. At the beginning of Zhou, the noblemen of Ji's surname used Yongzhong later than the noblemen of non-ji. In the late Shang Dynasty, the small cymbals and the earliest ones were all listed as the base numbers of three columns, although occasionally there were gains. However, it still does not violate the principle of the cardinal number of the three pieces. Yong Chung completely inherits the combination of the small cymbals in the arrangement. From the position in the tomb, the listing of the small cymbal and the Yongzhong are placed between the coffin and coffin of the tomb. As a new type of apparatus, Yongzhong was invented in the south, but as a funeral system, Yongzhong inherited the small cymbal arrangement system of Yin and Shang dynasties. At the time of Shang and Zhou dynasties, there was a special Qing Dynasty. The special or special copper bell is used to match the small cymbal and the Yong bell, but there is no strict example. The arrangement of the Yongzhong and other musical instruments was made after the middle of Western Zhou Dynasty.
【作者單位】： 中國社會科學院考古研究所夏商周研究室;
【分類號】：K875.5

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