本文選題：黑龍江 + 漆畫　； 參考：《南京藝術(shù)學(xué)院學(xué)報(美術(shù)與設(shè)計版)》2013年01期

【摘要】：正中國現(xiàn)代漆畫是在瑰麗燦爛的華夏古典藝術(shù)土壤中孕育成長起來的,具有鮮明東方文化特征的新型畫種。近三十年來,在中西文明間的碰撞、交融的大背景下,中國漆畫在不間斷的摸索、吸納、發(fā)展、自新中,才有了今日的繁榮。全國性的漆畫展覽相繼舉辦,漆畫以其特有的形式語言及審美意蘊(yùn),獲得了越來越多的美術(shù)專業(yè)人士以及社會大眾的認(rèn)可與推崇。隨著資訊的發(fā)達(dá),國際間、地域間信息交流的頻繁,對黑龍江漆畫從萌芽到發(fā)展起到了推動作用。一、發(fā)展背景
[Abstract]:Modern Chinese lacquer painting is a new type of painting with distinctive oriental cultural characteristics, which was conceived and grown in the magnificent Chinese classical art soil. In the past 30 years, under the background of the collision and blending of Chinese and Western civilizations, Chinese lacquer painting is developing, absorbing, developing and developing continuously. The national exhibition of lacquer painting has been held one after another. With its unique formal language and aesthetic implication, lacquer painting has been recognized and respected by more and more art professionals as well as the public. With the development of information and the frequent exchange of information between the international and regional areas, the lacquer painting of Heilongjiang has played a role in promoting the development from the bud to the development. I. Development context
【作者單位】： 哈爾濱師范大學(xué)美術(shù)學(xué)院;
【分類號】：J213.9
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本文編號：1843376