【摘要】：20世紀(jì)60年代哈維·利特爾頓教授在美國威斯康辛大學(xué)開設(shè)了一門短期玻璃吹制課程,標(biāo)志著美國玻璃工作室運(yùn)動的肇始,自此玻璃藝術(shù)開始在具體的理論和目標(biāo)指引下深入借鑒當(dāng)代藝術(shù)的多種形式,逐步脫離實(shí)用性、裝飾性的束縛。2009年作為威尼斯雙年展官方展覽之一的"玻璃應(yīng)力"使更多的當(dāng)代玻璃藝術(shù)作品進(jìn)入了觀察者的視野。本文將簡要地梳理當(dāng)代玻璃藝術(shù)中的熱塑藝術(shù)作品的發(fā)展線索,以代表藝術(shù)家及相關(guān)作品為例,介紹當(dāng)代玻璃熱塑藝術(shù)的創(chuàng)作理念和藝術(shù)特征。
[Abstract]:In the 1960s, Professor Harvey Littton opened a short-course glass-blowing course at the University of Wisconsin in the United States, marking the beginning of the movement of the American Glass Studio, which began to draw on the various forms of contemporary art from the perspective of concrete theory and objectives. The "glass stress" of one of the official exhibitions in Venice in 2009 made more contemporary glass of art into the viewer's field of view. This paper will briefly comb the development clue of the thermoplastic art in the contemporary glass art, take the representative of the artist and the related work as an example, introduce the creation idea and the artistic characteristic of the contemporary glass thermoplastic art.
【作者單位】： 清華大學(xué)美術(shù)學(xué)院;
【基金】：“清華大學(xué)教學(xué)改革項(xiàng)目”資助,項(xiàng)目編號:ZY01_02
【分類號】：TS932.8

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本文編號：2484006