發(fā)布時間：2018-06-25 22:32

  本文選題：博物館 + 藝術性展示空間�。� 參考：《北京工業(yè)大學》2010年碩士論文

【摘要】： 當代博物館是提供大量文化、情感資訊的公共場所,為人們提供學習、休閑、交流、區(qū)域形象等功能,這里成為科技水平、社會生活、文化觀點的最佳體現(xiàn)者。與其它類型的建筑相比,博物館設計具有特殊性、實驗性和個異性,注重人文精神和體驗空間的營造。展覽建筑蓬勃發(fā)展的今天,也出現(xiàn)了一些體量巨大、形狀怪異的草率之作,它們足夠奪目而成為所謂的地標,卻失卻博物館的本質精神和意義。這樣的背景之下,尺度感設計是保證觀眾舒適體驗的重要手段之一,是實現(xiàn)展示功能的前提,關系到展示場所人性化理念的表達,對其進行研究是十分有意義的。 本課題以博物館建筑中具有代表性的藝術性展示空間為研究對象,以尺度這一傳統(tǒng)設計手法為切入點,對展示理念、方式和空間進行研究,闡釋塑造空間尺度感的設計方法,具備一定的獨創(chuàng)性和實際意義。論文共5章,分三個層次。 首先,第一、二章是概述部分,包括研究背景、對象、意義、方法、框架等,簡要分析了博物館建筑展示空間及其尺度的變化過程,提出當代藝術性展示空間存在的三種主要的尺度感問題。其次,第三、四章是分析論證,理清尺度感的影響因素,進而研究尺度與空間、展品、觀者間的動態(tài)關系,歸納當代藝術性展示空間尺度新特征,通過實例評述其形態(tài)和職能。最后,第五章得出結論,總結當代藝術性展示空間的尺度感設計方法,包括整體性把握、人性化控制、多樣化發(fā)展三個層次,循序漸進地闡明如何從空間的形態(tài)、特性、構成、序列、節(jié)點等角度塑造和調整尺度,將對當代藝術、空間設計理念的思考貫穿其中。 本文將變化與發(fā)展引入建筑設計的基礎手法,“新舊”結合闡釋設計趨向。希望在追求視覺刺激的潮流下,空間設計能夠回歸建筑本質,對當代博物館建筑藝術性展示空間的發(fā)展策略、設計方法等提供簡單有效的參考和啟發(fā)。
[Abstract]:The contemporary museum is a public place which provides a great deal of cultural and emotional information, and provides people with the functions of learning, leisure, communication, regional image, etc. It is the best embodiment of the scientific and technological level, social life and cultural viewpoint. Compared with other types of architecture, museum design is special, experimental and heterosexual, focusing on the construction of humanistic spirit and experience space. Today, with the vigorous development of exhibition buildings, there are also some hasty works with huge bodies and strange shapes. They are enough to be called landmarks, but they lose the essence and significance of the museum. Under this background, the scale design is one of the important means to ensure the audience comfortable experience, is the premise to realize the display function, relates to the expression of the humanized concept of the exhibition place, it is very meaningful to study it. This topic takes the representative artistic exhibition space in the museum architecture as the research object, regards the scale as the traditional design technique as the breakthrough point, carries on the research to the display idea, the way and the space, explains the design method which molds the spatial scale feeling. Have certain originality and practical significance. The thesis consists of five chapters, which are divided into three levels. First, the first, second chapter is the overview, including the research background, object, significance, method, framework and so on, briefly analyzes the museum building display space and its scale change process. This paper puts forward three main problems of the sense of scale existing in the contemporary artistic display space. Secondly, the third and fourth chapters are to analyze and demonstrate, clarify the influencing factors of the sense of scale, and then study the dynamic relationship between scale and space, exhibits and viewers, sum up the new characteristics of space scale of contemporary artistic display, and comment on its form and function through examples. Finally, the fifth chapter draws the conclusion, summarizes the contemporary artistic display space scale sense design method, including the overall grasp, the humanity control, the diversification development three levels, explains step by step how from the space form, the characteristic, the constitution, Sequence, node and other angles to shape and adjust the scale, will be contemporary art, space design ideas throughout the thinking. This paper introduces the change and development into the basic method of architectural design, and explains the design trend with the combination of "new and old". It is hoped that under the trend of pursuing visual stimulation, space design can return to the essence of architecture and provide a simple and effective reference and inspiration for the development strategy and design method of contemporary museum art exhibition space.
【學位授予單位】：北京工業(yè)大學
【學位級別】：碩士
【學位授予年份】：2010
【分類號】：TU242.5

【引證文獻】

相關碩士學位論文 前2條

1 謝俊;展覽建筑室內交通空間設計研究[D];中南大學;2012年

2 崔晉;北陵公園滿族特色景觀區(qū)規(guī)劃設計研究[D];沈陽建筑大學;2012年

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本文編號：2067791