【摘要】：自2000年第一座城市規(guī)劃展覽館——上海城市規(guī)劃展示館建成以來,中國其他城市涌現(xiàn)出該類展館的建設(shè)熱潮。在城市的發(fā)展更替中,城市規(guī)劃展覽館力圖成為一個溝通市民、政府、城市的公共場所,一種收納城市文化和發(fā)展變化的容器。而在經(jīng)過十多年的發(fā)展到現(xiàn)在,它形象的政治化、運作的權(quán)力化、功能的單一化都使展館的發(fā)展陷入了困境,其主要的原因在于建筑公共性的缺失。 本文詳細記述鄭州市鄭東新區(qū)城市規(guī)劃展覽館的設(shè)計過程。在開始設(shè)計之前,對鄭州整個城市歷史和文化進行深入的分析,以項目所在的鄭東新區(qū)為重點,得出鄭東新區(qū)城市建設(shè)在尺度上的失調(diào)和公共空間的缺乏。在設(shè)計之初,采用公共開放的策略回應(yīng)鄭東的城市背景,同時響應(yīng)基地環(huán)境。而在方案設(shè)計階段通過底層架空和穿行于建筑中的公共漫步動線來實現(xiàn)建筑的公共性,并不斷協(xié)調(diào)公共空間與展覽空間并置產(chǎn)生的矛盾,將其導(dǎo)向一種虛實相容的戲劇化空間狀態(tài)。最后通過施工圖設(shè)計將方案深化到可建造的程度。設(shè)計過程中所遇到的各種問題,針對問題尋找的先例,解決問題的途徑,這一系列設(shè)計行為都將得到回顧,并試圖從回顧中推導(dǎo)出一般性設(shè)計方法。通過設(shè)計和設(shè)計總結(jié)完成了對公共建筑缺乏公共性這一中國城市發(fā)展痼疾的批判性實踐。 文章最后在實踐的基礎(chǔ)上做方法論上的歸納,總結(jié)建筑達到城市公共活力空間這一目標(biāo)的一般性設(shè)計手段,主要從物質(zhì)和非物質(zhì)層面兩方面討論,非物質(zhì)層面上的一種空間預(yù)設(shè),以及物質(zhì)層面上具體的建筑設(shè)計手法,以期能為其他的城市規(guī)劃展覽館以及一般的公共建筑設(shè)計提供借鑒,推動公共建筑的公共化。
[Abstract]:Since the completion of the first urban planning exhibition hall, Shanghai City Planning Exhibition Hall in 2000, there has been an upsurge in the construction of this kind of exhibition hall in other Chinese cities. In the process of the development of the city, the city planning exhibition hall tries to become a kind of container to connect the citizen, the government, the city public place and the culture and development of the city. After more than ten years' development, the politicization of its image, the power of its operation and the simplification of its function make the development of the exhibition hall fall into a dilemma. The main reason is the lack of the public nature of the building. This paper describes in detail the design process of the Urban Planning Exhibition Hall of Zheng Dong New District, Zhengzhou City. Before the beginning of the design, the history and culture of the whole city of Zhengzhou are analyzed in depth, and the focus of Zheng Dong New District, where the project is located, is drawn, and the imbalance of urban construction and the lack of public space in the new district of Zheng Dong are obtained. At the beginning of the design, the public opening strategy was adopted to respond to Zheng Dong's urban background and the base environment. In the design stage of the project, the public nature of the building is realized through the public walking line in the ground floor and through the building, and the contradiction between the public space and the exhibition space is constantly coordinated. To guide it to a virtual reality compatible state of dramatization space. Finally, through the construction drawing design to deepen the scheme to the degree that can be built. The problems encountered in the design process, the precedent of the problem and the way to solve the problem, will be reviewed, and the general design method will be deduced from the review. Through the design and design summary, the critical practice of the lack of publicity of public buildings, a chronic disease of urban development in China, has been completed. Finally, on the basis of practice, this paper summarizes the general design methods of building to reach the goal of urban public vitality space, mainly from the material and non-material aspects. A kind of space presupposition on the non-material level, and the concrete architectural design method on the material level, in order to provide reference for other urban planning exhibition halls and general public building design, and promote the publicity of public buildings.
【學(xué)位授予單位】：南京大學(xué)
【學(xué)位級別】：碩士
【學(xué)位授予年份】：2011
【分類號】：TU242.5

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