【摘要】：自上個(gè)世紀(jì)九十年代以來,有關(guān)“中國(guó)方式”當(dāng)代藝術(shù)的創(chuàng)作作品以及相應(yīng)的藝術(shù)展覽已經(jīng)越來越普遍,到今天為止這已然成為一種文化現(xiàn)象。這一文化現(xiàn)象早已被國(guó)內(nèi)甚至是世界的當(dāng)代藝術(shù)體系所接受和認(rèn)可,并在中國(guó)當(dāng)代藝術(shù)的發(fā)展進(jìn)程中不斷地彰顯與發(fā)揮著自己的重要性。 中國(guó)當(dāng)代藝術(shù)自出現(xiàn)以來已悄然走過近三十年的歷程,它在中國(guó)藝術(shù)史的發(fā)展中同時(shí)也起到了不可替代的作用。也正是在這三十年當(dāng)中,其自身的定位也逐漸發(fā)生了變化。它既然作為一種重要的文化現(xiàn)象存在于當(dāng)今社會(huì),其必然有著自身的文化底蘊(yùn)與文化根源,以及相應(yīng)的文化視覺經(jīng)驗(yàn),這也正是本文所要研究的重點(diǎn)。由種種跡象表明,在眾多的“中國(guó)方式”當(dāng)代藝術(shù)作品中所呈現(xiàn)出的本土圖式和本土語言為我們?nèi)蘸笱芯科湮幕澈蟮囊曈X經(jīng)驗(yàn)提供了重要依據(jù)。其核心在于藝術(shù)家本人在前期積累了大量創(chuàng)作經(jīng)驗(yàn)的同時(shí)也給我們提供了更多可行性的參考,又在整個(gè)中國(guó)當(dāng)代藝術(shù)體系中達(dá)成了一種共識(shí),那就是,它作為一種“中國(guó)方式”當(dāng)代藝術(shù)的文化現(xiàn)象已經(jīng)逐漸成為中國(guó)當(dāng)代藝術(shù)的主流現(xiàn)象,必然也會(huì)引領(lǐng)以后中國(guó)當(dāng)代藝術(shù)的發(fā)展方向。同時(shí),它創(chuàng)作中的視覺經(jīng)驗(yàn)也正在影響著我們對(duì)視覺文化的理解和對(duì)藝術(shù)創(chuàng)作空間的想象,也在日后的潛意識(shí)當(dāng)中不斷充實(shí)和提煉自身特有的視覺經(jīng)驗(yàn),更有利于挖掘其更深層次的中國(guó)本土文化。 本文試圖通過中國(guó)本土文化在當(dāng)代藝術(shù)中的借鑒和轉(zhuǎn)換來分析“中國(guó)方式”當(dāng)代藝術(shù)創(chuàng)作以及其視覺經(jīng)驗(yàn),進(jìn)而評(píng)估“中國(guó)方式”當(dāng)代藝術(shù)在現(xiàn)當(dāng)代藝術(shù)語境下的未來趨勢(shì)以及價(jià)值,最終定論說明“中國(guó)方式”當(dāng)代藝術(shù)在中國(guó)本土進(jìn)行實(shí)驗(yàn)的可行性與必然性。
[Abstract]:Since the 1990s, the creation of contemporary art in the "Chinese way" and the corresponding art exhibitions have become more and more common, which has become a cultural phenomenon so far. This cultural phenomenon has long been accepted and recognized by the contemporary art system in China and even in the world, and continues to show and play its own importance in the process of the development of Chinese contemporary art. Since its emergence, Chinese contemporary art has quietly gone through the course of nearly 30 years, and it has also played an irreplaceable role in the development of Chinese art history. It is also in these 30 years, its own positioning has gradually changed. Since it exists as an important cultural phenomenon in today's society, it must have its own cultural heritage and cultural roots, as well as the corresponding cultural visual experience, which is the focus of this paper. All kinds of signs show that the local schema and local language in many "Chinese style" contemporary art works provide an important basis for us to study the visual experience behind its culture in the future. Its core lies in that the artist himself has accumulated a lot of creative experience in the early stage, but also provided us with more feasible reference, and reached a consensus in the whole Chinese contemporary art system, that is, as a cultural phenomenon of "Chinese way" contemporary art, it has gradually become the mainstream phenomenon of Chinese contemporary art, and will inevitably lead to the development direction of Chinese contemporary art in the future. At the same time, the visual experience in its creation is also affecting our understanding of visual culture and imagination of artistic creation space, and constantly enriching and refining its own unique visual experience in the subconscious in the future, which is more conducive to excavating its deeper Chinese local culture. This paper attempts to analyze the contemporary art creation of "Chinese way" and its visual experience through the reference and transformation of Chinese local culture in contemporary art, and then evaluate the future trend and value of "Chinese way" contemporary art in the context of modern and contemporary art, and finally explain the feasibility and necessity of the experiment of "Chinese way" contemporary art in China.
【學(xué)位授予單位】：華中師范大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2014
【分類號(hào)】：J04

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