【摘要】：正近年來,中國美協(xié)油畫藝委會通過每年一站的展覽,思考中國油畫在理論、在藝術(shù)語境上的精神底蘊(yùn)與傳承發(fā)展。"吾土吾民系列展覽"立足吾土文化,關(guān)注吾民感受,強(qiáng)調(diào)重述當(dāng)代文化語境中傳統(tǒng)文化如何在主觀處理客觀世界中所起到的重要作用。本次以"鼎新華南"為主題的展覽,是這一思路的繼續(xù)與延伸。廣東油畫的傳承發(fā)展與中國油畫發(fā)展歷程一脈相承。由于地域優(yōu)勢,廣東油畫有幸地成為了中國油畫400年發(fā)展史中的一個縮影。中國油畫的脈絡(luò)和中國油畫的不斷推延
[Abstract]:In recent years, the Council of Oil painting Arts of the China Association of Fine Arts, through its annual exhibition, has reflected on the spiritual heritage and development of Chinese oil painting in the theoretical and artistic context. " The series exhibition "based on our local culture, pays attention to our people's feelings, and emphasizes the important role of traditional culture in dealing with the objective world in the context of contemporary culture." This exhibition, with the theme of "Dingxin South China", is the continuation and extension of this idea. The inheritance and development of Guangdong oil painting and the development of Chinese oil painting in the same vein. Due to its regional advantages, Guangdong oil painting has become a microcosm of the 400-year history of Chinese oil painting. The venation of Chinese Oil painting and the continuous delay of Chinese Oil painting
【作者單位】： 廣東省美術(shù)家協(xié)會;廣東畫院;
【分類號】：J213
，

本文編號：2187839