本文選題：馬格 + 利特　； 參考：《美術(shù)觀察》2013年02期

【摘要】：正由中國美術(shù)館、比利時瓦隆-布魯塞爾國際關(guān)系總署共同主辦的圖與詞——馬格利特以來:中比合作超現(xiàn)實主義展于2012年12月21日在中國美術(shù)館開幕。此次展覽在2012歐盟一中國文化對話年框架下展開,是中國與比利時瓦隆-布魯塞爾大區(qū)聯(lián)盟文化交流協(xié)議的重點藝術(shù)項目。此次展覽關(guān)注的是現(xiàn)當代藝術(shù)史上的一個獨特命題,即繪面、造型藝術(shù)與書寫、文學語言之間的關(guān)聯(lián)。在西方現(xiàn)代藝術(shù)史上,對"圖與詞"命題的關(guān)注,最早可以追溯到馬格利特在1929年12月刊的《超現(xiàn)實主義革命》上發(fā)表的《詞與圖》宣言。其中綜合呈現(xiàn)了藝術(shù)家在上世紀20年代術(shù)超現(xiàn)實主義氛圍的歐洲,對詞圖關(guān)系的多種思考。馬格利特將語詞引入畫面,質(zhì)疑事物的指代與事物本身的關(guān)聯(lián)。其1929年
[Abstract]:The exhibition of Sino-Belgian cooperation surrealism opened on December 21, 2012 at the Museum of Art of China, Belgium's Walloon Brussels General Administration of International Relations. The exhibition, launched within the framework of the 2012 EU-China year of Cultural Dialogue, is the focus of the cultural exchange agreement between China and Belgium's Walloon Brussels Regional Union. The exhibition focuses on a unique proposition in modern and contemporary art history, namely, the relationship between painting, plastic arts and writing, literary language. In the history of western modern art, the attention to the proposition of "picture and ci" can be traced back to the manifesto of "ci and Picture" published by Magritt in the "Surrealism Revolution" published in December 1929. It presents a variety of reflections on the relationship between words and graphs in Europe, where artists in the surrealism atmosphere of the 1920s. Magritte introduces words into the picture, questioning the relation between the reference of the thing and the thing itself. It was in 1929.
【分類號】：J205
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本文編號：1843186