【摘要】： 在經(jīng)濟繁榮,政治穩(wěn)定的大背景下,畫廊產(chǎn)業(yè)迅速崛起。作為展覽和銷售美術(shù)作品的場所,其燈光應(yīng)當(dāng)兼具藝術(shù)展示和商業(yè)吸引的雙重作用,一些私人畫廊兼做創(chuàng)作場所,燈光又肩負了適于創(chuàng)作的責(zé)任。目前國內(nèi)外對展示性燈光的研究主要集中在博物館照明和美術(shù)館照明,中國建筑照明設(shè)計標準(GB50034-2004)中也制定了相關(guān)規(guī)范,并在實踐上取得了寶貴的經(jīng)驗,但對于藝術(shù)畫廊照明這一融合創(chuàng)作、展示、商業(yè)的領(lǐng)域一直缺少關(guān)注,本文的研究充分借鑒既有的博物館美術(shù)館照明研究模式,基于畫家的創(chuàng)作需求和繪畫作品本身的展示需要,運用專業(yè)的照明理論,為藝術(shù)畫廊照明提供可實施的照明依據(jù)。 文章首先分析了同樣作為展示照明,畫廊照明和博物館及美術(shù)館照明的不同之處,揭示對其進行單獨立項研究的必要性和重要性。之后,針對展示照明中最為重要的顏色特性做研究并對現(xiàn)有人工光源的照明效果進行比較分析,得出適用于畫廊照明的光源類型。 在這樣的理論基礎(chǔ)上,作者走訪幾位國內(nèi)外知名的畫家,調(diào)研其畫廊工作室的照明現(xiàn)狀,主要在顏色特性方面得出其工作室現(xiàn)狀照明的優(yōu)點和不足,與之溝通了解藝術(shù)創(chuàng)作人士對光環(huán)境的需求,針對畫家的不滿之處提供解決辦法：設(shè)計了一款可調(diào)節(jié)照度及色溫的燈具,使其可以滿足不同畫家對創(chuàng)作光環(huán)境的要求。并于畫廊工作室中進行實踐性實驗,驗證這個辦法的合理性。 第四章對畫廊展示照明進行了深入的分析研究,包含天然光、人工光、混合光在畫廊的使用,考慮不同畫作種類和風(fēng)格,從展品照明到展示空間照明及其他過渡性功能空間照明,得出畫廊照明的合理設(shè)計方式和指標。之后對某個人畫廊進行實踐性的照明設(shè)計,經(jīng)歷與藝術(shù)家溝通,建立照明模型,進行各項光分布參數(shù)的軟件模擬計算和現(xiàn)場實驗,選擇合適的燈具和燈具布置方式。燈具安裝完成后得到畫廊主人的認可。 最后從理論和實踐兩方面,對畫廊照明做了總結(jié)和展望。為畫家,畫廊所有者和照明設(shè)計者提供一套可供參考的畫廊照明體系,以達到為藝術(shù)創(chuàng)作和藝術(shù)展示提供良好舒適光環(huán)境的目的。
[Abstract]:Under the background of economic prosperity and political stability, the gallery industry is rising rapidly. As a place for exhibition and sale of art works, its lighting should play a dual role in both artistic display and commercial attraction. Some private galleries act as creative places, and lighting shoulders the responsibility suitable for creation. At present, the research on exhibition lighting at home and abroad is mainly focused on museum lighting and art gallery lighting. The Chinese Architectural Lighting Design Standard (GB50034-2004) has also formulated relevant specifications, and gained valuable experience in practice. However, there has been a lack of attention to the fusion creation, display and commercial field of art gallery lighting. The research in this paper fully draws lessons from the existing research mode of museum and art gallery lighting. Based on the creative needs of painters and the display needs of painting works themselves, the professional lighting theory is used to provide feasible lighting basis for art gallery lighting. This paper first analyzes the differences between exhibition lighting, gallery lighting and museum lighting, and reveals the necessity and importance of separate project research. After that, the most important color characteristics of display lighting are studied and the lighting effects of existing artificial light sources are compared and analyzed, and the types of light sources suitable for gallery lighting are obtained. On the basis of this theory, the author visits several famous painters at home and abroad, investigates the lighting status of his gallery studio, mainly obtains the advantages and disadvantages of the current lighting of his studio in terms of color characteristics, communicates with it to understand the needs of artistic creators for the light environment, and provides solutions to the painters' dissatisfaction: a lamp that can adjust the illuminance and color temperature is designed. So that it can meet the requirements of different painters for the creation of light environment. Practical experiments are carried out in gallery studio to verify the rationality of this method. In the fourth chapter, the gallery display lighting is deeply analyzed and studied, including the use of natural light, artificial light and mixed light in the gallery, considering different painting types and styles, from exhibition lighting to display space lighting and other transitional function space lighting, and the reasonable design mode and index of gallery lighting are obtained. Then the practical lighting design of an individual gallery is carried out, the communication with the artist is experienced, the lighting model is established, the software simulation calculation and field experiment of each light distribution parameter are carried out, and the appropriate lamps and lanterns arrangement are selected. After the installation of lamps and lanterns is completed, it is approved by the owner of the gallery. Finally, from the theoretical and practical aspects, the gallery lighting is summarized and prospected. Provide a set of gallery lighting system for painters, gallery owners and lighting designers for reference, in order to provide a good and comfortable light environment for artistic creation and art display.
【學(xué)位授予單位】：復(fù)旦大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2010
【分類號】：TU113.662

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