中西繪畫中私密行為表達(dá)之比較
發(fā)布時(shí)間：2018-09-11 14:34
【摘要】：有關(guān)私密性題材的繪畫在當(dāng)代中國油畫中并不罕見,但是在舊時(shí)之中國,此類型的繪畫卻總是難登大雅之堂。對(duì)于當(dāng)代中國藝術(shù)家來說,此類型的繪畫對(duì)于彰顯人性,表現(xiàn)人的生命力,以及表達(dá)其對(duì)自由的追求卻是一個(gè)有力的切入點(diǎn)。并且在全球化的趨勢(shì)之下,許多藝術(shù)家都或多或少的受到了西方審美趣味及價(jià)值觀的影響。本文的重點(diǎn)則在于論述和分析在不同的社會(huì)律例及審美觀念的影響下,私密性題材的繪畫于東西方之間的異同之處。通過讀圖及對(duì)比工作,我們大致上可以看到私密性繪畫的表現(xiàn)與其所屬社會(huì)各個(gè)方面之間的千絲萬縷的聯(lián)系。由此理解私密性題材繪畫的呈現(xiàn)方式,同時(shí)能夠加深對(duì)于東西方審美趣味、價(jià)值觀之異同的理解,并能夠更深的體會(huì)與之相關(guān)的時(shí)代、社會(huì)。 本文共分三個(gè)部分進(jìn)行論述。第一部分對(duì)于環(huán)境心理學(xué)中的私密性以及私密行為的概念進(jìn)行簡(jiǎn)要論述并為本文的展開與討論提供基礎(chǔ)；第二部分是本文的重點(diǎn)論述章節(jié),即對(duì)東西方關(guān)于私密性題材繪畫的異同進(jìn)行比較并對(duì)典型形式進(jìn)行分析；第三部分論述當(dāng)代中國畫家對(duì)于此類型題材表達(dá)的特點(diǎn)。
[Abstract]:Privacy painting is not uncommon in contemporary Chinese oil painting, but in old China, this kind of painting is always difficult to be elegant. For contemporary Chinese artists, this type of painting is a powerful breakthrough point for showing human nature, expressing human vitality and expressing their pursuit of freedom. And in the trend of globalization, many artists are more or less influenced by Western aesthetic taste and values. The emphasis of this paper is to discuss and analyze the similarities and differences between the East and the West under the influence of different social laws and aesthetic concepts. By reading pictures and comparing them, we can generally see the inextricable connection between the expression of privacy painting and all aspects of the society to which it belongs. From this understanding of the privacy of the subject of painting presentation, at the same time can deepen the eastern and western aesthetic taste, values of the similarities and differences, and can be a deeper understanding of the related era, society. This paper is divided into three parts. The first part briefly discusses the concepts of privacy and private behavior in environmental psychology and provides the basis for the development and discussion of this paper. The third part discusses the characteristics of contemporary Chinese painters' expression of this type of subject matter.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J20-03
[Abstract]:Privacy painting is not uncommon in contemporary Chinese oil painting, but in old China, this kind of painting is always difficult to be elegant. For contemporary Chinese artists, this type of painting is a powerful breakthrough point for showing human nature, expressing human vitality and expressing their pursuit of freedom. And in the trend of globalization, many artists are more or less influenced by Western aesthetic taste and values. The emphasis of this paper is to discuss and analyze the similarities and differences between the East and the West under the influence of different social laws and aesthetic concepts. By reading pictures and comparing them, we can generally see the inextricable connection between the expression of privacy painting and all aspects of the society to which it belongs. From this understanding of the privacy of the subject of painting presentation, at the same time can deepen the eastern and western aesthetic taste, values of the similarities and differences, and can be a deeper understanding of the related era, society. This paper is divided into three parts. The first part briefly discusses the concepts of privacy and private behavior in environmental psychology and provides the basis for the development and discussion of this paper. The third part discusses the characteristics of contemporary Chinese painters' expression of this type of subject matter.
【學(xué)位授予單位】：中央民族大學(xué)
【學(xué)位級(jí)別】：碩士
【學(xué)位授予年份】：2011
【分類號(hào)】：J20-03
【相似文獻(xiàn)】
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1 張勵(lì)民;論中西繪畫的融合是一種趨勢(shì)[J];民族藝術(shù)研究;2002年01期
2 朱穎人;朱穎人;朱穎人;;中西繪畫的差異與聯(lián)系——隨顏文j、林風(fēng)眠、關(guān)良、潘天壽、吳，
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